4 – Control Surface Modes and Operation

In Solo-in-Place, the Mute status of any soloed input can be toggled. Pressing the MUTE key of an unso- loed input has no effect.

If you change banks, the flashing CLR SOLO key is a reminder that a Solo is still active.

If you change Control Surface modes while an input Solo is active, the MON MIX key flashes unless the monitor source is set to COMPUTER output only.

NOTE

In MON MIX mode, SOLOs and MUTEs are activated by key-down actions. They are deactivated by key-up actions. This acts like the keys of an analog mixer, allowing sets of keys to be unSOLOed or unMUTEd by holding them down, then releasing them all at once.

PFL (Pre-Fader Listen) – in this mode, channels placed in Solo mode are monitored from a point before the fader, irrespective of their level and position in the overall mix. Since PFL mode routes the soloed chan- nel(s) to a separate solo buss, changes made to soloed inputs do not affect the overall mix. PFL mode is often used for setting input gain levels when tracking.

The level of channels soloed in PFL mode is controlled by the SOLO knob directly above the PFL key.

The stereo meters reflect the input level of channels that are PFL soloed.

Solo-in-Place(default) – in this mode, channels placed in Solo mode are heard in the context of their relation- ship to the entire mix; that is, level and pan settings are retained. Since Solo-in-place mode functions by mut- ing all non-soloed tracks, changes made in this mode will affect the overall mix.

It is important to note that the PFL function only affects inputs in MON MIX mode. Soloing of DAW tracks in COMPUTER control mode is handled entirely by the host application software, and is inde- pendent of the FW-1884’s SOLO buss.

“Hidden” functions

These functions available in monitor mix mode are not marked on the control surface.

SELECT

Display channel’s pan position on SELECT/REC LEDs

SHIFT+SELECT

Set channel fader to unity

SHIFT+CLR SOLO

Clear mutes

SHIFT+GAIN Encoder

Adjust touch fader sensitivity

SHIFT+CTRL+F7

Write all mixer parameters to FLASH memory (nor- mally done at power-down)

SHIFT+CTRL+F8

Reset all the mixer parameters to default values

SHIFT+CTRL+F10

Set all monitor faders to unity

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FW-1884 specifications

The Tascam FW-1884 is a versatile audio interface and control surface that caters to the needs of both musicians and audio engineers. Designed for both studio and live applications, the FW-1884 combines impressive features with user-friendly functionalities, making it a staple in many audio production setups.

One of the standout characteristics of the Tascam FW-1884 is its integrated FireWire connectivity, allowing for high-speed data transfer between the device and a computer. This ensures low latency and reliable performance during recording and playback. Supporting a 24-bit/96 kHz audio resolution, it provides superior sound quality, ideal for professional recording environments.

The FW-1884 features eight analog inputs, equipped with high-quality microphone preamps. These preamps offer phantom power for condenser microphones, making it suitable for a wide range of recording scenarios, from vocals to instruments. With its gain control and LED metering, users can easily manage input levels, ensuring clarity and precision in recordings.

Additionally, the unit includes eight line outputs, allowing for flexible routing options. The ability to monitor mixes in real time is enhanced further by the built-in digital mixer, which provides users with EQ and dynamics processing, crucial for shaping the sound before it even hits the DAW.

In terms of control surface functionality, the FW-1884 boasts a comprehensive array of faders and knobs. With motorized faders and customizable buttons, this device offers tactile control over various DAWs such as Pro Tools, Logic Pro, and Cubase. Its MIDI capabilities also allow users to integrate the FW-1884 into their existing setups seamlessly, controlling virtual instruments and other MIDI devices.

Built with durability in mind, the FW-1884 features a robust chassis, ensuring it withstands the rigors of frequent transport for live performances or on-location recording. The device also includes a comprehensive software package, providing users with tools to get started instantly.

In conclusion, the Tascam FW-1884 stands out as a reliable and powerful audio interface and control surface. With its combination of high-quality sound, flexible routing options, extensive control features, and durable design, it caters to professionals and enthusiasts alike, making it a valuable asset in any audio production environment.
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