Standard settings

To ensure that some of the camera functions are not set to unusual values, a standard file has been defined that contains the default values for most video functions. The table in the Appendix lists the values that are set when the standard file is recalled.

Press the green STD button on the left side panel of the camera and hold it for 2 seconds to recall the standard values for the various video functions. The standard values only take effect when the camera is not on-air.

Note:

The standard file can be selected as either a factory or a customer standard file. Changing the standard file can only be done in the System security menu if the owner card or the PIN code is used.

Smart-Touch™

Smart-Touch™ is an optional software module that gives immediate access to 14 pre-defined scene files. This library allows you to quickly set up the camera for different shooting conditions. To choose a particular file proceed as follows:

a.Press the green STD button for 2 seconds; the viewfinder shows the library of available shooting conditions.

b.Select a file by rotating the selection wheel at the front of the camera.

c.Activate the file of your choice by pressing the Select button at the front of the camera.

The new values only take effect when the camera is not on-air. The Smart-Touch™ files can also be selected by navigating to the Files menu using the System Menu.

The files of the Smart-Touch™ library are divided into three categories, Lighting, Creative, and Matching, which complement the standard setting scene file.

The Lighting category provides three different files for various lighting conditions:

Night optimises the transfer characteristic to enhance the visibility of detail in very dark scenes without the undesirable consequence of excessive noise associated with simply increasing gain.

Fluorescent establishes matrix and colourmetric parameters to reduce the green tinge and give a more acceptable picture when the scene is lit with uncorrected fluorescent lighting.

Extreme contrast uses the full dynamic range of the FT CCD sensor to obtain better handling of highlights and more detail in the shadows.

The Creative category provides seven files for different effects:

Sports warm colour delivers warm and rich contrasts bringing out team colours.

Sports interview incorporates the dual skin tone control into the sports setting for interviews.

HI film gives a high contrast film-like look which is ideal for outdoor location production.

HI film + skin is the HI film setting with dual skin tone control incorporated for natural, flattering close- ups.

LO film gives a low contrast film-like look for studio production.

LO film + skin is the LO film setting with dual skin tone control incorporated for natural, flattering close- ups.

Sepia creates a sepia tone look for atmosphere- rich production.

The Matching category provides three files for camera matching:

LDK 9x + LDK 10 for matching to Philips LDK 9, LDK 10, LDK 90 and LDK 91 cameras.

DVW xxx for matching to Sony camcorders.

HL xxx for matching to Ikegami camcorders.

Each of these settings can be personalised and stored on a smart card.

Shooting

Operator's Manual LDK 200 - Multi-role Digital Camera Head

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RCA LDK 200 manual Standard settings, Smart-Touch

LDK 200 specifications

The RCA LDK 200 is a cutting-edge broadcast camera designed to meet the demanding needs of television studios and live event productions. Renowned for its exceptional image quality, versatility, and advanced features, the LDK 200 has established itself as a reliable choice for professionals in the broadcast industry.

One of the most notable features of the LDK 200 is its advanced imaging sensor technology. It utilizes a high-performance 2/3-inch CCD sensor, which delivers stunning resolution and detail. This sensor is particularly adept at producing vibrant colors and high dynamic range images, ensuring that every shot is visually compelling. Operating at full HD resolution, the LDK 200 supports 1080p video formats, making it ideal for modern broadcast standards.

Additionally, the LDK 200 incorporates advanced image processing algorithms. These algorithms enhance image clarity, reduce noise, and improve low-light performance. This means that operators can capture high-quality footage even in challenging lighting conditions, which is crucial for events such as concerts or sports where lighting can vary dramatically.

The camera is also designed with flexibility in mind. It features interchangeable lenses, allowing users to switch between wide-angle, telephoto, and other specialty lenses easily. This adaptability makes the LDK 200 suitable for various shooting environments, from studio settings to on-location broadcasts.

Furthermore, the LDK 200 includes robust connectivity options. Its design supports HD-SDI output, enabling seamless integration with existing broadcast infrastructures. The camera can be controlled remotely, facilitating a streamlined workflow, especially in multi-camera setups where coordination is essential.

The LDK 200 also emphasizes user-friendly operation. The camera controls are designed for easy access, which aids operators in adjusting settings quickly during live productions. The ergonomic design contributes to minimizing fatigue during extended shooting sessions, making it ideal for professionals who face long hours on set.

Moreover, the camera system is built to withstand the rigors of professional use. With a durable chassis and a reliable cooling system, the LDK 200 ensures consistent performance, even in demanding environments.

In summary, the RCA LDK 200 stands out in the broadcast market due to its high-quality imaging, flexible design, advanced connectivity, and durable construction. As a trusted tool for broadcast professionals, it combines technology and practicality, making it a top choice for both studio and live event productions. Its innovative features ensure that it remains relevant in the ever-evolving landscape of television and media.