C O N T R O L S A N D C O N N E C T I O N S
1. MONO INPUT SECTION
(1) MIC INPUT
The Mic input is an electronically balanced XLR type designed to accept signals from any balanced low impedance (Low Z) microphone. To accommodate condenser microphones, this input is also equipped with +48VDC phantom power globally switchable to all XLR input jacks with the Phantom Power switch (28) on the back panel. Dynamic or
[Note: The Mic inputs are more sensitive than the Line inputs. Also, do not connect mics with the phantom power switched on, as indicated by the Phantom Power On LED (12) in the
Master Section of the front panel. Never use unbalanced mic cables with the Phantom Power switched on. Never short the +48VDC to ground, as that can cause serious damage to your mixer. Also, turn down the Master Mix (17) to prevent possible sharp transient noise from damaging the speakers when turning the phantom power on or off.]
(2) LINE INPUT
The Line input is designed to accept unbalanced
(Note: Only either the Mic or the Line input of a given channel can be connected at one time. Never connect both simultaneously to the same channel.)
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(3) TRIM (PAD CONTROL)
The trim control adjusts the input sensitivity (channel gain) of the mic inputs on the mono input channels. This control can be adjusted to accommodate input signals from a wide variety of sources, from the high outputs from keyboards or drum machines to the small signal outputs of microphones. The trim control adjusts the input sensitivity from
(4)All mono input channels are fitted with a
[Note: Always reset a channel’s input Gain (or external devices’ output level) after altering the amount of mixer equalization cut or boost applied.]
The key to successful equalization is to avoid excess. Too much equalization on the input channels will result in a mix that is smeared together with nothing specifically defined.
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