7
% LEAD IN/LEAD OUT button
When the Style mode is selected, this is used to
control the Lead In and Lead Out functions. (See
pages 46, 47.)
^ BEAT A/B (BREAK OUT) buttons
When the Style mode is selected, these are used to
change pattern sections and control the Break Out
function. (See page 48.)
& RECORD button
This is used for selecting and enabling the recording
functions: Song (pages 82, 85) and Performance
Setup (page 56).
* PERFORMANCE SETUP / SONG MEMORY
buttons
When the Style mode is selected, these are used to
select the Performance Setup registrations (pages 57,
58). When the Song mode is selected, these are used
to select specific tracks (pages 82, 86).
( ARPEGGIATOR button
This turns the Arpeggiator effect on and off. (See
page 37.)
) REVERB button
This turns the Reverb effect on and off. (See page
34.)
q DUAL button
This turns the Dual mode on and off. (See page 29.)
PANEL CONTROLS AND TERMINALS
Rear Panel
1 DC IN 10-12V jack
This is for connection to a PA-5B/5C AC power
adaptor. (See page 8.)
2 PHONES/AUX OUT jack
This is for connection to a set of stereo headphones
or to an external amplifier/speaker system. (See page
9.)
3 FOOT SWITCH jack
This is for connection to an optional FC4 or FC5
Footswitch. The footswitch is generally used to
control sustain, but it can conveniently be set to
control one of a variety of functions instead. (See
pages 9, 21.)
IN OUT
MIDI
FOOT SWITCH
PHONES/
AUX OUT
DC IN 10-12V MIC
LINE IN
1 2 3 4 5 6
4 MIDI IN, OUT terminals
These are for connection to other MIDI instruments
and devices. (See page 94.)
5 LINE IN jack
This is used with the Digital Sampling functions, and
is for connection to and recording of an external
audio source (line level), such as a CD player or
cassette deck. (See pages 9, 70.) (Connector: mono,
1/4” phone jack.)
6 MIC jack
This is used with the Digital Sampling functions, and
is for connection to a microphone for recording
acoustic audio. (See pages 9, 70.) (Connector:
mono, 1/4” phone jack.)
w
w PITCH BEND wheel
This is used for raising or lowering the
pitch of the voices as you play. It
affects only the voices played in the
PERFORMANCE section of the key-
board. The pitch range of the wheel
can also be set (see page 33).
e STAND BY/ON switch