output simultaneously. The control room and studio outputs on the cascade slave could be used to feed different monitors systems. Use the cascade master for your standard near field monitors and studio speakers, while the cascade slave could feed midfield speakers and small computer speakers. It is always nice to reference wide variety of different speakers when mixing. Cascading makes this easy.

Cascading two DM-24s provides:

•32 mic pres

•64 channels

•48 channels of TDIF I/O

•16 channels of ADAT lightpipe I/O

•4 AES/EBU 2 channel digital I/O

•4 S/PDIF 2 channel digital I/O

•8 Assignable sends and returns

•4 Internal effects processors (2 in each)

•33 Touch sensitive, motorized faders

•The ability to run a 24 track, 24-bit, 96kHz, 5.1 mixing environment!

OPERATING AT 96kHz

In Hi Sampling mode the DM-24 is a 16 channel console. There are 12 mic/line inputs or 12 return channels making channels 13-16 your input-only channels. However, only mic/line inputs 1-8 are assignable in this mode. As in normal sampling mode, you can assign the mic/line inputs to more then on channel simultaneously. Mic/line 2 can be assigned to channel 2, channel 10 and channel 12 for example. Or 12 “RETURNS” can be assigned to channels 1-12 allowing you to mix 12 96kHz tracks from an MX-2424 for example.

The outputs are configured very intelligently. TDIF 1- Buss outs 1-4/Direct out 1-4 or Aux 1-4 TDIF 2- Buss outs 5-8/Direct out 5-8 or Aux 1-4

TDIF 3- Buss outs1-4/Direct out 1-4, Buss outs 5-8/Direct out 5-8 or Aux 1-4. Having the ability to use the 8 busses allows you to mix in 5.1.

•There is only one 2-channel digital I/O in 96K mode. Assignment choices are: Stereo outputs, Buss 1-2, 3-4, 5-6, 7-8, Aux 1-2, 3-4 or the control room outputs.

•TC Works reverb or the Antares mic and speaker modeling are NOT available in Hi Sampling mode.

•There are only 2 assignable sends and returns available.

•The Master Compressor Insert Matrix is limited to one stereo compressor assignable to the stereo buss, buss 1-2, 3-4, 5-6, 7-8 or Aux 1-2, 3-4.

•Expander/Gates are only available on channels 1-8.

•All channel EQ and compressors are exactly the same as 48K operation.

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Tascam DM-24 manual Operating AT 96kHz
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DM-24 specifications

The Tascam DM-24 is a versatile digital mixer and recorder that has garnered acclaim amongst audio professionals for its robust features and reliable performance. Designed to meet the demands of live sound, studio recording, and post-production, the DM-24 stands out with its comprehensive set of tools and intuitive layout.

One of the DM-24's defining features is its 24-channel configuration. Each channel is equipped with a high-quality microphone preamp, providing up to 48V phantom power, making it ideal for recording a variety of sound sources, from vocals to acoustic instruments. The mixer also includes 8 auxiliary sends per channel, allowing for flexible routing options and the ability to create personalized monitor mixes effortlessly.

The DM-24 incorporates remarkable digital processing capabilities, with 24-bit resolution and sampling rates of up to 96 kHz, ensuring superior audio fidelity. Its built-in digital effects processor offers an array of high-quality effects, such as reverb, delay, and modulation, providing users with plenty of creative possibilities without relying on additional external units.

Connectivity is a key strength of the DM-24. The mixer features comprehensive digital and analog inputs and outputs, including ADAT lightpipe, S/PDIF, and AES/EBU options, facilitating easy integration into various studio setups. Furthermore, the DM-24 supports the use of a Tascam FireWire interface, allowing for direct connection to a computer for seamless audio transfer and recording.

User-friendliness is enhanced by the large, backlit LCD display, which provides clear metering, setting adjustments, and visual feedback on the status of the mix. The mixer includes a well-designed control surface featuring dedicated buttons, rotary encoders, and faders, making adjustments and automation simple and intuitive in both studio and live environments.

In terms of automation, the DM-24 offers advanced features such as snapshot memories, which allow users to store and recall different mix settings easily. This is particularly beneficial for live performances where quick changes may be necessary. The onboard mixer supports MIDI control, enabling integration with various DAWs and external devices for enhanced functionality.

In summary, the Tascam DM-24 stands as a reliable workhorse for audio engineers and musicians alike. Its combination of high-quality preamps, digital processing capabilities, flexible connectivity, and user-friendly interface make it a powerful tool for both studio recording and live sound applications. With its array of features and dependable performance, the DM-24 continues to be a valuable asset in the world of audio production.
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