Playing Auto Accompaniment Chords
You’ve learned in the section “Play with a Style (Accompaniment)” on page 20 that the “feel” of the Style changes every time you play a chord on the
There are two basic ways (below) you can play the chords on the
Split
36 | 48 | 60 | 72 | 84 | 96 |
Easy Chords
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three fingers.
| C |
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| • To play a major chord | C7 |
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| • To play a seventh chord | ||||||||||||
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| Press the root note of |
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| Press the root note together |
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| the chord. |
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| with the nearest white key to |
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| the left of it. |
| Cm |
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| • To play a minor chord | Cm7 |
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| • To play a minor seventh chord | ||||||||||||
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| Press the root note |
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| Press the root note together |
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| together with the near- |
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| with the nearest white and |
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| est black key to the left |
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| black keys to the left of it |
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| of it. |
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| (three keys altogether). |
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NOTE
•Root notes and the corre- sponding keys
Accompaniment range
Standard Chords
This method lets you produce accompaniment by playing chords using normal fingerings in the accompaniment range of the keyboard.
C |
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| C (9) |
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| C6 | C 6(9) |
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| CM7 |
| CM7(9) |
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| CM7(#11) |
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| C(b5) | CM7b5 |
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Csus4 |
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| Caug |
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| CM7 aug | Cm |
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| Cm(9) |
| Cm6 |
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| Cm7 |
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| Cm7 (9) | Cm7(11) |
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CmM7 | CmM7 (9) Cm7 b5 | CmM7 b5 Cdim | Cdim7 |
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| C7 |
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| C 7 (b9) |
( )
( )
C7 (b13)
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C 7(9) |
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| C 7 (#11) | C 7(13) |
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| C 7 (#9) |
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| C 7 b5 |
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| C7aug | C7sus4 |
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| C 1+2+5 | ||||||||||||||||||||||||||||||||||||||||||||||||
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* Notes enclosed in parentheses are optional; the chords will be recognized without them.
55 |