[5] Fs switch

Use this switch to select the sampling frequency (44.1 or 48 kHz) when making analog recordings. When making digital recordings, the sampling fre- quency is automatically detected.

When playing back tapes that have already been recorded, this switch has no effect. The sampling fre- quency of a recorded tape is fixed, and cannot be changed.

NOTE

When making long play recordings, settings made with this switch have no effect. The sampling frequency is fixed at 32 kHz.

[6] INPUT selector switch

The left (UNBAL) and center (BAL) positions of this switch allow the selection between the unbal- anced RCA jacks or the balanced XLR jacks respectively.

The right (DIGITAL) position allows the selection of the digital input jacks.

[7] DIGITAL INPUT selector switch

When the INPUT switch [6] is set to the DIGITAL position, this switch is used to choose between the RCA COAXIAL and the XLR AES/EBU digital audio input sources.

NOTE

Despite the name of the switch setting and the connectors (AES/EBU), the XLR connec- tors are capable of receiving SPDIF format input, and the RCA COAXIAL connectors are capable of receiving AES/EBU format. The tape deck will automatically detect the input format and adjust itself accordingly.

[8] ANALOG INPUT selector switch

When the INPUT switch [6] is set to ANALOG, this switch is used to select between UNCAL and CAL.

UNCAL means that the analog signal source works at an uncalibrated nominal level which is neither

+4 dBu nor –10 dV, requiring the use of the input level controls to adjust the recording level.

The CAL position is for use with analog sources which are calibrated to use either the standard

2 - Parts of the tape deck

+4 dBu or the –10 dBV level as a nominal level. The input level controls are not used in this case.

NOTE

If this switch is set to the CAL position, make sure that no parts of the program material will cause clipping.

[9] INPUT level controls

When recording from analog sources with the ANALOG INPUT switch [8] set to UNCAL, these controls adjust the level of the input signal to the left and right tape tracks.

They have no effect when the switch is set to the CAL position, or when recording from a digital audio source.

[10] PHONES control and jack

Any standard pair of stereo headphones may be plugged into this 1/4-inch jack, and the level adjusted with the rotary control.

2.3 Tape controls

The following keys provide control of the tape trans- port, recording modes, etc. Please read this section carefully if you are not sure of transport operations using the tape deck.

[11] SKIP keys

These keys are used to move the tape forward or backward by a certain number of programs.

NOTE

A “program” on a DAT cassette starts with a START ID marker. The audio portion of the data recorded on a DAT cassette is not used to determine the division into tracks.

Repeated presses of these keys will move the tape forwards or backwards by the appropriate number of programs (pressing the skip forward key once will move the tape to the beginning of the next program, etc.).

While the tape is locating, the display will show (flashing on the right) the number of programs which must still be passed, and (on the left) the current pro- gram number:

PNO

ABS

0 0H 1 2M 4 6S0 8 + 0 2

TASCAM DA-40 11

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Tascam DA-40 owner manual Tape controls
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DA-40 specifications

The Tascam DA-40 is a professional-grade digital audio tape recorder designed for a variety of audio production applications, including music recording, broadcasting, and post-production. Known for its durability and reliability, the DA-40 has established itself as a popular choice among sound engineers and musicians.

One of the main features of the Tascam DA-40 is its ability to record in both high-quality digital formats and traditional DAT (Digital Audio Tape). It supports sampling rates of 44.1 kHz and 48 kHz, which are industry standards for audio recording. This flexibility allows users to choose the format that best suits their workflow, making it an excellent tool for archiving, mastering, or live recording.

The DA-40 employs advanced digital processing technologies to provide superior sound quality. Its 20-bit digital audio converter ensures that recordings are captured with precision and clarity, preserving the nuances of the source material. Additionally, the DA-40 features a dynamic range of 100 dB, contributing to its reputation for delivering high-fidelity audio.

For ease of operation, the DA-40 is equipped with an intuitive user interface. The front panel includes an alphanumeric display that provides essential information like track status, timecode, and remaining tape length, making it user-friendly even in complex recording situations. The machine also offers multiple transport controls, allowing for precise navigation through recordings during playback or editing.

Another characteristic of the DA-40 is its versatility in connectivity options. It features balanced XLR inputs and outputs, along with unbalanced RCA connections, making it compatible with a wide range of audio equipment. The built-in S/PDIF digital output allows for seamless integration with digital audio workstations and other digital devices, enhancing its usability in modern studio environments.

The Tascam DA-40 is also designed with reliable performance in mind. Its rugged construction ensures that it can withstand the demands of live environments while providing consistent operation. Moreover, the unit supports automatic tape advance and rewind functions, streamlining the workflow for busy professionals.

In conclusion, the Tascam DA-40 is a highly capable digital audio tape recorder that combines advanced recording technology with user-friendly features. Its flexibility in audio formats, high-quality sound reproduction, versatile connectivity options, and durable design make it an essential tool for audio professionals aiming to achieve the best results in their production endeavors.
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