Nady Systems SPM-835 C O N T R O L S A N D C O N N E C T I O N S, Back Panel, Aux Send

C O N T R O L S A N D C O N N E C T I O N S

(28) (31)

(27)

(30)

(29)	(32)
BACK PANEL

to narrow the stereo width of a reverb field. To do this you will have to come back on two mono channels to get independent pan for the left and right signals.

(25) AUX SEND

The Aux Send jack is the unbalanced output for the signals sent from the channel Aux controls (5). It is post-fader. This signal can be sent to the input of an effects processor, multi- track recorder, or used for any other line-level auxiliary purpose. The Aux Send level is adjusted by the channel Aux Send controls (5).

(12) PHANTOM POWER ON LED INDICATOR

This LED will light when the PHANTOM POWER switch (28) is turned on.

(13) POWER ON LED

Once you have connected the AC power cord to the AC power source and the AC Power In Socket (29), switch on your mixer with the Power On switch (27). The Power “ON” LED will light up. Allow 1 minute after powering up for the system to reach equilibrium before setting input gains and other levels.

b. Master Mix Function and Operation

(32)MAIN SPEAKER OUTPUTS

(23)STEREO OUTPUTS

(15)TAPE INPUTS

(18)TAPE IN LEVEL CONTROL

(14) REC OUTPUTS

(17) MASTER MIX GAIN CONTROL

(19,20 ) LED OUTPUT METERING INDICATORS

(21)TAPE IN TO MASTER/TAPE TO HEADPHONES ONLY SWITCH

The Master Mix is output to the Main Speaker outputs (32), Stereo Outputs (23), and the Record Output (14). The L/R Speaker Outputs (32) provide 35W at 4 ohms for powering P.A. speakers rated for this power or more. The Stereo Outputs are Left (L) and Right (R) 1/4” TRS phone jacks compatible with both unbalanced and balanced connections to other mixers, recording equipment, or additional amplifiers for increased P.A. power, etc. The REC Outputs (14) also provide an output of the master mix. These outputs are RCA jacks, and designed primarily for inputs to tape recorders, etc. The output level routed to the Speaker outputs, Stereo Outputs and REC Outputs is determined ultimately by the setting of the Master Mix Gain Control (17). The Master Mix (signal on the main bus) is the sum of the signals routed from all the channels and also the inputs from the AUX return bus and the TAPE Input (15). Set the Tape In To Master/Tape to Headphones Only switch (21) to the “down” position to route signals from the Tape Input (15) to the Master Mix Gain Control (17). The level of signal routed to the Master Mix Gain Control (17) from DAT, tape decks, CD players, etc., input to the Tape Input (15) is determined by the setting of the output volume control of the audio device

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