Ç˚·Ó

ç‡Á‚‡ÌË ‡ÍÍÓ

 

 

è

 

 

 

ÄÍÍÓ

ÑËÒÔÎÂÈ

å‡ÊÓ

 

 

1

- 3

- 5

 

C

C

 

 

 

 

 

 

 

 

çÓ̇ÍÍÓ

 

 

1

- 2

- 3 - 5

C(9)

C(9)

 

 

 

 

 

 

 

ëÂÍÒÚ‡ÍÍÓ

 

 

1

- (3) - 5 - 6

C6

C6

 

 

 

 

 

 

 

 

ëÂÍÒÚ‡ÍÍÓ

 

 

1

- 2

- 3 - (5) - 6

C6(9)

C6(9)

 

 

 

 

 

 

 

 

ÅÓθ¯ÓÈ Ï‡ÊÓÓ

 

 

1

- 3

- (5) - 7 - ËÎË

CM7

CM7

 

 

 

1

- (3) - 5 - 7

 

 

 

 

 

 

 

 

 

 

ÅÓθ¯ÓÈ Ï‡ÊÓÓ

 

 

1

- 2

- 3 - (5) - 7

CM7(9)

CM7(9)

 

 

 

 

 

 

 

ÅÓθ¯ÓÈ Ï‡ÊÓÓ

 

 

1

- (2) - 3 - #4 - 5 - 7 ËÎË

CM7(#11)

CM7(#11)

Û̉ˆËÏÓÈ [M7( 11)]

 

 

1

- 2

- 3 - #4 - (5) - 7

 

 

#

 

 

 

 

 

 

 

 

èÓÌËÊÂÌ̇fl Í‚ËÌÚ‡ [( 5)]

 

 

1

- 3

- b5

 

C(b5)

Cb5

b

 

 

 

 

 

 

 

 

ÅÓθ¯ÓÈ Ï‡ÊÓÓÂÌÌÓÈ

 

 

1

- 3

- b5

- 7

CM7b5

CM7b5

Í‚ËÌÚÓÈ [M7b5]

 

 

 

 

 

 

 

 

ᇉÂʇÌ̇fl Í‚‡

 

 

1

- 4

- 5

 

Csus4

Csus4

 

 

 

 

 

 

 

 

 

ì‚Â΢ÂÌÌÓ Ú

 

 

1

- 3

- #5

 

Caug

Caug

ì‚Â΢ÂÌÌ˚È ·Óθ¯ÓÈ Ï‡ÊÓÓ

 

 

1

- (3) - #5 - 7

CM7aug

CM7aug

[M7aug]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

åËÌÓ

 

 

1

- b3 - 5

 

Cm

Cm

åËÌÓÓ

 

 

1

- 2

- b3

- 5

Cm(9)

Cm(9)

åËÌÓÒÚ‡ÍÍÓ

 

 

1

- b3 - 5

- 6

Cm6

Cm6

åËÌÓÓ

 

 

1

- b3 - (5) - b7

Cm7

Cm7

åËÌÓÓ

 

 

1

- 2

- b3

- (5) - b7

Cm7(9)

Cm7(9)

åËÌÓÒÂÔÚ‡ÍÍÓÒ ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ

 

1

- (2) - b3 - (-4) - b7

Cm7(11)

Cm7(11)

[m7(11)]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ÅÓθ¯ÓÈ ÏËÌÓÓ

 

 

1

- b3 - (5) - 7

CmM7

CmM7

ÅÓθ¯ÓÈ ÏËÌÓÓ

 

 

1

- 2

- b3

- (5) - 7

CmM7(9)

CmM7(9)

åËÌÓÓÂÌÌÓÈ Í‚ËÌÚÓÈ

 

 

1

- b3 - b5 - b7

Cm7b5

Cm7b5

[m7b5]

 

 

 

 

 

 

 

 

ÅÓθ¯ÓÈ ÏËÌÓÓÂÌÌÓÈ

 

 

1

- b3 - b5 - 7

CmM7b5

CmM7b5

Í‚ËÌÚÓÈ [mM7b5]

 

 

 

 

 

 

 

 

ìÏÂ̸¯ÂÌÌÓ Ú

 

 

1

- b3 - b5

Cdim

Cdim

ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ

 

 

1

- b3 - b5 - 6

Cdim7

Cdim7

ëÂÔÚ‡ÍÍÓ

 

 

1

- 3

- (5) - b7 ËÎË

C7

C7

 

 

 

1

- (3) - 5 - b7

 

 

ëÂÔÚ‡ÍÍÓÂÌÌÓÈ ÌÓÌÓÈ [7(

b9)]

 

1

- b2 - 3

- (5) - b7

C7(b9)

C7(b9)

ëÂÔÚ‡ÍÍÓÂÌÌÓÈ ÚÂ

 

b13)]

1 - 3

- 5 - b6 - b7

C7(b13)

C7(b13)

ëÂÔÚ‡ÍÍÓ

 

 

1

- 2

- 3 - (5) - b7

C7(9)

C7(9)

ëÂÔÚ‡ÍÍÓ

 

#11)]

1 - (2) - 3 - #4 - 5 - b7 ËÎË

C7(#11)

C7(#11)

 

 

 

1

- 2

- 3 - #4 - (5) - b7

 

 

ëÂÔÚ‡ÍÍÓ

 

