MON Send (36)

The MON Send features a 1⁄4" TRS Z-balanced jack in the master section. This output can be used with the Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The MON mix is determined by the amount of signal being sent to the MON bus in each channel and by the Monitor master control.

EFX Send (37)

The EFX Send features a 1⁄4" TRS Z-balanced jack in the master section. These outputs can be used with Tip‚ Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The EFX mix is determined by the amount of signal being sent to the EFX bus in each channel and by the EFX master control.

Control Room Outputs (38)

The Control Room Outputs feature two 1⁄4" TRS Z-balanced jacks. These outputs can be used with Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The Control Room Output Level is adjusted with the Headphone Level Control (21).

Left/Right Outputs (39)

The left/right Outputs feature two 1⁄4" TRS Z-balanced jacks and two fully balanced XLR outputs. The 1⁄4" outputs can be used with Tip‚ Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The output level is set by the Master Level faders (29). Both outputs can be used simultaneously.

Headphone Output (40)

The Headphone Output is a 1⁄4" TRS (tip= left; ring = right; sleeve = ground). The signal sent to this output is normally the left/right mix. When the Tape to Control Room switch is engaged, the tape input signal is added to the left/right mix and can be monitored in the headphones.

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Power Switch (41)

Depressing the power switch supplies power to the unit.

Warning: The power switch in this unit breaks only one side of the line. There may be hazardous energy present inside the mixer when the power switch is in the OFF position.

Removable Power Cord (42)

This receptacle is for the IEC line cord (included) that provides AC power to the unit. Connect the line cord to this connector and to a properly grounded AC supply. Damage to the equipment may occur if an improper line voltage is used (see voltage marking on unit). Never remove or cut the ground pin of the line cord plug. The console is supplied with a properly rated line cord. If lost or damaged, replace this cord with one of the proper rating.

NOTE FOR UK ONLY:

If the colors of the wires in the mains lead of this unit do not correspond with the colored markings identifying terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be connected to the terminal marked by the letter E, or by the earth symbol, or colored green or green and yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N, or colored black. (3) The wire that is colored brown must be connected to the terminal that is marked with the letter L or colored red.

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Peavey PV 14, PV 10 manual Control Room Outputs, Left/Right Outputs, Headphone Output, Power Switch, Removable Power Cord
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PV 10, PV 14 specifications

The Peavey PV 14 and PV 10 mixers are versatile and reliable audio mixing solutions tailored for musicians, sound engineers, and event organizers. Known for their robustness and intuitive design, these mixers are ideal for live sound, studio recordings, and other audio applications.

The PV 14 is a 14-channel mixer, offering a combination of XLR and line inputs that make it suitable for a variety of audio sources. It features 8 low-noise microphone preamps, which provide a transparent and clear sound, essential for vocal and instrument capture. Additionally, it includes 4 stereo channels, expanding its capacity for media players and other stereo sources.

On the other hand, the PV 10 offers 10 channels, making it a more compact solution while still retaining essential features. It includes 4 microphone inputs, 2 stereo line inputs, and offers flexibility for smaller setups or personal use.

Both mixers boast a range of powerful features, such as 3-band EQ and auxiliary sends, allowing users to customize their sound and manage effects for each channel. The built-in digital effects processor enhances the output, featuring multiple reverb, delay, and modulation effects that can be easily adjusted.

One of the key technologies found in the PV series is the patented Peavey MID-MAX EQ. This unique equalization system allows for precise frequency adjustments, making it easier to tackle challenging audio environments. The mixers also include high-quality headphone outputs and speaker outputs, enhancing their utility for monitoring and performance.

The construction of both the PV 14 and PV 10 is robust, designed for the rigors of live performances. With a durable chassis and high-quality components, they can withstand the demanding conditions of touring and regular use.

Portability is another hallmark of these mixers. Lightweight yet strong, they are easy to transport, making them a preferred choice for mobile DJs, solo performers, and bands alike.

In conclusion, the Peavey PV 14 and PV 10 mixers stand out due to their functional design, extensive features, and high-quality audio performance. Whether for large events or intimate gatherings, they provide reliable solutions for all audio mixing needs.
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