The figures below show the optimum adjustment of each control and the frequency characteristics when this unit is combined with a typical main speaker system.
EX.1 When combined with a 4” or 5” (10 cm or 13 cm) acoustic suspension, 2 way system main speakers
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| dB | Combined frequency response |
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| HIGH CUT | VOLUME |
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| 90 |
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| 80 |
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40 Hz | 140 Hz | 0 | 10 |
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| 70 |
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* | One graduation of this |
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| control represents 10 Hz. 60 |
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50 | response |
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| (reverse) position. | 40 |
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| 20 | 50 | 100 | 200 | 500Hz |
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HIGH CUT | VOLUME | dB |
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| 90 |
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| 80 |
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50 Hz | 150 Hz | 0 | 10 |
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| 70 |
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* | One graduation of this |
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| control represents 10 Hz. 60 | Main |
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50 | response |
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| 40 |
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| 20 | 50 | 100 | 200 | 500Hz |
EX.2 When combined with an 8” or 10” (20 cm or 25 cm) acoustic suspension, 2 way system main speakers
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| dB | Combined frequency response |
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| dB | Combined frequency response |
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| HIGH CUT | VOLUME |
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| HIGH CUT | VOLUME |
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| 90 |
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| 90 |
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| 80 |
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| 80 |
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40 Hz | 140 Hz | 0 | 10 |
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| 50 Hz | 150 Hz | 0 | 10 |
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| 70 |
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| 70 |
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* | One graduation of this |
| Main |
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| control represents 10 Hz. 60 |
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| control represents 10 Hz. 60 | speaker’s |
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50 |
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| 50 |
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| (reverse) position. | 40 |
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| (reverse) position. | 40 |
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| 20 | 50 | 100 | 200 | 500Hz |
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| 20 | 50 | 100 | 200 | 500Hz |
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