 

1

- 3

- (5) - 6 - b7

C7(13)

C7(13)

ëÂÔÚ‡ÍÍÓ

#9)]

 

1

- #2 - 3

- (5) - b7

C7(#9)

C7(#9)

ëÂÔÚ‡ÍÍÓÂÌÌÓÈ Í‚ËÌÚÓÈ [7

b5]

 

1

- 3

- b5

- b7

C7b5

C7b5

ì‚Â΢ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ

 

 

1

- 3

- #5

- b7

C7aug

C7aug

ëÂÔÚ‡ÍÍÓʇÌÌÓÈ Í‚‡

 

 

1

- 4

- (5) - b7

C7sus4

C7sus4

é‰ËÌ ÔÎ˛Ò ‰‚‡ ÔÎ˛Ò ÔflÚ¸ [1+2+5]

 

 

1

- 2

- 5

 

C1+2+5

C

 

 

 

 

 

 

 

 

 

èêàåÖóÄçàÖ

çÓÚ˚, Û͇Á‡ÌÌ˚ ‚ ÒÍӷ͇ı, ÏÓÊÌÓ ÓÔÛÒÚËÚ¸.

ç‡Ê‡ÚË ‰‚Ûı Ó‰Ë̇ÍÓ‚˚ı Í·‚˯ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‚ ÒÓÒ‰ÌËı ÓÍÚ‡‚‡ı „ÂÌÂÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È ÚÓθÍÓ Ì‡ ÚÓÌËÍÂ.

óËÒÚ‡fl Í‚ËÌÚ‡ (1 + 5) „ÂÌÂ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ÚÓθÍÓ ÚÓÌËÍË Ë Í‚ËÌÚ˚, ÍÓÚÓ ËÒÔÓθÁÓ‚‡Ú¸Òfl Í‡Í Ò Ï‡ÊÓ

Ú‡Í Ë Ò ÏËÌÓÓ

ä·‚˯Ë, ̇ÊËχÂÏ˚ ‰Îfl

ÔÓ

ÓÒÌÓ‚ÌÓÏ ËÁÎÓÊÂÌËË, ÌÓ ‚ÓÁÏÓÊÌ˚ Ë Ó· ËÒÍβ˜ÂÌËflÏË:

m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5.

é·Ó ÌÂ Ú˚,

ÔÓ͇Á‡ÌÌ˚ ‚ ÒÍӷ͇ı, ÓÔÛ˘ÂÌ˚.

àÌÓ„‰‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì ÏÂÌflÂÚÒfl, ÂÒÎË ·ÎËÁÍË ÔÓ Á‚Û˜‡Ì˲ ‡ÍÍÓ ‰ÓÚÓ

ÏËÌÓÓÚÓ

ÒΉÛÂÚ Ï‡Î˚È ÒÂÔÚ‡ÍÍÓ

ç‡Ê‡ÚË ‰‚Ûı Í·‚˯ „ÂÌ ‡ÍÍÓ ‡ÍÍÓ

48

Page 48
Image 48
Yamaha DGX-500, DGX-300 manual ÅóÓè χÊóóâììóè, ÅÓθ¯ÓÈ Ïëìóóâììóè

DGX-300, DGX-500 specifications

The Yamaha DGX-500 and DGX-300 are portable grand pianos that seamlessly blend advanced technology with user-friendly features, making them a great choice for both beginners and experienced musicians alike. These digital pianos are part of Yamaha's acclaimed DGX series, known for their versatility, sound quality, and innovative functionalities.

One of the standout features of the Yamaha DGX-500 is its extensive selection of voices. Equipped with over 500 instrument voices, it includes everything from traditional piano sounds to a wide range of orchestral instruments, synthesizers, and percussion. This plethora of choices enables musicians to explore various musical styles and genres, making the DGX-500 a versatile instrument for creative expression.

The DGX-300, while slightly more affordable, does not compromise on quality. It boasts over 100 richly sampled voices, giving players the essentials they need to explore their musical ideas. Both models incorporate Yamaha's advanced AWM2 (Advanced Wave Memory) technology, which ensures high-quality sound reproduction and remarkable realism in every note played.

In addition to their vast selection of voices, these digital pianos offer an impressive set of accompaniment features. With built-in styles that encompass various genres, users can automatically generate realistic backing tracks, allowing them to play along and create full arrangements effortlessly. This feature is particularly beneficial for solo performers and songwriters looking to enhance their live performances.

The keys of the DGX-500 and DGX-300 are designed with a Graded Soft Touch keyboard, providing a comfortable playing experience that closely mimics the feel of an acoustic piano. This responsive action allows for expressive playing, which is especially useful during dynamic performances.

Connectivity options are also a highlight of both models. They feature USB and MIDI connectivity, enabling musicians to connect to computers, recording equipment, or MIDI devices, expanding their creative possibilities. Additionally, the DGX-500 features a built-in song recorder, allowing users to capture their performances and ideas for later refinement.

Overall, the Yamaha DGX-500 and DGX-300 represent a perfect blend of innovative technology and user-friendly design. Whether you're a budding pianist, an aspiring songwriter, or a seasoned performer, these digital pianos provide all the tools and features necessary for exploring your musical journey. Their superb sound quality, extensive voice selections, and versatile functionalities make them standout choices in the realm of digital keyboards.