Contents
Main
Precautions
In case an abnormality occurs during operation
Operation
CAUTION
WARNING
For correct operation
FCC INFORMATION (U.S.A.)
Connector pin assignments Replacement of Consumable Parts
Introduction
Features Contents
Introduction
Turning the Power On
Before Turning on the Mixer
Making the Most Of Your Mixer
An Introduction
The Sturdy XLR
The Versatile Phone Jack
The Venerable RCA Pin Jack
1-1. A Plethora Of ConnectorsWhat Goes Where?
1-2. Balanced, UnbalancedWhats the Difference?
A balanced cable has three conductors:
How Do Balanced Lines Reject Noise?
To summarize:
1-3. Signal LevelsDecibel Dos and Donts
Master Section
Input Channel
2-1. Greatly Simplied Mixer Block Diagram
Where Your Signal Goes Once Its Inside the Box
Page
3-2. Level Setup Procedure For Optimum Performance
1
2
4
3
External Effects, Monitor Mixes, and Groups
Pre/PostWhats the difference?
4-1. AUX Buses For Monitor Sends and Overall Effects
4-2. Using Groups
4-3. Channel Inserts for Channel-specic Processing
Making Better Mixes
5-1. Approaching the MixWhere Do You Start?
Faders Down
Example1:
Example2:
5-2. Panning For Cleaner Mixes
Spread them Out!
5-3. To EQ Or Not To EQ
Cut For a Cleaner Mix
Boost With Caution
5-4. Ambience
Reverb/Delay Time
Reverb Tone
Reverb Level
5-5. Built-in Effects & EQ
Front & Rear Panels
Channel Control Section
5AUX1 and AUX2 Controls
6PRE Switch
7EFFECT Control
8PAN Control (CHs 1 to 8) PAN/BAL Control (9/10 and 11/12) BAL Control (13/14 and 15/16)
9ST Switch
Master Control Section
4
2 1
8
8Level-Meter Signal Switches
9C-R/PHONES Control
0Level Meter
APOWER Indicator
BST GRAPHIC EQUALIZER
Rear Input/Output Section
9
4 15B
6A 37 8 2
Page
MG16/6FX 25
Setting Up
Home Recording
Setup Procedure
Setup Examples
Setting Up
Sound Reinforcement for Live Performance
Setting Up
MG16/6FX 27
Mounting
Rack Mounting
Appendix
General Specications
Specications
Appendix
Output Specications
Input Specications
Appendix
Dimensional Diagrams
Unit: mm
When mounted on rack
309.6 D 416.6
Page
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