![Panel Controls and connections](/images/new-backgrounds/101359/1013597x1.webp)
Panel Controls and connections
1. INPUTS
The electronically balanced XLR MIC input is designed to accept signals from any balanced or unbalanced low impedance (Low Z) microphone. This input can also be used for low line level signals. Make sure to turn down the preceding unit to avoid distortion. The XLR jack is configured for: Pin1 = ground, Pin2 = positive (+), Pin3 = negative
The 1⁄4” TRS LINE input is designed to accept balanced or unbalanced linelevel signals such as those from keyboards, drum machines, or samplers. If a balanced signal is to be connected to the line input, then a 1/4” TRS (stereo) phone plug should be wired for: Tip = positive (+), Ring = negative
Note: Both Mic input and Line input can be used simultaneously if desired, however audio levels cannot be adjusted separately.
2. LINE OUT
This 1⁄4” unbalanced output can be used to
3. VOLUME
This adjusts the signal level sent to the internal speakers, external speaker, and headphone outputs.
MAKE SURE TO AVOID EXCESSIVE CLIPPING OF THE POWER AMPLIFIER!!!
The Volume should be adjusted to be comfortably audible without excessive clipping. The red clipping LED indicator, located on the front baffle, will light when the amplifier is within 3dB of clipping. It is acceptable if the red LED lights occasionally. If the red LED lights more than occasionally, you should turn down the volume to avoid audible distortion and possible damage to
the speakers or amplifier. The
Note: Speakers and amplifiers damaged due to hard clipping are not covered under warranty.
4. EQ
The
Another very important, yet often overlooked technique is to use the EQ to subtract from the mix. Cutting the HIGH control can reduce unwanted sibilance, hiss, cymbals, or high frequency feedback, while attenuating the MID or BASS can also eliminate feedback or clear up a muddy sounding mix. Cutting the HIGH and BASS, then pushing up the Volume control is equivalent to a mid range boost!
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