Delay Parameters

Section - 4 Editing Modules

Johnson Millennium

the output. The Millennium delays have a feedback meter that is used to send a portion of the delayed signal back to the input to be re- recorded along with new source material. The feedback setting determines how long the delay repeats take to decay to inaudibility.

When do I use delay? When you’re the lone guitarist in a band, the Delay can be your best friend. The Delay repeats can create the illusion that there is more than one guitar being played. One trick to using delays effectively is setting the delays to fall in time with the music. This used to mean grabbing a calculator, dividing 60 by the tempo (beats per minute), then dividing that answer by the desired sub- beats . . . Sound like a hassle? Yeah, we thought so too. So the Millennium takes care of all the calculations for you! All you have to do is tap the TapIt <button> or (assign the tapit parameter to a footswitch on the J-12 or J-3) and manually tap in the desired delay time and the new time is added.

Another common use for delay is for stereo imaging. Very small amounts of delay (10-25ms) can be used to make a signal sound like it is panned to one side. This trick works because of the way the brain interprets sounds. When your left ear hears something before the right ear, it thinks that the source of that sound is found somewhere to your left. You can also use delays set at 30-60ms, which spreads a sound to the extremes of the stereo image. Be careful with this technique if your mix has a chance of being listened to in mono.

Note: not all of the parameters listed below are available in all Delay modules.

FX: Lvl	Controls the signal input level fed to the Module. Ranges from Off to 100%.
Dry: Lvl	Controls the level of the dry (uneffected) signal. Ranges from Off to 100%.
Balance	Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).
Dly Time	Sets the maximum delay time available to each delay voice. For example, if DELAYTIME is set to 1000 ms, each delay
	voice can be set from 0 to 100% of that delay time. Ranges from 0 to 1.4 seconds (Maximum delay times differ
	between 4th, 3/4, HLF, and FUL module Types.) Half bandwidth delay times automatically double the set delay time
	used used.
FdBck	Controls the fade time of the delay repeats. Higher settings take longer to fade out, while a setting of zero could be
	used to limit the delay to one repeat per voice. The delay provide both positive and negative feedback settings.
	Ranges from -99% to +99%.
TapIt	Allows you to change DELAYTIME in real-time, by tapping the TAPIT button at the tempo you want. Delay voice
	percentages do not change when using this control.
Smear	Sets the spread of Diffusion of the Delay Repeats. Ranges from 0 to 100%.
LPF	Selects where the Low Pass Filter is positioned within the Delay Module. Positions are: Pre Delay or Post Delay.
Frequency	Selects the Frequency band that appears in the LPF. Ranges from 25 Hz to 20 kHz.
Gain	Controls the output gain of the LPF. Ranges from -12 to 12.

User Guide

Stereo150 specifications

Millennium Enterprises has long been recognized for its commitment to quality and innovation in the audio technology industry, and the Stereo150 amplifier is a testament to that legacy. This high-performance stereo amplifier is designed for audiophiles seeking exceptional sound quality and versatility in their media setups.

One of the standout features of the Stereo150 is its impressive power output. With a robust 150 watts per channel, it delivers clear, dynamic sound that can fill even the largest rooms with rich audio. The amplifier employs Class D technology, which not only enhances efficiency but also reduces heat generation, allowing it to operate for extended periods without the risk of overheating. This class of amplification is known for producing high fidelity sound while maintaining a compact form factor, making the Stereo150 an ideal choice for both home and professional setups.

The Stereo150 also incorporates advanced digital signal processing (DSP) technology. This allows for precise audio tuning, enabling users to tailor their listening experience according to their preferences. With customizable EQ settings, you can enhance low frequencies for a more bass-heavy sound or adjust high frequencies for clarity in vocals and instruments. This flexibility ensures that the Stereo150 can adapt to a wide variety of musical genres, from classical to rock to electronic.

Connectivity is another strong suit of the Stereo150. It features multiple input options, including RCA, balanced XLR, and optical inputs, facilitating seamless integration with various audio sources, such as turntables, CD players, and streaming devices. Additionally, the amplifier supports Bluetooth connectivity, making it easy to stream music directly from smartphones and tablets without the hassle of wires.

Durability and aesthetics have not been overlooked in the design of the Stereo150. The chassis is constructed from high-quality materials, providing both a modern look and sturdiness for long-term use. The front panel includes a user-friendly interface with LED indicators, making it easy to navigate settings and monitor the status of the amplifier.

In conclusion, the Millennium Enterprises Stereo150 stands out as a powerful, versatile, and aesthetically appealing stereo amplifier. Its combination of robust performance, advanced features, and diverse connectivity options make it an excellent choice for anyone looking to elevate their audio experience with high-quality sound. Whether used in a home theater, a studio, or for casual listening, the Stereo150 is poised to satisfy even the most discerning audio enthusiasts.

Millennium Enterprises Stereo150 manual Delay Parameters

Models: Stereo150