FIGURE 18.
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| FRONT SPEAKER LEVEL OUT | ||
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VARIABLE |
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LOW PASS |
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CROSSOVER |
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40Hz |
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VARIABLE |
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| – |
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PHASE |
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ALIGNMENT |
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0° |
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| 180° |
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| 40HZ | SWITCHABLE |
POWER |
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| 80HZ | HIGH PASS | |
AUTO | OFF | ON |
| CROSSOVER | ||
FULL RANGE | (SPEAKER LEVEL) | |||||
SWITCHABLE |
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HIGH PASS |
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CROSSOVER |
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(LINE LEVEL) | 40HZ | 80HZ |
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FRONT | FRONT |
LEFT | RIGHT |
OUT | OUT |
| – |
LEFT | RIGHT |
FRONT | FRONT |
IN | IN |
LEFT | RIGHT |
REAR | REAR |
IN | IN |
CENTER 1 | CENTER 2 |
IN | IN |
| LFE/SUBWOOFER IN |
VARIABLE LOW PASS CROSSOVER
(Fig.
It has no effect on signals fed into the LFE/Subwoofer input. When using smaller main speakers, the upper range of the control will probably yield the best results. With larger speakers, the lower end of the control range will prob- ably sound best, but always let your ear be the final judge. After setting subwoofer levels, you may want to
40Hz 120Hz
0°180°
experiment with the crossover frequen- cy setting. Turning the knob up will add more “warmth” to the bass and lower midrange, possibly at the expense of bass “tightness” and midrange clarity. Turning the knob down will make
the bass and lower midrange sound “thinner.” Experiment and set this control to taste.
VARIABLE PHASE ALIGNMENT
(Fig.
of the male voice, you have achieved
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