tiometer scaling: the lower the frequency, the brighter and clearer sounds the programme material. This is because the MID-HITUNE control sets a starting frequency above which all frequencies are processed. If this star- ting frequency is lowered, the frequency spectrum included in processing increases. The programme material then sounds brighter and clearer.

Turning the control to the left shifts the starting frequency from 3.5 kHz to higher frequencies. The programme material then sounds increasingly dull, because fewer and fewer frequencies are being included in the process, the higher the frequencies become. The setting you choose is a matter of personal taste.

A section within the VITALIZER with one of the most decisive influences on the sound is PROCESS control. If you continue to turn the PROCESS control up, more of the signal is added to the BASS and MID-HITUNE sections whilst dominant mid frequencies are reduced according human hearing at the same time. The below sections contain more detailed information on this aspect. Familiarize yourself with the sound changes before deciding on the setting which sounds best.

We shall now turn our attention to the HARMONICS control. Note the improved detail in the high frequency range, the further you turn the control in. In practice, values between 4 and 6 have proved to be the most common.

The harmonics are accentuated by the VITALIZER with equalizer techno- logy, unlike other procedures. Previously, so-called »Exciters«, devices to generate harmonic tones, produced their harmonics with the aid of a gene- rator which mainly added type K3 and type K5 distortions to the signal (odd harmonics of 3rd and 5th order). The familiar disadvantages of this principle are as follows: although odd harmonics do add to the brilliance of the audio signal to a significant degree, they tend to be somewhat sharp, which leeds to hearing fatigue for listeners. Another pitfall is that the distor- tions added were not part of the original signal.

The VITALIZER accentuates the harmonics which are also part of the original signal! The HARMONICS filters are designed in such a way that even and odd harmonics (K2, K3, K4, K5...) are accentuated equally. This makes the processed signal more natural with a soft, silky-sounding top-end. Once you have selected the setting for the harmonics control you can sit back to listen to the new sound image.

Switch ACTIVE off to return to the original signal. If you now say »I don't believe that« or »Booh«, you belong to the overwhelming majority of those people who have ever heard a VITALIZER. It was this sound impression which led to VITALIZER technology winning awards like the »Golden Ear« from Europe's biggest »Audio« magazine for the most innovative product in 1993.

4. The PROCESS control

It defines the process ratio between the BASS and MID-HITUNE section and the dry signal.

5. The HARMONICS control

Introduction into the VITALIZER ®

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Sound Performance Lab EQ MAGIX manual Introduction into the Vitalizer
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EQ MAGIX specifications

Sound Performance Lab has made a significant mark in the world of audio engineering with its EQ MAGIX, an advanced equalizer plug-in designed for professional sound production. Known for its precision and versatility, EQ MAGIX is a valuable tool for music producers, sound designers, and mastering engineers.

One of the standout features of EQ MAGIX is its intuitive user interface, which allows for seamless navigation and efficient workflow. The layout is user-friendly, presenting an array of controls that give users the ability to make precise adjustments to their audio tracks. With a clear visual representation of frequency spectra, users can quickly identify problem areas in their mixes and address them with ease.

At its core, EQ MAGIX employs sophisticated filtering technologies that ensure high-quality sound processing. It offers various filter types, including parametric, low-pass, high-pass, band-pass, and notch filters. This extensive selection enables users to tailor their sound with remarkable accuracy. The parametric filter is particularly noteworthy, allowing for precise frequency adjustments, including bandwidth control, which is essential for making subtle tonal changes.

Another key characteristic of EQ MAGIX is its support for high-resolution audio. It operates at sample rates up to 192 kHz, ensuring that the clarity and detail of your sound are maintained throughout the mixing and mastering process. This high level of audio fidelity is crucial when working in both studio environments and live settings.

The plug-in also features a dynamic EQ mode, which provides users with the ability to adapt the equalization based on the input signal's dynamics. This dynamic processing capability enhances the overall sound quality and enables greater control over how specific frequencies react to varying levels of audio, making it an indispensable tool for achieving professional mixes.

Moreover, EQ MAGIX integrates well with various digital audio workstations (DAWs), allowing for seamless incorporation into existing workflows. Its compatibility with industry-standard platforms ensures that users can easily implement it into their projects without any technical hurdles.

In conclusion, Sound Performance Lab's EQ MAGIX stands out as a robust and versatile equalizer plug-in that caters to the needs of audio professionals. With its intuitive interface, high-quality filtering technologies, dynamic processing capabilities, and high-resolution audio support, EQ MAGIX is an essential tool for anyone looking to elevate their sound production. It epitomizes the merging of functionality and user experience, making it a valuable addition to any audio engineer's toolkit.
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