Shure 98H/C& WB98H/C manual Applications and Placement

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APPLICATIONS AND PLACEMENT

The most common BETA 98H/C applications and placement techniques are described below. Keep in mind that micro- phone technique is largely a matter of personal taste; there is no one ªcorrectº microphone position.

SAXOPHONE (see Figure 4): Clamp the microphone onto the bell of the saxophone, so the microphone is a few inches from and facing into the bell. This will produce a bright tonal balance while minimizing feedback and leakage.

SOPRANO SAXOPHONE (see Figure 5): Clamp the microphone onto the bell of the saxophone and adjust the gooseneck so the microphone is facing the keys of the instrument, a few inches from the lower keys. This will produce a warm and full tonal balance. For a brighter tone, adjust the gooseneck so the microphone is facing into the bell, a few inches away.

TROMBONE PLACEMENT (see Figure 6): Clamp the microphone onto the bell of the trombone and adjust the goose- neck so the microphone is facing directly into the bell, a few inches away. This will produce a bright tonal balance while providing maximum isolation.

TRUMPET PLACEMENT (see Figure 7): Clamp the microphone onto the bell of the trumpet and adjust the gooseneck so the microphone is facing directly into the bell, a few inches away. This will produce a bright tonal balance while provid- ing maximum isolation.

DRUM PLACEMENT (see Figure 8): Clamp the microphone onto the drum rim and adjust the gooseneck so the micro- phone is aiming a few inches above the drum head and an inch from the rim. This provides a full tonal balance.

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