SONANCE SYMPHONY® SST, SSTR and SRS1
SELECTING THE PROPER SPEAKER WIRE
For the best sound we recommend that you use premium | Sonance |
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Wire resistance in Ohms vs. length of cable run |
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MediaLinQ® speaker | cable, | which also complies with UL fire rating codes. |
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You may | also | experiment | with | audiophile | brands | of speaker | cable | and |
| Distance in Feet |
| 50' | 100' | 150' | 200' | 250' | 300' |
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interconnects, but be sure | to check local | codes governing wire |
| that | may |
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| 20 gauge |
| 1.04 | 2.07 |
| 3.11 | 4.14 | 5.18 |
| 6.22 |
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be installed within walls or ceilings. Different brands of wire can have |
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different sonic characteristics, and some may be more compatible | with the |
| 18 gauge |
| .65 | 1.30 |
| 1.96 | 2.61 | 3.26 |
| 3.91 |
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sonic “signature” of | your | various | audio | system components. |
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| 16 gauge |
| .41 | .82 |
| 1.22 | 1.63 | 2.04 |
| 2.45 |
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For the best sound | you should | never | use | wire | – | it |
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| 14 gauge |
| .26 | .52 |
| .77 | 1.03 | 1.29 |
| 1.55 |
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will constrict the sound and diminish | bass response. Extra resistance | in |
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| 12 gauge |
| .16 | .32 |
| .49 | .65 | .81 |
| .97 |
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the speaker wire can make a speaker sound less dynamic and reduce |
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definition | of | the | bass | frequencies. | In | extreme | cases, it | can | even |
| 10 gauge |
| .10 | .20 |
| .31 | .41 | .51 |
| .61 |
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attenuate high frequencies. Also, amplifier power is wasted in |
| thin | wire |
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with extra resistance, reducing your system’s maximum output | level. To |
| F i g u r e 5 : | S p e a k e r | W i r e | R e s i s t a n c e | T a b l e |
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prevent degrading sound quality, the total wire resistance should be less |
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than 10% of the speaker’s impedance. This means that for an | of the wire should | be less than | 0.8 ohms. Refer to | |||||||||||||||||||||
Figure 5 | when | selecting the proper wire gauge for | your system. |
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PREPARING THE INSTALLATION LOCATION
Building a Back Box into the Ceiling or Wall Bay
Sonance Symphony SST/SSTR and SRS1 speakers are designed to | provide exceptionally musical performance in a wide variety of enclosure volumes. You can | ||||||
get the very best performance from your speakers by partitioning a | section of the ceiling or wall bay to form a sealed back box with a specific internal | ||||||
volume. Building such an enclosure will create a dramatic improvement in your speakers’ bass performance and power handling. | |||||||
Ideal back box volume requirements: |
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Symphony | S623SST: | 1.5 | ft3 | Symphony | S621SSTR: | 1.0 | ft3 |
Symphony | S623SSTR: | 1.5 | ft3 | Symphony | SRS1: | 1.0 | ft3 |
Optional Symphony Speaker Enclosures
For installations where it isn’t possible to partition the ceiling bay into a back box, installing optional Symphony Acoustic Enclosures (SSTR/SRS1 part # 91688; SST part # 91687) will noticeably improve your speakers’ bass performance and power handling and will significantly reduce sound transmission into adjacent rooms and spaces. These enclosures are made from
To reduce sound transmission into adjacent rooms in installations where it isn’t possible to install a Symphony Acoustic Enclosure (such as when you’re retrofitting the speakers into an existing ceiling), you can fit the speakers with optional Symphony Retrofit Enclosures (SSTR/SRS1 part # 92343; SST part # 92342). These enclosures are designed specifically to be used with
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