In the opposite case, Tune might remain at the same note, although the singer was supposed to go to the next one. Here the Slice tool allows segmenting the single note into separate ones by clicking on the point at which you want to slice. Click-drag to splice a whole segment. Use the Note tool to drag the note or segment to its correct place. By selecting specific segments, you can adjust the Correction parameters of everything within the selection, yet protect the rest of the track.

If this isn’t giving you the results you desire, you can use Line or Pencil tools to draw a correction line which forces the pitch of an event to anything you desire. The Line and Pencil tools will override any correction parameters and draw the curve as you design it. After this you can still select and smooth your edit using the correction parameters.

Part 5: Vibrato Editing

Vibrato is an important part of many vocal performances. Vibrant pitch and amplitude modulations add “feel” to a vocal take but ultimately conflict with a brute force pitch correcting process. Tune allows you to achieve the kind of vibrato results you want by offering two types of vibrato editing, Natural and Synthetic.

Natural Vibrato editing relies on the detection of natural vibrato in the singer’s original take. The detection can serve two different applications:

Segmentation – In the Segmentation section at the bottom left part of the plug-in is the Vibrato segmentation button. Turning it on will highlight the detected natural vibrato with a red highlight. It will eliminate over-segmentation often caused by detecting the vibrato as separate target notes. The vibrato will target it to the note closest to the average pitch of the vibrato segment.

Manipulation (depends on previously detected vibrato) – If you have a passage which is well sung, but you want to increase or decrease the amount of vibrato, use the Amount control. You can adjust up to twice the original, or down to none. If you feel the natural vibrato is not good and you want to replace it with synthetic vibrato, you can use the Amount control to flatten the natural vibrato, making way for synthetic vibrato in its place.

The natural vibrato attack control will define how quickly the manipulation attacks. Synthetic Vibrato editing requires no detection other then the normal pitch detection and can be applied over any selection using the controls at the bottom part of the vibrato section.

The manipulations will be applied across selected segments only, so it’s important to identify and select the part of the correction curve where you want to detect and manipulate the vibrato.

Part 6: Additional useful features

If you’ve followed the steps in parts 1-5 of this chapter, you should have a very well tuned track. Some of the processes may need to be repeated, either over previously unprocessed sections, or “on top” of existing processing, to achieve perfect results.

Undo/Redo

Tune offers a multi-level Undo/Redo. Undo allows you to back-up through 32 steps of history. You can jump to a specific point in history by clicking the Undo History pop-up menu, next to the Undo button. Each undo will create a Redo History that will allow

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Waves Plug-in for Vocals and Monophonic manual Part 5 Vibrato Editing, Part 6 Additional useful features, Undo/Redo
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Plug-in for Vocals and Monophonic specifications

Waves Plug-in for Vocals and Monophonic represents a significant advancement in audio processing, designed specifically to enhance vocal tracks in recording and mixing environments. With its intuitive interface and powerful technology, it enables users to achieve a polished and professional sound with minimal effort.

One of the standout features of this plug-in is its ability to process monophonic signals effectively. This means that whether you're working with solo vocalists, instrumental solos, or any other form of monophonic audio, the plug-in performs flawlessly. It uses advanced algorithms to tackle issues like clarity, presence, and tonal balance, ensuring that your vocal tracks stand out in the mix without overshadowing other elements.

The plug-in includes several modules that can be utilized independently or in conjunction. Key features include an elegant pitch correction module that subtly adjusts the pitch of the vocal to ensure it remains in tune, resulting in a polished performance. Additionally, the time-based effects can enhance the richness of the sound, allowing for creative manipulation with reverb, delay, and modulation options.

Dynamic control is another highlight, with built-in compression and expansion functionalities to manage the vocal’s dynamic range effectively. This ensures that every word and nuance is present and intelligible, making it particularly beneficial in genres where vocal articulation is crucial, such as pop, rock, and R&B.

Waves has also incorporated advanced noise reduction technology within the plug-in. It allows for the identification and attenuation of unwanted noise, such as breath sounds or plosives, without dulling the natural quality of the voice. This ensures a cleaner mix, especially important when dealing with recorded vocal performances that might contain ambient noise.

In terms of user experience, the Waves Plug-in features a user-friendly interface that is both aesthetically pleasing and functional. It offers easy access to all controls, making it accessible for beginners while still satisfying experienced audio engineers looking for detailed customization options.

In conclusion, the Waves Plug-in for Vocals and Monophonic processing is an essential tool for anyone serious about achieving professional-grade vocal tracks. With its robust feature set and innovative technologies, it elevates the recording process, making it easier to capture the essence of the performance. Whether in the studio or live settings, this plug-in stands out as a vital asset in the audio production toolbox.
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