Yamaha Portatone Entertainment Station, PSR-K1 manual 49

Style Functions

●Fingered chords that are recognized

Chord Name/[Abbreviation]	Normal Voicing
Major [M]	1	- 3 - 5
Add ninth [(9)]	1	- 2 - 3 - 5
Sixth [6]	1	- (3) - 5 - 6
Sixth ninth [6(9)]	1	- 2 - 3 - (5) - 6
Major seventh [M7]	1	- 3 - (5) - 7 or
	1	- (3) - 5 - 7
Major seventh ninth [M7(9)]	1	- 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7(#11)]	1	- (2) - 3 - #4 - 5 - 7 or
	1	- 2 - 3 - #4 - (5) - 7
Flatted fifth [(b5)]	1	- 3 - b5
Major seventh flatted fifth [M7b5]	1	- 3 - b5 - 7
Suspended fourth [sus4]	1	- 4 - 5
Augmented [aug]	1	- 3 - #5
Major seventh augmented [M7aug]	1	- (3) - #5 - 7
Minor [m]	1	- b3 - 5
Minor add ninth [m(9)]	1	- 2 - b3 - 5
Minor sixth [m6]	1	- b3 - 5 - 6
Minor seventh [m7]	1	- b3 - (5) - b7
Minor seventh ninth [m7(9)]	1	- 2 - b3 - (5) - b7
Minor seventh add eleventh [m7(11)]	1	- (2) - b3 - 4 - 5 - (b7)
Minor major seventh [mM7]	1	- b3 - (5) - 7
Minor major seventh ninth [mM7(9)]	1	- 2 - b3 - (5) - 7
Minor seventh flatted fifth [m7b5]	1	- b3 - b5 - b7
Minor major seventh flatted fifth [mM7b5]	1	- b3 - b5 - 7
Diminished [dim]	1	- b3 - b5
Diminished seventh [dim7]	1	- b3 - b5 - 6
Seventh [7]	1	- 3 - (5) - b7 or
	1	- (3) - 5 - b7
Seventh flatted ninth [7(b9)]	1	- b2 - 3 - (5) - b7
Seventh add flatted thirteenth [7(b13)]	1	- 3 - 5 - b6 - b7
Seventh ninth [7(9)]	1	- 2 - 3 - (5) - b7
Seventh add sharp eleventh [7(#11)]	1	- (2) - 3 - #4 - 5 - b7 or
	1	- 2 - 3 - #4 - (5) - b7
Seventh add thirteenth [7(13)]	1	- 3 - (5) - 6 - b7
Seventh sharp ninth [7(#9)]	1	- #2 - 3 - (5) - b7
Seventh flatted fifth [7b5]	1	- 3 - b5 - b7
Seventh augmented [7aug]	1	- 3 - #5 - b7
Seventh suspended fourth [7sus4]	1	- 4 - (5) - b7
Suspended second [sus2]	1	- 2 - 5

Chord (C)				Display			NOTE
							• Notes in parentheses can be omit-
							ted.
	C			C
							• Playing two same root keys in the
	C(9)			C9
							adjacent octaves produces accom-
							paniment based only on the root.
	C6			C6
							• A perfect fifth (1 + 5) produces
	(9)			C69 *			accompaniment based only on the
	C6						root and fifth which can be used
	CM7			CM7			with both major and minor chords.
							• The chord fingerings listed are all
							in “root” position, but other inver-
	(9)			CM79 *
							sions can be used — with the fol-
	CM7
							lowing exceptions:
	(#11)			CM7#11 *
	CM7						m7, m7b5, 6, m6, sus4, aug,
							dim7, 7b5, 6(9), sus2.
	C(b5)			Cb5 *			• Inversion of the 7sus4 and m7(11)
							chords are not recognized if the
		(b5)		CM7b5 *
							notes shown in parentheses are
	CM7
							omitted.
	Csus4			Csus4
							• The auto accompaniment will
							sometimes not change when related
	Caug			Caug
							chords are played in sequence (e.g.
	CM7aug			CM7aug *			some minor chords followed by the
							minor seventh).
	Cm			Cm
							• Two-note fingerings will produce a
							chord based on the previously
	(9)			Cm9
	Cm						played chord.
							• It may occur that the chord name
	Cm6			Cm6
							indication shown in the MAIN dis-
	Cm7			Cm7			play may not match that of the song
							data, even though the actual note/
	(9)			Cm79
							chord is the same. For example, a
	Cm7
							C# chord may actually be indicated
	(11)			Cm7	11	*
	Cm7						as Db.
	CmM7			CmM7
	(9)			CmM79 *
	CmM7
		(b5)		Cm7b5
	Cm7
			(b5)	CmM7b5 *
	CmM7
	Cdim			Cdim
	Cdim7			Cdim7
	C7			C7
	(b9)			C7b9
	C7
	(b13)			C7b13
	C7
	(9)			C79
	C7
	(#11)			C7#11
	C7
	(13)			C713
	C7
	(#9)			C7#9
	C7
	C7b5			C7b5 *
	C7aug			C7aug
	C7sus4			C7sus4
	Csus2			Csus2 *

* These chords are not shown in the Dictionary function.

PSR-K1 Owner’s Manual 49