2 – Controls And Indicators

ware. Typically, they are used to navigate through the GUI (Graphic User Interface) of the application screen. Refer to your software’s application notes for further details.

29.SHTL key - The SHTL (shuttle) key always sends messages to the host computer, regardless of what control mode is selected for the rest of the control sur- face. Its function is defined by the host application soft- ware. Typically, it is used as a modifier for the DATA WHEEL, changing it, for example, from Shuttle to Scrub mode. Refer to your software’s application notes for further details.

DATA WHEEL – The DATA WHEEL always sends messages to the host computer, regardless of which control mode is selected for the rest of the control sur- face. Its function is defined by the host application soft- ware. Refer to your software’s application notes for further details.

30.BANK keys - In COMPUTER Control mode, the h BANK y keys send a message to the host soft- ware application, to address the next lower or higher bank of eight faders, respectively. Used with an applica- tion-defined modifier key, they can also be used to jump in single channel increments. The amount of banks is wholly dependent on the host application’s parameters. Refer to your software’s application notes for further details.

In MIDI CTL mode, these keys address the channel controls only (FADERS, Encoders, SOLO, MUTE and SEL keys), providing the capability to send four separate sets of commands with these controls. In this mode there are always four banks.

In MON MIX mode, these keys bank between three sets of inputs: (1) Analog Inputs 1-8, (2) ADAT Inputs 1-8, and (3) Digital Inputs L and R. (In bank 3, chan- nels 3-8 are inactive.) In this mode, there are always three banks.

31.NUDGE keys – The NUDGE keys always address the host computer, regardless of which control mode is selected for the rest of the control surface. Their function is defined by the host application soft- ware. Typically, they are used to move selected audio

parts by pre-set increments within an arrangement. The NUDGE y key moves the part forward, while the h NUDGE key moves it backward. Refer to your software’s application notes for further details.

32.LOCATE keys – The LOCATE keys always address the host computer, regardless of which control mode is selected for the rest of the control surface. In most cases, pressing the m LOCATE key will move the transport to the left or first locate point, while pressing the LOCATE , key will move the transport to the right or second locate point. Typically, when the SET key is held and one of these keys is pressed, it will store a new locate point at the transport’s current loca- tion. Refer to your software’s application notes for fur- ther details.

IN and OUT keys – The IN and OUT keys always address the host computer, regardless of which control mode is selected for the rest of the control surface.

Their function is defined by the host application soft- ware. Typically, they are used to locate to or store drop- in and drop-out points for automated recording. In most cases, when IN or OUT is pressed, the transport will move to the stored location. As well, when the SET key is held and one of these keys is pressed, it will typi- cally store a new In or Out point at the transport’s cur- rent location. Refer to your software’s application notes for further details.

SET key - The SET key always sends messages to the host computer, regardless of which Control Mode is selected for the rest of the control surface. The SET key is a modifier key – press and hold SET, and push either of the two LOCATE keys, or the IN or OUT key to store a new Locate or In/Out point at the present cur- sor position. Refer to your software’s application notes for further details.

33.Transport Controls – The Transport controls always address the host computer, regardless of which control mode is selected for the rest of the control sur- face. The various transport keys (STOP, PLAY, RWD, FFWD and REC) always send the associated transport commands to the host application software. This is useful if, for example, you want to adjust Monitor inputs while playing back existing channels in your DAW application, and to monitor inputs with zero latency.

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FW-1884 specifications

The Tascam FW-1884 is a versatile audio interface and control surface that caters to the needs of both musicians and audio engineers. Designed for both studio and live applications, the FW-1884 combines impressive features with user-friendly functionalities, making it a staple in many audio production setups.

One of the standout characteristics of the Tascam FW-1884 is its integrated FireWire connectivity, allowing for high-speed data transfer between the device and a computer. This ensures low latency and reliable performance during recording and playback. Supporting a 24-bit/96 kHz audio resolution, it provides superior sound quality, ideal for professional recording environments.

The FW-1884 features eight analog inputs, equipped with high-quality microphone preamps. These preamps offer phantom power for condenser microphones, making it suitable for a wide range of recording scenarios, from vocals to instruments. With its gain control and LED metering, users can easily manage input levels, ensuring clarity and precision in recordings.

Additionally, the unit includes eight line outputs, allowing for flexible routing options. The ability to monitor mixes in real time is enhanced further by the built-in digital mixer, which provides users with EQ and dynamics processing, crucial for shaping the sound before it even hits the DAW.

In terms of control surface functionality, the FW-1884 boasts a comprehensive array of faders and knobs. With motorized faders and customizable buttons, this device offers tactile control over various DAWs such as Pro Tools, Logic Pro, and Cubase. Its MIDI capabilities also allow users to integrate the FW-1884 into their existing setups seamlessly, controlling virtual instruments and other MIDI devices.

Built with durability in mind, the FW-1884 features a robust chassis, ensuring it withstands the rigors of frequent transport for live performances or on-location recording. The device also includes a comprehensive software package, providing users with tools to get started instantly.

In conclusion, the Tascam FW-1884 stands out as a reliable and powerful audio interface and control surface. With its combination of high-quality sound, flexible routing options, extensive control features, and durable design, it caters to professionals and enthusiasts alike, making it a valuable asset in any audio production environment.
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