C O N T R O L S A N D C O N N E C T I O N S

(22) etc., input to the

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tape Input (13) is

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

determined by the

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(24)

setting of the output

 

 

 

 

 

 

 

 

 

 

 

volume control of

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

the audio device

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(26) being connected, so

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(19)

 

 

 

 

 

 

 

 

care must be taken

 

 

 

 

 

 

 

 

 

 

 

 

in adjusting this

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

level so as to

 

 

 

 

 

 

(20)

 

 

 

 

 

 

 

 

achieve proper bal-

 

 

 

 

 

 

 

 

 

 

(27)

ance in the final mix

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and to prevent over-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

load distortion.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The 10-stage LED

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Output Meter (27)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

displays the Master

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mix output level.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(21)

 

 

 

 

 

 

 

 

c. Monitor

 

 

 

 

 

 

 

 

 

 

 

Function and

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Operation

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(17) CONTROL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ROOM OUTPUTS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(18) HEAD-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHONES OUTPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(22) PHONES/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CONTROL ROOM

 

 

 

 

(28)

CONTROL

 

 

 

(20) MASTER/PFL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TO CONTROL

ROOM SWITCH The SRM-12X/14X allows you to moni- tor either the Master Mix or any chan- nel(s) selected by the channel PFL Select switch (9). To monitor the Master Mix, the

Master/PFL to Control Room switch (20) must be in the up (unpressed) position. Press the switch down to enable PFL function. In this mode you can now monitor any channel(s) by pressing the channel PFL Select switch (9). In either case, the signal level is adjusted with the Phones/Control Room control (22) and routed to both the Control Room (17) and Headphones (18) outputs. The L-R Control Room Outputs

(17)can be connected to an amp to power stereo control room (or other) monitor speakers and are 1/4" unbalanced phone jacks, wired: Tip = positive (+), Sleeve = ground.

The Phones Output will feed headphones and is a 1/4" TRS jack, wired: tip = left signal, ring = right signal, sleeve = ground.

d. Power Switches

(31)AC POWER IN SOCKET

(23)MAIN POWER SWITCH

(24)POWER ON LED INDICATOR

Once the external PSU is connected to the AC Power In socket (31) and then to the AC power source, you may switch on your mixers with the Power On switch (23). The Power "ON" LED (24) will light up. Allow 1 minute after powering up for the system to reach equilibrium before setting inputs gains and other levels.

(25)PHANTOM POWER SWITCH

(26)PHANTOM POWER ON LED INDICATOR

When using condenser mics, +48VDC can be switched glob- ally on or off to the XLR mic inputs for all mono channels (also see MONO INPUT SECTION, MIC INPUTS). When this switch is in the "ON" position, The Phantom Power On LED Indicator (26) will light, and +48VDC will be provided between pins 2 and 3 on all the mono Mic input XLR connec- tors. If you don’t need phantom power, be sure to turn this switch to the "OFF" position.

[Note: It is safe to connect balanced dynamic mics or line level devices even if this switch is on, but connecting unbal- anced devices or devices whose transformers are center- grounded will cause hum or malfunctions. Shorting the +48VDC can also damage your mixer. Also, mute the Monitor/PA speakers when turning the phantom power on or off.]

(23)(25)

BACK PANEL

(31)(30)

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Nady Systems SRM-14X, SRM-12X owner manual Monitor, Function, Operation, Power Switches
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SRM-14X, SRM-12X specifications

Nady Systems is a pioneering name in the world of wireless audio technology, and their SRM-12X and SRM-14X models exemplify their commitment to delivering high-quality wireless systems suitable for a wide range of applications. Both units are designed for musicians, performers, and presenters who demand reliability and superior sound quality.

The Nady SRM-12X is a versatile, dual-channel wireless receiver. It operates within the UHF frequency range, ensuring minimal interference and enhanced sound clarity. With sixteen selectable frequencies, users can easily switch channels to find the clearest signal available, making it ideal for crowded use situations like concerts or corporate events. The SRM-12X features a unique scanning function that automatically identifies and selects the best operating frequency.

Another significant advantage of the SRM-12X is its compatibility with various Nady transmitters, including lavalier, handheld, and bodypack options. This flexibility allows performers to choose the best type of transmitter for their specific needs, whether they require hands-free capabilities or a traditional handheld microphone.

On the other hand, the Nady SRM-14X takes wireless audio a step further. This model includes all the essential features of the SRM-12X, but it also adds additional advanced technologies for improved performance. One notable characteristic is the enhanced audio processing capabilities, which help to uplift the sound dynamic range, producing richer tones and clearer highs.

Both systems support a wide dynamic range and low total harmonic distortion, confirming that audio fidelity is never compromised. The built-in LED indicators provide real-time monitoring of audio and RF signal strength, ensuring that users can always identify any potential issues before they impact performances.

Moreover, both the SRM-12X and SRM-14X embody Nady's robust construction and reliability. The durable metal chassis stands up to the rigors of touring and extensive use, making these systems dependable for professional applications.

In conclusion, the Nady Systems SRM-12X and SRM-14X offer powerful wireless solutions equipped with sophisticated technologies, versatile compatibility, and excellent audio quality. These systems are well-suited for both novice users and seasoned professionals, reflecting Nady's dedication to innovation in the audio industry. With these models, performers gain confidence in their wireless setup, allowing them to focus on delivering exceptional performances.
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