VOLUME (El volumen) (5)

Controla el nivel de volumen del canal “clean”.

LOW, MID, & HIGH EQ (Ecualizador de frecuencias graves, medias, y agudas) (6,lO)

Controles de tono pasivo que regulan las frecuencias graves, medias, y altas, para la canals “clean” y “lead” (solista), respectivamente.

PRE GAIN (Control del preamplificador) (7,12)

Controla la entrada de volumen para la canals “clean” y “ultra”, respectivamente.

GAIN SWITCH (Interruptor de ganancia) (8,13)

Proporciona impulso a la ganancia para la canals “clean” y “ultra”, respectivamentePara. activarlo oprimalo a la position “in” (hacia adentro).

THRASH SWITCH (Conmutador de batido) (9)

Recorta la escala media en casi 20 dB.

POST GAIN (Control de ganancia posterior del preamplificador) (11, 18)

Controla el volumen general del canals “clean” y “ultra”, respectivamente. El ajuste final de nivel debe hacerse despues de que se haya obtenido el sonido deseado.

BOTTOM (Fondo) (14)

Un control de tono active (de estante, +I5 dB) que varia el aumento o disminuicion de frecuencias graves.

Nota: Este control es capaz de funcionar solamente en el canal “ultra”.

BODY (El conjunto) (15)

Un control de tono active (gradual +I5 dB) que varia el aumento o disminuicion de frecuencias medias.

Nota: Este control es capaz de funcionar solamente en el canal “ultra”.

SHIFT SWITCH (Interruptor de desplazamiento) (16)

Desplaza la frecuencia en que opera el control de “Cuerpo”. La position “In” permite funcionar en una frecuencia mas alta al control de Cuerpo y la position “Out” selecciona una frecuencia mas grave.

EDGE (Filo) (17)

Un control de tono active (de estante, 515 dB) que varia el aumento o disminuicion de frecuencias agudas.

Nota: Este control es capaz de funcionar solamente en el canal “ultra”.

REVERB LEVEL (Nivel de reverberacich) (19)

El control de nivel de reverberation determina la cantidad de sehal retrasada (reverberation) que se mezcla de regreso a la salida. Su operation es conventional.

RESONANCE (Resonancia) (20)

Utilizado para realizar ajustes precisos del rango de frecuencias graves de la caja de altavoces a traves de la variation del factor de amortiguacion de las frecuencias graves del amplificador.

PRESENCE (Presencia) (21)

Utilizado para realizar ajustes precisos del rango de frecuencias agudas de la caja de altavoces a traves de la variation del factor de amortiguacion de las frecuencias agudas del amplificador.

T. DYNAMICS CONTROL (Control del circuit0 T. Dynamics) (22)

Ajusta el nivel de potencia del amplificador de 10% a 100%. Cuando esta en la position mas baja, la simulation de compresion de potencia sera mas pronunciada.

POWER SWITCH (Interruptor de corriente) (23)

Oprima el interruptor a la position “hacia dentro” (encendido). La luz delpilot0 (indicador) se encendera indicando que la unidad esta recibiendo corriente alterna.

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Peavey Special 212 Volume El volumen, PRE Gain Control del preamplificador 7,12, Gain Switch Interruptor de ganancia 8,13
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Special 212 specifications

The Peavey Special 212 is a versatile and powerful guitar amplifier known for its rich tonal character and reliable performance. It is part of Peavey's long-standing reputation for creating durable and dynamic amplifiers that cater to a wide range of musical styles. This amp is particularly favored by country, rock, and blues musicians, due to its warm sound and adaptability.

One of the standout features of the Peavey Special 212 is its two channel design, which allows players to easily switch between clean and overdriven tones. Each channel is equipped with its own set of controls for gain, treble, mid, bass, and reverb, giving musicians the ability to shape their sound to suit various playing styles. The clean channel provides a bright, articulate tone, while the overdrive channel delivers a punchy, aggressive sound, perfect for solos and heavier music.

This amplifier also boasts a powerful 60-watt output, driven by two 12-inch speakers. The speaker configuration enhances both clarity and depth, enabling the amp to handle everything from subtle riffs to powerful chords without distortion or muddiness. The design of the enclosure further complements sound projection, making it suitable for any stage performance or practice setting.

Technologically, the Peavey Special 212 utilizes the company’s patented TransTube technology, which emulates the warm tonal characteristics of tube amplifiers while providing solid-state reliability. This innovative technology allows players to achieve rich, dynamic sounds without the maintenance often associated with traditional tube amps. Additionally, the built-in effects loop provides even greater flexibility, allowing musicians to integrate their favorite pedals and effects seamlessly into their rig.

The amplifier’s rugged construction is also noteworthy. Built to withstand the rigors of transport and stage use, the Special 212 features a sturdy cabinet and reinforced corners, ensuring it remains reliable under pressure. The front control panel is intuitive and easy to navigate, with clear labeling for all settings and adjustments.

Overall, the Peavey Special 212 is an exceptional choice for guitarists seeking a reliable, versatile, and robust amplifier. With its powerful output, advanced technology, and user-friendly design, it remains a favored option among both amateur and professional musicians, providing an impressive range of sounds suitable for any genre.
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