•The IF-CS/DM is a cascade card. To cascade two DM-24s, you must put one cascade card in “SLOT 1” of each DM-24. See the section on “cascading two DM-24s” for more info.

•The MU-24 has 26 meters (24 channels plus the stereo buss) and a large time code display. There is a meter menu in the DM-24 that provides access to all of the parameters for the meterbridge , such as meter ballistics and pre/post metering. The mounting brackets allow the MU-24 to be moved in front of or behind the input jacks on the DM-24. The MU- 24 can also tilt backwards or forwards to achieve the best viewing angle for your needs.

OUTPUTS

Although only 3 “return” interfaces can be used to assign the tape return signal to channels 1-24, all of the TDIF, ADAT, AES/EBU, S/PDIF and Option card outputs are always active. For instance, 24 channels of TDIF can be mixed in 5.1 surround to the ADAT outputs. Those same 8 busses could also congruently be routed to the two Option Slot outputs. This is useful if the 5.1 mix must be bussed to 3 different formats (such as ADAT, DTRS and Pro Tools) simultaneously.

AUX SENDS

The DM-24 has 6 aux sends, which can be configured Pre or Post fader. Any of them may be assigned to the two internal effects processors. Aux sends can be assigned in pairs to the 2 channel AES/EBU and S/PDIF digital outputs for use with external effects processors with digital I/O. The returns of these external processors can be routed to the DM-24 via digital inputs 1 and 2 and can be assigned to any channels. Aux sends can also be used with the assignable send outputs. There are 4 assigable sends on balanced TRS jacks. “Assignable” means aux 6 can be bussed to assignable output 1 or aux 5 to assignable output 3, etc. There are also 4 balanced assignable returns on TRS jacks. These can be used as two stereo effects returns or simply as balanced inputs that can be assigned to any channel.

Assignable sends and returns can also be configured as assignable “inserts.” Route assignable send 1 to a compressor’s input. Route the compressor’s output to assignable return 1 and assign that insert to any channel. This makes it possible to use outboard dynamics processors on the tape return path. This is an extremely valuable feature!

TRACKING OPTIONS

As with any console, there are limitations to the amount of channels available as well as limitations in signal flow options. The DM-24 has 32 channels. The Direct outputs for each channel are Post fader. There are 16 mic pres. With a mic plugged into each of them, the signal goes all the way to the fader and then out to tape. The 16 tracks will then need to return to the console for monitoring. Because the first 16 channels are taken up with the microphone inputs and channels 25-32 don’t access the “return” interfaces, only channels 17-24 are

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Tascam DM-24 manual Outputs, AUX Sends, Tracking Options
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DM-24 specifications

The Tascam DM-24 is a versatile digital mixer and recorder that has garnered acclaim amongst audio professionals for its robust features and reliable performance. Designed to meet the demands of live sound, studio recording, and post-production, the DM-24 stands out with its comprehensive set of tools and intuitive layout.

One of the DM-24's defining features is its 24-channel configuration. Each channel is equipped with a high-quality microphone preamp, providing up to 48V phantom power, making it ideal for recording a variety of sound sources, from vocals to acoustic instruments. The mixer also includes 8 auxiliary sends per channel, allowing for flexible routing options and the ability to create personalized monitor mixes effortlessly.

The DM-24 incorporates remarkable digital processing capabilities, with 24-bit resolution and sampling rates of up to 96 kHz, ensuring superior audio fidelity. Its built-in digital effects processor offers an array of high-quality effects, such as reverb, delay, and modulation, providing users with plenty of creative possibilities without relying on additional external units.

Connectivity is a key strength of the DM-24. The mixer features comprehensive digital and analog inputs and outputs, including ADAT lightpipe, S/PDIF, and AES/EBU options, facilitating easy integration into various studio setups. Furthermore, the DM-24 supports the use of a Tascam FireWire interface, allowing for direct connection to a computer for seamless audio transfer and recording.

User-friendliness is enhanced by the large, backlit LCD display, which provides clear metering, setting adjustments, and visual feedback on the status of the mix. The mixer includes a well-designed control surface featuring dedicated buttons, rotary encoders, and faders, making adjustments and automation simple and intuitive in both studio and live environments.

In terms of automation, the DM-24 offers advanced features such as snapshot memories, which allow users to store and recall different mix settings easily. This is particularly beneficial for live performances where quick changes may be necessary. The onboard mixer supports MIDI control, enabling integration with various DAWs and external devices for enhanced functionality.

In summary, the Tascam DM-24 stands as a reliable workhorse for audio engineers and musicians alike. Its combination of high-quality preamps, digital processing capabilities, flexible connectivity, and user-friendly interface make it a powerful tool for both studio recording and live sound applications. With its array of features and dependable performance, the DM-24 continues to be a valuable asset in the world of audio production.
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