C O N T R O L S A N D C O N N E C T I O N S

(28) (31)

(27)

(30)

(29)

(32)

 

 

BACK PANEL

 

to narrow the stereo width of a reverb field. To do this you will have to come back on two mono channels to get independent pan for the left and right signals.

(25) AUX SEND

The Aux Send jack is the unbalanced output for the signals sent from the channel Aux controls (5). It is post-fader. This signal can be sent to the input of an effects processor, multi- track recorder, or used for any other line-level auxiliary purpose. The Aux Send level is adjusted by the channel Aux Send controls (5).

(12) PHANTOM POWER ON LED INDICATOR

This LED will light when the PHANTOM POWER switch (28) is turned on.

(13) POWER ON LED

Once you have connected the AC power cord to the AC power source and the AC Power In Socket (29), switch on your mixer with the Power On switch (27). The Power “ON” LED will light up. Allow 1 minute after powering up for the system to reach equilibrium before setting input gains and other levels.

b. Master Mix Function and Operation

(32)MAIN SPEAKER OUTPUTS

(23)STEREO OUTPUTS

(15)TAPE INPUTS

(18)TAPE IN LEVEL CONTROL

(14) REC OUTPUTS

(17) MASTER MIX GAIN CONTROL

(19,20 ) LED OUTPUT METERING INDICATORS

(21)TAPE IN TO MASTER/TAPE TO HEADPHONES ONLY SWITCH

The Master Mix is output to the Main Speaker outputs (32), Stereo Outputs (23), and the Record Output (14). The L/R Speaker Outputs (32) provide 35W at 4 ohms for powering P.A. speakers rated for this power or more. The Stereo Outputs are Left (L) and Right (R) 1/4” TRS phone jacks compatible with both unbalanced and balanced connections to other mixers, recording equipment, or additional amplifiers for increased P.A. power, etc. The REC Outputs (14) also provide an output of the master mix. These outputs are RCA jacks, and designed primarily for inputs to tape recorders, etc. The output level routed to the Speaker outputs, Stereo Outputs and REC Outputs is determined ultimately by the setting of the Master Mix Gain Control (17). The Master Mix (signal on the main bus) is the sum of the signals routed from all the channels and also the inputs from the AUX return bus and the TAPE Input (15). Set the Tape In To Master/Tape to Headphones Only switch (21) to the “down” position to route signals from the Tape Input (15) to the Master Mix Gain Control (17). The level of signal routed to the Master Mix Gain Control (17) from DAT, tape decks, CD players, etc., input to the Tape Input (15) is determined by the setting of the output volume control of the audio device

9

Page 8 Page 10
Page 9
Image 9
Nady Systems SPM-835 owner manual Phantom Power on LED Indicator
Page 8 Page 10

SPM-835 specifications

The Nady Systems SPM-835 is a versatile and reliable choice for professionals seeking high-performance wireless microphone technology. Designed for a wide range of applications, including live performances, public speaking, and broadcasting, the SPM-835 offers exceptional audio quality and robust features that cater to the needs of musicians, presenters, and other users.

One of the standout features of the SPM-835 is its frequency diversity technology. This innovation minimizes interference and ensures a stable signal, providing users with a clear and uninterrupted audio experience. The system operates in the UHF frequency band, which is known for its ability to cover longer distances while offering better resistance to interference compared to VHF systems. The SPM-835 is equipped with multiple channels, allowing users to select the clearest frequencies, making it suitable for environments with potential signal disruptions.

The microphone itself features a dynamic design that is ideal for vocals. This characteristic not only enhances the richness of the sound but also ensures that it effectively captures the nuances of the speaker's voice. The SPM-835's cardioid pickup pattern further enhances its performance by focusing on the sound source while minimizing background noise. This makes the microphone particularly effective in live settings where ambient sounds can compete with the intended audio.

Another significant advantage of the SPM-835 is its ergonomically designed handheld transmitter. This transmitter is lightweight and easy to handle, making it comfortable to use for extended periods. It also features a battery life indicator, allowing users to keep track of power levels and avoid unexpected downtime during performances.

The system includes a compact receiver that boasts a range of connection options for easy integration with existing sound gear. Users appreciate the simple setup process, with easy-to-read LED displays for monitoring audio levels and signal strength. Additionally, the SPM-835 incorporates a range of advanced wireless technologies, including auto-scan frequency selection, which automatically searches for the clearest available frequency to ensure optimal signal quality.

The Nady Systems SPM-835 is an ideal choice for those looking for a reliable and feature-rich wireless microphone system. Its combination of advanced technology, user-friendly design, and superior audio performance makes it a top pick among audio professionals and enthusiasts alike.
Top Page Image Contents