Samson Cque 8 UP-SETMIX CUE, SECTION RHYTHM MULTITRACK FOR

TO RIGHT

LINE INPUT ON

REAR PANEL

LINK OUTPUT

LINE INPUT

LEFT

RIGHT

LEFT

RIGHT

BALANCED

BALANCED

MAIN

CH 1

CH 1

CH 2

CH 3

CH 3

CH 4

OL

OL

OL

0

0

0

0

10

L

R -6

SHAPE OUT

0VOLUME10

-6

SHAPE OUT

0VOLUME10

-6

VOLUME

BALANCE

-12

-12

-12

-18

SHAPE OUT

-18

SHAPE OUT

-18

-24

-24

-24

INJECT

CH 2

0

10

CH 4

0

10

2 CH

STEREO

VOLUME

VOLUME

SIGNAL FLOW

BACKINGANDSECTIONRHYTHM SENDAUXCONSOLE FROM

LINK OUTPUT

LINE INPUT

13

FLOW SIGNAL

RIGHT

LEFT

RIGHT

-12

-12

-12

LEFT

BALANCED

BALANCED

MAIN

CH 1

CH 1

CH 2

CH 3

CH 3

CH 4

OL

OL

OL

0

0

0

0

10

L

R -6

0

100

-6

0

10

-6

VOLUME

BALANCE

SHAPE OUT

VOLUME

SHAPE OUT

VOLUME

-12

-12

-12

-18

SHAPE OUT

-18

SHAPE OUT

-18

-24

-24

-24

INJECT

CH 2

0

100

CH 4

0

10

2 CH

STEREO

SIGNAL FLOW

LINK OUTPUT

LINE INPUT

LEFT

RIGHT

LEFT

RIGHT

BALANCED

BALANCED

MAIN

CH 1

CH 1

CH 2

CH 3

CH 3

CH 4

OL

OL

OL

0

0

0

0

10 L

R -6

0

10

-6

0

10

-6

VOLUME

BALANCE

SHAPE OUT

VOLUME

SHAPE OUT

VOLUME

TRACKS

-18

SHAPE OUT

-18

SHAPE OUT

-18

-24

-24

-24

INJECT

CH 2

0

10

CH 4

0

10

2 CH STEREO

VOLUME

VOLUME

MIX

SIGNAL FLOW

LINK OUTPUT

LINE INPUT

LEFT

RIGHT

LEFT

RIGHT

BALANCED

BALANCED

4CHANNEL HEADPHONE AMP

4CHANNEL HEADPHONE AMP

4CHANNEL HEADPHONE AMP

Rhythm Guitar

From Mixer Direct Out

Lead Guitar

From Mixer Direct Out

Bass Guitar

From Mixer Direct Out

UP-SET MIX CUE
SECTION RHYTHM MULTITRACK FOR	C•que

			MAIN	CH 1		CH 1	CH 2	CH 3		CH 3	CH 4
			OL				OL				OL
			0				0				0
0	10	L	R -6		0	100	-6		0	10	-6
	VOLUME	BALANCE		SHAPE OUT		VOLUME		SHAPE OUT		VOLUME
			-12				-12				-12
			-18	SHAPE OUT			-18	SHAPE OUT
											-18
			-24				-24				-24
	INJECT			CH 2	0	100		CH 4	0	10	4 CHANNEL
		2 CH	STEREO			VOLUME				VOLUME	HEADPHONE AMP

SIGNAL FLOW

Keyboards From Mixer Direct Out

The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C•que 8’s. The complete mix for all the musicians is sent via the console’s auxiliary send to the C•que 8’s RIGHT LINE input and daisy-chained from unit to unit. Then signal from each instrument is connected from the console’s direct outputs to each of C•que 8’s master INJECT inputs using a mono 1/4-inch (TIP/SLEEVE) cable. (By using a mono 1/4-inch cable only the Left Inject input is connected). The C•cue 8’s are set to 2-channel mode, so that the BALANCE controls the level difference between the backing tracks and individual instruments. This allows the lead vocalist or musician to dial up his or her own track for a “more me” mix.