14–22 3-band parametric EQ

Each band of the parametric EQ section has a control for: cut/boost; bandwidth (Q) and frequency. This is a full parametric EQ! All three bands of parametric EQ overlap‚ giving you control over the entire tonal spectrum.

14‚ 17‚ 20 cut/boost

This control behaves like any other active EQ control where CW (clockwise) rotation provides boost‚ CCW (counterclockwise) rotation provides cut and the 12 o’clock position (detent) provides no action at all (no cut or boost).

15‚ 18‚ 21 bandwidth (Q)

The bandwidth controls determine how wide or narrow a range of tones will be affected by the cut/boost control. For instance‚ when the bandwidth control is fully CCW‚ the cut/boost control will affect a wide range of frequencies (wide bandwidth = low Q). When the bandwidth is fully CW‚ the cut/boost will affect a very narrow range of tones (narrow bandwidth = high Q). If the bandwidth control is somewhere between the two extremes‚ the bandwidth will likewise be somewhere between wide and narrow. As the control is rotated CW‚ the bandwidth gets narrow. As the control is rotated CCW‚ the bandwidth gets wide. A good place to start is with the bandwidth set to the 3 o’clock position. This is roughly where many “semi-parametric” EQs are set.

16‚ 19‚ 22 frequency

The frequency controls determine the center point at which the cut/boost will take action. Think of the bandwidth control affecting the range of tones being acted upon and the frequency control determining the center point of those tones.

Note about frequencies:

The electric bass generates notes with frequencies ranging from about 30.9 Hz (low B-string on a five-string bass) to about 523.3 Hz (high C-string on a six-string bass). It may help you to think of frequencies as notes on your instrument or notes that you sing. By doing this‚ the concept of bandwidth and frequency becomes easier to understand. The bandwidth control determines the number of notes being affected and the frequency control determines the center of that range of notes.

Below are a few more pitches with their corresponding frequencies:

Four-string bass:

E string = 41.2 Hz

A string = 55.0 Hz

D string = 73.4 Hz

G string = 98.0 Hz

23 master volume

This knob controls the overall volume level of the system.

24 DDT™ enable/disable switch

DDT speaker protection is disabled when the button is depressed or in the “in” position. DDT should be enabled at all times to protect your speakers.

25 power LED/DDT indicator

The LED is green when the power switch is in the “on” position. During normal operation‚ this LED also acts as a DDT/clip indicator. The LED illuminates red when DDT speaker protection is taking place or when the power amp is clipping (if DDT is disabled).

26 power switch

Used to turn AC mains power on or off.

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Peavey 500 14-22 3-band parametric EQ, 14‚ 17‚ 20 cut/boost, 15‚ 18‚ 21 bandwidth Q, 16‚ 19‚ 22 frequency, Master volume
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500 specifications

The Peavey 500 is a powerful and versatile amplifier that has garnered praise from musicians and audio engineers alike. Known for its robust performance and reliability, the Peavey 500 is designed for a variety of applications, including live performances, studio recordings, and worship settings. With a blend of innovative technologies and practical features, this amplifier stands out in the crowded market of pro audio equipment.

One of the key features of the Peavey 500 is its impressive power output. Offering substantial wattage, this amplifier is capable of driving even the most demanding speaker systems with ease. Competitively designed to handle both high and low frequencies, it ensures clarity and fullness of sound, making it an excellent choice for bassists and guitarists who require punchy, dynamic tones.

The Peavey 500 incorporates several exclusive technologies to enhance its performance. One such innovation is Peavey’s proprietary TransTube technology, which emulates the warm, harmonic-rich tones of vacuum tube amplifiers. This allows musicians to achieve a rich and vibrant sound without carrying the weight and maintenance demands of traditional tube amps.

In addition to its sound quality, the Peavey 500 is equipped with built-in EQ controls, allowing users to tailor their sound to suit different performance environments. Its comprehensive tone-shaping capabilities include bass boost, midrange adjustments, and treble controls, enabling precise sound customization. This flexibility is crucial for musicians who often perform in varied acoustic spaces.

Durability is another hallmark of the Peavey brand, and the Peavey 500 is no exception. Engineered with high-quality components and a rugged construction, this amplifier is built to endure the rigors of frequent transportation and heavy use. From the solid chassis to the robust input and output connectors, every aspect of the Peavey 500 reflects a commitment to long-lasting performance.

Furthermore, the amplifier features multiple input options, including standard quarter-inch jacks and XLR connections, ensuring compatibility with a wide range of instruments and audio sources. The versatility of the Peavey 500 is further enhanced by options for direct outputs, making it easy to connect to recording systems or external mixers.

Overall, the Peavey 500 stands as a testament to Peavey’s dedication to quality and innovation in the music industry. With its powerful output, advanced technologies, and user-friendly features, it continues to be a go-to choice for musicians seeking reliability and exceptional sound in their performances. Whether on stage or in the studio, the Peavey 500 delivers the performance that professionals expect and deserve.
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