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Other Information
Explanation of Jacks (in alphabetical order)
This section describes the jacks you can use to make connections. There are several ways to connect components to your TV.
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ANTENNA/CABLE Lets you connect a coaxial cable to receive the signal from the antenna, cable, cable box, or if using the examples on pages
AUDIO/VIDEO OUTPUT
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AUDIO/VIDEO OUTPUT Lets you connect an amplifier or audio receiver for improved sound quality or an external video monitor.
•FIXED AUDIO L/R Provides
•VARIABLE AUDIO Provides
•SUBWOOFER Provides lower bass audio frequencies from the TV to a subwoofer.
Note: If you’ve connected a subwoofer, make sure you set the External Subwoofer option in the Sound menu. Go to page 43 for instructions.
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COMPONENT INPUTS Lets you connect a component video source, such as a VCR.
•CMP1 Y PB PR (Component Video) Provides optimum picture quality because the video is separated into three signals. Use three
•CMP1 L (Audio) Provides left audio connection. The left audio connector is usually white.
•CMP1 R (Audio) Provides right audio connection. The right audio connector is usually red.
•CMP2 Y PB PR, and L and R Audio Allows you to connect a second component video source. Their description is the same as CMP1 above. When using CMP2 Y PB PR, make sure you connect the left and right audio cables to the CMP2 Audio jacks.
COMPOSITE INPUTS Lets you connect another component such as a VCR, DVD player, or laserdisc player. Its AUDIO jacks are the same as described for CMP1 above.
•VID1
•VID1 V (Video) Provides composite video connection. The video connector is usually yellow.
•VID2
Note: For each VID jack group (VID1 and VID2), you may connect either an
DIGITAL AUDIO OUTPUT Lets you connect a Dolby Digital receiver to your TV/DVD, if your receiver has an optical input. Use an optical cable (or SPDIF cable) to connect your TV/DVD to the receiver for
Note: This TV/DVD’s OPTICAL DIGITAL OUT jack fully complies with the international standard governing this type of jack (IEC958), and is designed for connection to a Dolby Digital
56 | Graphics contained within this publication are for representation only. | Chapter 8 |