ADJACENT CHANNEL INPUTS ......................-78dB~-68 dB
INPUT TO OUTPUT .......................................... -78dB~-68 dB
The specifications above are correct at the time of printing of this manual. For improvement purposes, all specifications for this unit, including design and appearance, are subject to change without prior notice.
12
7. CROSSTALK @ 1KHZ
13. DIMENSIONS AND WEIGHT
SRM-12X:13.5" x 11.5" x 3" (343 x 292 x 76 mm), 7.9 lbs (3.7 Kg)
SRM-14X:13.5" x 13.5" x 3" (343 x 343 x 76 mm), 9.3 lbs (4.2 Kg)
External PSU not included
Mono input channel
trim control............................Stop to stop- Mic +10 dB~+60 dB
Channel/Master Faders ...................................... -to +15 dB
Aux Send ..............................................................Off to +15 dB
Aux Return ..............................................Off to Unity to +15 dB
25 Watts, External PSU
6. GAIN CONTROL RANGE
12. POWER CONSUMPTION
10-segment LED X 2
5. INPUT CHANNEL EQUALIZATION
High shelving ....................12 kHz, +/- 15 dB, Q fixed at 2 oct. 10. PHANTOM POWER
Mid bell ............................2.5 khZ, +/- 15 dB, Q fixed at 1 oct. +48 VDC, globally selected
Low shelving ......................80 Hz, +/- 15 dB, Q fixed at 2 oct.
Low Cut (High Pass)11. POWER REQUIREMENTS
filter (Mono channels only)............75 Hz, -3 dB (18 dB/octave) External PSU, 120 VAC/60Hz or 230 VAC/50Hz
9. VU METERS
ANY INPUT TO
ANY OUTPUT ..............0.02%, 20 Hz-20 KHz @ 1Khz, 0 dBm
ANY INPUT TO20 Hz-20 Khz, Rs=150 ohms, input TRIM @ 0 dB, input sensi- ANY OUTPUT ....................20 Hz to 20 KHz =/- 3dB @ 0 dBm tivity at –60 dB
EQUIVALENT INPUT NOISE ....................................-129 dBm
4. TOTAL HARMONIC DISTORTIONRESIDUAL OUTPUT NOISE........................................-85 dBm
3. FREQUENCY RESPONSE
8. HUM AND NOISE

S P E C I F I C AT I O N S

1. INPUT SECTION

Input

Connector

Input Impedance

Nominal Level

Max Level

MONO CH MIC

XLR

>1.3K Ω

+2 dBm

+14 dBm

 

 

 

 

 

MONO CH LINE

1/4" TRS

>10K Ω

+4 dBm

+22 dBm

STEREO CH LINE

1/4" TRS

>10K Ω

+4 dBm

+22 dBm

 

 

 

 

 

TAPE IN

RCA PIN JACKS

>10K Ω

+2 dBm

+22 dBm

AUX RETURNS

1/4" TS

>10K Ω

+4 dBm

+22 dBm

 

 

 

 

 

INSERT IN

1/4" TRS

>10K Ω

+4 dBm

+22 dBm

 

 

 

 

 

 

 

 

 

 

2. OUTPUT SECTION

Output

Connector

Output Impedance

Nominal Level

Max Level

STEREO OUT L/R

XLR & 1/4" TS

120

+4~+6 dBm

+22 dBm

AUX SENDS 1,2

1/4" TS

120

+4~+6 dBm

+20 dBm

INSERT OUT

1/4" TRS

120

+4~+6 dBm

+22 dBm

CNTRL R. OUT

1/4" TS

1K

+4~+6 dBm

+22 dBm

REC OUT

RCA PIN JACKS

1K

+4~+6 dBm

+22 dBm

 

PHONES

1/4" TRS

200

–––

40mW X 2

 

 

 

 

 

 

 

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Nady Systems SRM-14X, SRM-12X owner manual E C I F I C At I O N S

SRM-14X, SRM-12X specifications

Nady Systems is a pioneering name in the world of wireless audio technology, and their SRM-12X and SRM-14X models exemplify their commitment to delivering high-quality wireless systems suitable for a wide range of applications. Both units are designed for musicians, performers, and presenters who demand reliability and superior sound quality.

The Nady SRM-12X is a versatile, dual-channel wireless receiver. It operates within the UHF frequency range, ensuring minimal interference and enhanced sound clarity. With sixteen selectable frequencies, users can easily switch channels to find the clearest signal available, making it ideal for crowded use situations like concerts or corporate events. The SRM-12X features a unique scanning function that automatically identifies and selects the best operating frequency.

Another significant advantage of the SRM-12X is its compatibility with various Nady transmitters, including lavalier, handheld, and bodypack options. This flexibility allows performers to choose the best type of transmitter for their specific needs, whether they require hands-free capabilities or a traditional handheld microphone.

On the other hand, the Nady SRM-14X takes wireless audio a step further. This model includes all the essential features of the SRM-12X, but it also adds additional advanced technologies for improved performance. One notable characteristic is the enhanced audio processing capabilities, which help to uplift the sound dynamic range, producing richer tones and clearer highs.

Both systems support a wide dynamic range and low total harmonic distortion, confirming that audio fidelity is never compromised. The built-in LED indicators provide real-time monitoring of audio and RF signal strength, ensuring that users can always identify any potential issues before they impact performances.

Moreover, both the SRM-12X and SRM-14X embody Nady's robust construction and reliability. The durable metal chassis stands up to the rigors of touring and extensive use, making these systems dependable for professional applications.

In conclusion, the Nady Systems SRM-12X and SRM-14X offer powerful wireless solutions equipped with sophisticated technologies, versatile compatibility, and excellent audio quality. These systems are well-suited for both novice users and seasoned professionals, reflecting Nady's dedication to innovation in the audio industry. With these models, performers gain confidence in their wireless setup, allowing them to focus on delivering exceptional performances.