INTRODUCTION

Thank you for your purchase of the PM351 Personal Monitor Station. This unit mixes a microphone signal with a 1/4" Tip-Ring-Sleeve stereo or mono instrument level signal and a 1/4" TRS stereo or mono monitor signal. The Mic Input and Thru jacks have a switchable ground lift, as do the balanced XLR Instrument Outputs. The instrument input connects to two independent XLR balanced outputs via real audio transformers.

The PM351 is designed for performers who want to monitor their own sounds, such as their vocals and instruments, with the main mix via headphones or earphones. It's very popular with drummers who need to mix a click track with a monitor signal. Church choir singers love the PM351 to monitor their voices over the musicians.

The PM351 is shipped with an external AC adapter.

INSPECTION

1. Unpack and inspect the PM351 box and package.

If obvious physical damage is noticed, contact the carrier immediately to make a damage claim. We suggest saving the shipping carton and pack- ing materials for safely transporting the unit in the future.

2.Please complete the Warranty Registration Card and return it to the factory.

TABLE OF CONTENTS

 

INTRODUCTION

1

INSPECTION

1

TABLE OF CONTENTS

1

DESCRIPTION

2

CONNECTION

3

OPERATION

4

SCHEMATIC

5

SPECIFICATIONS

6

WARRANTY

BACK COVER

 

This symbol indicates that there are

 

important operating and maintenance

1

i n s t r u c t i o n s i n t h e l i t e r a t u r e

accompanying this unit.

 

 

SPECIFICATIONS

Max Input Level:

-20 dB XLR, +40 dB Line, +15 dB Instrument

Inst. Input Impedance:

 

50K ohms

Inst. Output Freq. Response:

10 - 30 kHz +/- 3 dB

Output Impedance, Hdphn:

10 ohms

Output Impedance, Inst.:

2 ea; 100 ohms balanced

Gain:

 

20 dB 1/4", 50 dB XLR

Hdphn Freq. Response:

 

20 - 20 kHz

S/N Ratio:

 

90 dB

Power:

 

9 - 16 VDC

Size (W x H x D):

 

4.5" x 3.3" x 1.5"

Weight:

 

1 lb (.45 Kg)

WARNING

USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE

PERMANENT HEARING DAMAGE.

USE AS LOW A VOLUME AS POSSIBLE

In order to use this system safely, avoid prolonged listening at excessive sound pressure levels. Please use the following guidelines established by the Occupa- tional Safety Health Administration (OSHA) on maximum time exposure to sound pressure levels before hearing damage occurs.

90 dB SPL at 8 hours

95 dB SPL at 4 hours

100 dB SPL at 2 hours

105 dB SPL at 1 hour

110 dB SPL at 1/2 hour

115 dB SPL at 15 minutes

120 dB SPL - avoid or damage may occur

It is difficult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In addition to the volume setting on this Personal Monitor unit, the SPL in the ear is affected by ambient sound from floor wedges or other devices. The isolation provided by the fit of quality earphones is also an important factor in determining the SPL in the ear.

Follow these guidelines in the use of this product to protect your ears from dam-

age:

1.Turn up the volume only to the point where hearing is comfortable.

2.Ringing in the ears may indicate that the levels are too high. Lower the vol- ume level.

3.Have your ears checked by an audiologist on a regular basis. If you experi- ence wax buildup in your ears, stop using the system until an audiologist has examined your ears.

4.Wipe the earphones with an antiseptic before and after use to avoid infections.

Stop using the earphones if they are causing great discomfort or infection.

6

 

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Rolls PM351 owner manual Introduction, Inspection, Table of Contents, Specifications

PM351 specifications

Rolls PM52, PM351, and PM50 are notable models in the realm of audio mixing and production, reflecting Rolls' commitment to high-quality performance and durability in professional audio equipment. Each of these models offers unique features and technologies catering to different segments of audio production needs.

The Rolls PM52 stands out as a compact and versatile personal monitor mixer. Designed for stage use, it allows musicians and sound engineers to create their own mix. The PM52 features a robust construction with a straightforward interface, including individual channel volume controls and a master output level control, facilitating easy adjustments during live performances. Additionally, it offers multiple input options, such as XLR and 1/4-inch jacks, ensuring compatibility with various audio sources. A unique characteristic of the PM52 is its built-in limiter, which helps prevent distortion and maintains audio quality, even at high output levels, exemplifying reliability in demanding situations.

The Rolls PM351 is another noteworthy model, often appreciated for its comprehensive capabilities. This model incorporates advanced features like a 3-channel personal monitoring mixer. It’s equipped with a music input, allowing users to mix their live or recorded sound effortlessly. The PM351 includes several EQ options, enabling more personalized sound shaping. The sleek design is not only aesthetically pleasing but also functional, with a clear LED indicator and intuitive controls that make this mixer easy to operate even in dark environments. Built to withstand the rigors of live performance, the PM351 promises longevity while delivering plugins for monitoring solutions.

Meanwhile, the Rolls PM50 is an audio distribution amplifier promising exceptional sound clarity. This model is distinguished by its ability to distribute a single audio source to multiple outputs, making it ideal for larger setups or studio use. The PM50 includes features like gain control, which ensures optimal levels for all connected devices, preventing signal loss and maintaining audio integrity. Its compact size paired with durable construction allows for seamless integration into any stage or studio setup.

In summary, Rolls PM52, PM351, and PM50 are designed with specific features catering to the needs of audio professionals, whether on stage or in the studio. Their durable build quality, user-friendly interfaces, and advanced audio technologies make them essential tools for achieving high-quality sound in various environments. Each model offers something unique, addressing the diverse requirements of modern audio production.