Applications

 

Using REC menu

(Record)

11

 

 

 

 

 

 

REC menu settings (P.18)

 

 

REC

1/3

 

 

 

 

 

 

Default setting outlined:

 

 

W.BALANCE

AWB

 

 

 

 

 

 

SENSITIVITY

AUTO

 

 

 

 

 

 

‘Quick setting’ (P.57) is useful to easily call up frequently-used menus.

 

 

ASPECT RATIO

 

 

 

 

 

PICT.SIZE

 

 

 

 

 

 

 

 

 

QUALITY

 

 

 

 

 

 

 

 

SELECT

EXIT

 

 

 

 

W.BALANCE

The same colour may appear more blue or more red depending on the light source (sun, lamps, etc). Colours can be adjusted to their natural appearance by adjusting the white balance.

Applicable modes:

Settings:

AWB

(automatic) /

 

(outdoor, clear sky) /

(outdoor, cloudy

 

sky) /

(outdoor, shade) /

(incandescent lighting) /

 

(uses

 

 

 

 

 

value set in

 

) /

 

(set manually)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‘AWB’ operational range: (‘AWB’ sets the optimum white balance automatically.)

 

 

 

 

 

 

 

 

‘AWB’ may not function normally in certain

 

 

 

10000K

 

 

Blue sky

 

 

 

 

 

 

 

conditions, such as under red (e.g. candlelight),

 

 

 

9000K

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

blue (e.g. TV screen), or a mixture of light

 

 

 

8000K

 

 

 

 

 

 

 

 

 

 

 

 

Cloudy sky (rain)

sources, or with an absence of any colour close

 

 

 

7000K

 

 

 

to white.

 

 

 

 

 

 

 

 

 

 

 

 

 

Shade

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TV screen

We recommend setting to ‘AWB’ or ‘

 

 

 

’

 

 

 

6000K

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5000K

 

 

 

Sunlight

when under fluorescent lighting.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

White fluorescent lighting

 

 

 

 

 

 

 

 

 

 

 

4000K

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3000K

 

 

 

Incandescent lighting

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2000K

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sunset/sunrise

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Only takes image of

 

 

 

1000K

 

 

Candlelight

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

white objects within

 

 

Setting white balance manually (

 

)

 

 

 

frame (step

)

 

 

 

 

 

 

 

 

 

 

 

 

Select

 

and press ‘MENU/SET’.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Point the camera towards a white object (e.g. paper) and press

 

WHITE SET

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‘MENU/SET’.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Press ‘MENU/SET’ twice.

 

 

 

 

 

 

 

 

 

 

 

(Or press shutter button halfway.)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Making this setting will reset white balance fine adjustment (see

 

CANCEL

 

SET MENU

 

 

 

below).

 

 

 

Changes to red

 

 

White balance fine adjustment (excluding ‘AWB’)

 

 

(blue) when making

 

 

 

 

 

Press ▲ several times until ‘WB ADJUST.’ is displayed.

fine adjustment

 

 

 

Adjust with ► if reds are strong, adjust with ◄ if blues are

 

 

 

 

 

 

 

 

 

 

strong.

 

 

 

 

WB ADJUST.

 

 

 

 

 

 

 

 

 

RED

 

BLUE

 

 

 

Press ‘MENU/SET’ (or press shutter button halfway).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SELECT

 

EXIT

 

Detailed settings can be made for recording, such as colouring, sensitivity, aspect ratio, and picture size.

Items vary depending on mode.

‘ ’, ‘ ’, ‘ ’, ‘ ’, and ‘’ can be adjusted independently. Settings are remembered even if power is turned off. Settings remain applied when using flash photography.

Even though the ‘AWB’ setting is fixed in ‘UNDERWATER’ scene mode (P.44), fine adjustments may still be made.

Fine adjustments cannot be made when ‘COL.MODE’ (P.57) is set to ‘COOL’, ‘WARM’, ‘B/W’, or ‘SEPIA’.

SENSITIVITY

Set sensitivity to lighting. We recommend higher settings to take clear pictures in darker locations.

Applicable modes:

Settings: AUTO (automatic) /100 / 200 / 400 / 800 / 1250

(if

mode: ‘ISO LIMIT’ 400 / 800 / 1250)

AUTO: Automatically set with range up to 00 (640 when using flash) according to brightness.

Maximum ISO sensitivity (‘ISO LIMIT’) can be set when using mode. Setting guide

SENSITIVITY

100

 

150

 

Location (recommended)

Bright

 

Dark

(outdoors)

 

 

 

 

Shutter speed

Slow

 

Fast

 

Interference

Low

 

High

 

ASPECT RATIO

Aspect ratio of picture can be changed according to printing or playback format.

Applicable modes:

 

Settings:

 

 

 

 

 

(Still pictures only)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4

 

 

 

 

 

 

3

16

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

 

 

 



 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Same as 4:3 TV or

 

Same as normal film

For playback on

 

 

computer

 

camera

widescreen/high

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

definition TV

 

Edges may be cut off when printing – be sure to check in advance (P.88).

50 VQT1B83

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Image 27
Panasonic DMC-TZ2 operating instructions Using REC menu, Balance, Sensitivity, Aspect Ratio, Awb
Page 26 Page 28

DMC-TZ2 specifications

The Panasonic DMC-TZ2, introduced in 2007, marked a significant advancement in the compact digital camera market, combining portability with advanced photographic capabilities. Targeted at both amateur and seasoned photographers looking for a lightweight yet powerful option, the TZ2 offered a blend of features that made it stand out in its class.

At the core of the DMC-TZ2 is a 7.2-megapixel sensor that allows for high-resolution images and excellent detail capture. The camera features a Leica DC Vario-Elmar lens with a versatile 28mm wide-angle to 280mm telephoto range (equivalent in 35mm). This lens is perfect for a variety of shooting situations, from broad landscapes to distant subjects, enabling users to capture stunning images without the need for multiple lenses.

One of the standout features of the TZ2 is its Optical Image Stabilization (O.I.S) technology, a boon for handheld photography. This technology minimizes the blurriness caused by camera shake, especially in low-light conditions or when using zoom. Coupled with a fast f/3.3 to f/4.9 aperture, the TZ2 ensures that users can shoot confidently even in challenging lighting conditions.

The DMC-TZ2 also includes a 2.5-inch LCD screen with a high resolution, making it easy to frame shots and review images. The screen's brightness can be adjusted for better visibility in various lighting situations, contributing to the overall user-friendly experience. Furthermore, the camera features a variety of scene modes and intelligent automatic settings, facilitating effortless shooting without requiring in-depth camera knowledge.

In terms of additional technologies, the TZ2 boasts the Venus Engine III image processor, which enhances image quality while minimizing noise at higher ISO settings. This processor also contributes to faster shooting speeds and improved battery performance, allowing for extended usage during outings.

Built with a sleek, compact design, the DMC-TZ2 is made for portability, making it an ideal travel companion. Its robust construction ensures durability, while its lightweight design makes it easy to carry.

In conclusion, the Panasonic DMC-TZ2 provides an impressive combination of features, advanced technologies, and user-friendly options within a compact design. It represents a compelling choice for those seeking a versatile camera that can effortlessly capture high-quality images in a range of environments.
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