3Std Scene File button

The standard scene file button is a momentary button which, when pressed for two seconds, recalls the standard scene file video values. These values do not take effect immediately if the camera is on air; they take effect when the camera goes off air.

Refer to the Appendix for the default values of the factory defined standard scene file. Refer to Section 6 to find out how to define and assign a standard customer scene file.

If the optional Smart-Touch™ feature is installed and switched on, pressing the Std button for two seconds displays a list of files in the viewfinder menu. Files are listed under the Lighting, Creative, and Matching categories. The standard settings file is also available. Use the Rotary control and Select switch at the camera front to recall a file.

4Black Stretch switch

This switch when set to the On position, starts the black stretch function. This function gives more detail in the dark areas of the picture. Set the switch to Off to switch off the function. When black stretch is switched on the non-standard indicator (!) in the viewfinder lights.

5Colour Temperature selector (White Bal.)

This up/down scroll selection switch allows a choice between three preset colour temperatures:

3200K (3.2K) - for studio lighting conditions

5600K (5.6K) - for outdoors, clouded conditions

7500K (7.5K) - for outdoors, clear blue skies three memory positions:

FL- memory position for fluorescent light

AW1 - memory position 1

AW2 - memory position 2

and an automatic continuous white position:

• AWC - continuous measurement (2.5K to 20K)

The memory positions can be filled with measured values using the automatic white balance switch at the front. Indicators in the 1.5-inch viewfinder light to show which position is selected. None of these indicators light when AWC is selected, but the non-standard indicator (!) lights.

6Colour Bars switch (Bars)

The Bars switch turns the colour bar test signal on and off. The lens iris closes automatically when the colour bars are switched on.

7Gain selection switch

This up/down scroll selection switch gives a choice of five master gain settings. The values for these settings, except 0 dB, can be set in the Install menu of the camera systems menu (refer to Section 6). The indicators in the 1.5-inch viewfinder light as follows:

-Gain is - (-6, -3dB)

+Gain is + (+6, +9, +12, +18dB)

++Gain is ++ (+9, +12,+18, +24dB) + and ++ Gain is +++ (+30, +36dB)

Note

Reduce crispening (peaking) in the viewfinder when

using the +++ position.

8Clean Scan button

When shooting computer monitors with higher frame frequencies than the camera use the Clean Scan function to avoid horizontal bars in the picture.

Press the Clean Scan button for two seconds to directly access the variable exposure (clean scan) function. Use the rotary control to change the value and so remove the noise bar. When you are finished shooting the monitor press the Clean Scan button for two seconds to switch off the Clean Scan function.

When the Clean Scan function is on, the non-standard indicator in the viewfinder lights. Refer to Section 5 for more information on shooting screens.

9White Balance switch

This momentary switch is used to start the automatic white balance process. The camera, when pointed at a white area in the centre of the picture, measures and stores a colour temperature setting in the FL, AW1 or AW2 memory position.

The white balance switch only operates if the colour temperature is set to the FL, AW1 or AW2 position. Refer to Section 5 for more information on how to use the automatic white balance.

Note

Black balance is not necessary with this camera because of the continuous automatic black control circuits.

Location of Controls and Functions

Operator's Manual LDK 200 - Multi-role Digital Camera Head

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RCA LDK 200 Std Scene File button, Black Stretch switch, Colour Temperature selector White Bal, Colour Bars switch Bars

LDK 200 specifications

The RCA LDK 200 is a cutting-edge broadcast camera designed to meet the demanding needs of television studios and live event productions. Renowned for its exceptional image quality, versatility, and advanced features, the LDK 200 has established itself as a reliable choice for professionals in the broadcast industry.

One of the most notable features of the LDK 200 is its advanced imaging sensor technology. It utilizes a high-performance 2/3-inch CCD sensor, which delivers stunning resolution and detail. This sensor is particularly adept at producing vibrant colors and high dynamic range images, ensuring that every shot is visually compelling. Operating at full HD resolution, the LDK 200 supports 1080p video formats, making it ideal for modern broadcast standards.

Additionally, the LDK 200 incorporates advanced image processing algorithms. These algorithms enhance image clarity, reduce noise, and improve low-light performance. This means that operators can capture high-quality footage even in challenging lighting conditions, which is crucial for events such as concerts or sports where lighting can vary dramatically.

The camera is also designed with flexibility in mind. It features interchangeable lenses, allowing users to switch between wide-angle, telephoto, and other specialty lenses easily. This adaptability makes the LDK 200 suitable for various shooting environments, from studio settings to on-location broadcasts.

Furthermore, the LDK 200 includes robust connectivity options. Its design supports HD-SDI output, enabling seamless integration with existing broadcast infrastructures. The camera can be controlled remotely, facilitating a streamlined workflow, especially in multi-camera setups where coordination is essential.

The LDK 200 also emphasizes user-friendly operation. The camera controls are designed for easy access, which aids operators in adjusting settings quickly during live productions. The ergonomic design contributes to minimizing fatigue during extended shooting sessions, making it ideal for professionals who face long hours on set.

Moreover, the camera system is built to withstand the rigors of professional use. With a durable chassis and a reliable cooling system, the LDK 200 ensures consistent performance, even in demanding environments.

In summary, the RCA LDK 200 stands out in the broadcast market due to its high-quality imaging, flexible design, advanced connectivity, and durable construction. As a trusted tool for broadcast professionals, it combines technology and practicality, making it a top choice for both studio and live event productions. Its innovative features ensure that it remains relevant in the ever-evolving landscape of television and media.