Contents
Main
MG10/2
Precautions
In case an abnormality occurs during operation
Operation
CAUTION
WARNING
For correct operation
Connector pin assignments Replacement of Consumable Parts
Introduction
Features Contents
Introduction
Turning the Power On
Before Turning on the Mixer
Making the Most Of Your Mixer
An Introduction
The Sturdy XLR
The Versatile Phone Jack
The Venerable RCA Pin Jack
1-1. A Plethora Of ConnectorsWhat Goes Where?
1-2. Balanced, UnbalancedWhats the Difference?
A balanced cable has three conductors:
How Do Balanced Lines Reject Noise?
To summarize:
1-3. Signal LevelsDecibel Dos and Donts
Master Section
Input Channel
2-1. Greatly Simplied Mixer Block Diagram
Where Your Signal Goes Once Its Inside the Box
Page
3-2. Level Setup Procedure For Optimum Performance
1
4
3
2
External Effects and Monitor Mixes
Pre/PostWhats the difference?
4-1. AUX Buses For Monitor Sends and Overall Effects
4-2. Channel Inserts for Channel-specic Processing
Making Better Mixes
5-1. Approaching the MixWhere Do You Start?
Faders Down
Example1:
Example2:
5-3. To EQ Or Not To EQ
Cut For a Cleaner Mix
Boost With Caution
5-4. Ambience
Reverb/Delay Time
Front & Rear Panels
1GAIN Control
2PEAK Indicator
3 Switch (High Pass Filter)
4Equalizer (HIGH, MID, and LOW)
Master Control Section
MG10/2 19
1Channel Input Jacks (CHs 1, 2, 3/4, 5/6)
2INSERT I/O Jacks (CHs 1, 2)
Input/Output Section
1 3 4 5 6 7
2 9 8 0
8SEND Jacks
9RETURN L (MONO), R Jacks
Rear Section
1 2
Setting Up
Setup Procedure
Setup Examples
Setting Up
Mounting to a Microphone Stand
Appendix
General Specications
Specications
Appendix
Input Specications
Output Specications
Page
Page
HEAD OFFICE
AUSTRALIA
OTHER ASIAN COUNTRIES
NORTH AMERICA
OCEANIA
CENTRAL & SOUTH AMERICA
EUROPE AFRICA MIDDLE EAST
