4.12 MASTER Section
18
- CONTROL ROOM SOURCE
11
16
4.10 FADER
8 9/10
SG/PEAK
MUTE
10
dB
-5
-10
-20
-25
-30
-40
-60
0
5
SG/PEAK
MUTE
10
dB
-5
-10
-20
-25
-30
-40
-60
0
5
SUB1-2
SUB3-4
MAINL-R
SOLO
17
16
17
4.11ASSIGNMENT Control
Each channel provides four push-buttons: SUB1-2, SUB3-4, MAIN
L-R and SOLO.
RIGHTRIGHTRIGHT RIGHT
SUBGROUPSASSIGN TO MAIN MIX OUTPUT
SOLOMODE
AFL
PFL
TOAUX
TOAUX
MAINMIX
AUXRETURNS SOLO
LEFT LEFT
4-DFX2 SEND
LEFT LEFT
4-DFX2RETURN
SUB1/2
SUB3/4
3
0
4
0
MAINMIX
3
0
4
CTRL/R
0
SEND2
STEREOAUXRETURNS
1
0
2
SOLO
AUXSENDS
011
2
0
2
SEND1
0
00
SOLOACTIVE
LEVELSET
2TKTOMIX
CTRLROOM
SUB3-4
2TKIN
MAINMIX
SUB1-2 PHONES
CTRLROOMSOURCE
SOLO
SOLO
SOLO
-+15
8
-+15
8
-+15
8
-+15
8
-+15
8
-+15
8
-+15
8
-+15
8
-+15
8
-+15
8
-2
-4
-10
-20
-7
LR
-30
10
CLIP
2
4
7
0
MAX
-
8
MAX
-
8
LEVEL
- PHONES/CTRL ROOM
Rotate these knobs to adjust the stereo
level of CTRLROOM and PHONES outputs
separately,which can be varied from - to
MAX.
18
19
19
This Fader will adjust the overall level of this channel and set the
amount of signal sent to the Main output or the corresponding
subgroup output.
SUB1-2
SUB3-4
MAINL-R
SOLO
The other three buttons can be considered as signal assignment
switches. Pressing the SUB 1-2 will assign the channel signal to
Subgroup1/2, you can depend on the PAN/BALswitch to adjust
the amount of channel signal sent to the SUB1 versus SUB2,
when turns the PAN/BALto completely left, then the signal can be
only controlled by Subgroup1 and vice-versa.
In the same way,pressing the SUB 3-4 or MAIN L/R will assign the
channel signal to Subgroup3/4 or MAIN MIX L/R, and will also be
affected by PAN/BALcontrol.
Youcan choose to monitor any combination
of MAIN MIX, SUB1-2, SUB 3-4 and 2TK
IN via these MATRIXswitches. Engaging
these switches, these stereo signals will
be delivered to the PHONES, CONTROL
ROOM and METERS display.
Pressing the SOLO button, the corresponding SOLO LED will ill-
uminate and the SOLO signal will replace other signals sent to the
headphone/CONTROLROOM and meters.
Usually use the SOLO function in live work to preview channels
before they are let into the mix. It is useful to set an instrument's
input level and EQ, and you can also solo any channel that you
want to. The SOLO switch never affectsany mix other than the
CONTROLROOM.
Note: When any SOLO switch was engaged,
the SOLO signal will replace other signals,
and also be sent to the CONTROLROOM,
PHONES and METERS.