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High resolution image quality

10.2 Megapixel CCD sensor reveals highest levels of detail

Four image quality modes

Resolution down to the

Sharp representation

breadth of a single hair

of the eyes

Discern clearly every strand

Crisply portrayed

of hair, even in cases such

eyelashes bring out

as all brown hair with no

impact and texture in

other colours for contrast.

deep eyes.

Two commonly used types of JPEG formats (fine and standard)

Two RAW format modes for highest image quality (RAW and RAW+JPEG)

RAW

Without image compression (processing using the included software is required)

 

 

 

 

 

 

RAW + JPEG

 

 

 

 

 

 

 

 

 

 

 

 

Records two images

 

 

 

 

 

 

simultaneously

Standard

 

 

 

 

 

Fine

 

 

 

 

 

JPEG format (high

 

 

JPEG format

compression ratio =

 

 

(low compression ratio

standard image quality)

 

 

= high image quality)

Operating tips

Call up ‘Shooting Menu 1’ using the menu button on the rear of the camera and set using the + key.

Natural, blurred

Smooth skin

backgrounds

expression

The APS-C size wide area

The softness and

CCD blurs backgrounds to

freshness of the skin is

create a melting beauty that

always captured

brings out the character of

thanks to resolution

the subject.

that can almost make

 

out individual pores.

The 100 offers four image quality modes and three image sizes. Choosing the right mode and image size is all about finding the right balance between quality and capacity to suit your needs. For a higher image quality the required storage for each image increases, so the camera’s removable media will store fewer photographs for a specific capacity. Smaller image sizes are generally ideal for the web or e-mailing pictures – and here the JPEG compression format can be perfect to keep file sizes down while maintaining good image quality. When you need to retain the highest possible image quality however, the RAW format records the image signal exactly as it’s been captured by the CCD to create ‘digital negatives’. Since the RAW data is uncompressed, there’s none of the compression artefacts commonly associated with JPEG images. RAW files also provide the opportunity to process the image further with minimum degradation.

Displays the image size that has been chosen.

Displays the image quality mode that has been chosen.

Displays the number of possible photographs remaining.

Photo data / 50mm F2.8 Macro, F4 Auto (+1 compensation), ISO 100, Manual white balance, RAW+JPEG

Relationship between number of images that can be stored, dependent on quality mode/compression ratio/image size

Image quality

Compression

 

Number of possible photographs remaining

 

 

 

 

mode

ratio

 

approx. 10.2

approx. 5.6

approx. 2.5

 

 

 

L megapixels

Mmegapixels

Smegapixels

RAW

No compression

CF

Approx. 32

––

––

RAW+JPEG

––

CF

Approx. 25

––

––

Fine

Standard compression

CF

Approx. 120

Approx. 208

Approx. 433

(JPEG format)

(High image quality)

 

 

 

 

Standard

High compression

CF

Approx. 188

Approx. 319

Approx. 630

(JPEG format)

(Standard image quality)

 

 

 

 

The number of possible photographs remaining is the standard calculated value when using a 512Mb CF card. The number of photographs that can be stored depends on the camera settings and subject.

TECHNICAL POINT Verify shooting information with the camera held to your eye.

Large image sensor provides greater control over image blur for greater creative expression

10.2 effective Megapixel CCD sensor

 

 

 

Photo data / 70-200mm, F2.8 G / 1/200sec.

 

10.2 Megapixel effective resolution for crisp, clear results even at large print sizes

F5.6 ISO 100, Manual white balance

 

Sharp eyes, soft skin texture, and resolution down

 

 

 

 

APS-C size sensor offers low noise and wide dynamic range

 

to a single hair are captured with the realism that

 

 

 

can only be achieved by a large number of pixels

 

The perfect match for Sony system lenses and BIONZ image processor

 

and wide area CCD.

 

 

 

More pixels mean more detail. With an outstanding resolution of 10.2

The combination of large (APS-C size) CCD sensor, RGB primary colour

million effective pixels, the Sony-developed CCD sensor inside the 100

filter and BIONZ image processor assures breathtakingly crisp, High

offers high sensitivity and exceptionally low noise performance for

Definition images with superlative detailing, a wide tonal range and the

stunning prints… even when they’re blown up to A3 size.

subtlest colour gradations.

A major creative advantage offered by digital SLR photography is the ability to control the ‘blurring’ of out-of-focus areas in an image

such as the foreground or background. Blurring of other parts of the image can make the subject stand out even more, providing a more three-dimensional feel. The large image sensor inside the 100 makes it possible to exercise greater control over blurring using wide aperture settings for a wide range of creative effects.

Comparison of the CCD image sensor size (approximately full size)

A 100 APS-C size = 15.8mm x 23.6mm (approx.)

Typical compact digital cameras (1/2.5 inch) = 4.3 x 5.7mm (approx.)

100

Compact camera

The blurring of out-of-focus areas is the greatest when aperture is open (small ‘f’ value). These photographs were taken using the 100 and a compact digital camera with an open aperture. Because the background of the 100 image is blurred very gently, the in-focus section stands out more effectively.

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SNY_13156_ALPHA_A4_BRO

SIZE: 210mm x 297mm C M Y K PANTONE 1655

SNY_13156_ALPHA_A4_BRO

SIZE: 210mm x 297mm C M Y K PANTONE 1655

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Sony Alpha 100 High resolution image quality, Resolution down to, Breadth of a single hair Eyes, Standard Fine