Channel 1
There are two sets of inputs for channel 1, The selectable tube or solid state input on channel 1 allows the player to select a pristine,
CH1 |
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| Mid |
| Treble |
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| Preamp |
| Channel 1 |
| Clip |
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Tube
Input 1 | Input 2 |
Input Select Switch
The input select switch enables the user the option of solid state or tube preamp.
Gain Control
The gain control on channel 1 controls the gain of both preamps, solid state and the tube, depending on setting of the input select switch. You can overdrive the input signal by increasing the gain while in the tube mode.
Tip: For some good vintage organ or just to further enhance the experience, increase the gain into the white outlined area of the control while in the tube mode. You’ll be pleased with the sweet overdrive and added growl of this circuit as you dial clockwise.
Input clip LED
The input clip LED will only turn on when the input signal from a source such as a keyboard is too hot and will clip the input circuits. To alleviate this, turn down the gain of the source unit.
Tone Controls
There are 3 tone controls, bass, mid and treble; these cover the entire audio spectrum. Each control permits a wide range of sonic adjustment, a boost or cut of 15 dB. The center position denotes 0 dB cut/boost.
Voicing
The Voicing circuit offers several
Voicing presets recommendations
1.Studio.
2.Live.
3.Piano.
4.Organ.
Channel 2
Channel 2 uses a
Channel 2, ¼ -inch / XLR Combo Input jack
The combi jack can be use for Microphone or a mono
RCA Inputs
CH2 Gain
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Input 1
Balanced
Bass Mid Treble
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| Channel 2 | Clip |
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Input 2
The RCA inputs are stereo, right and left. They are properly summed in the preamp. MP3 players, CD players and tape decks commonly use these. For best results use a player that has its own gain control, this will enable you to control the levels when the other
Gain Control
This control sets the gain of the preamp circuits, the overall volume can be set by this control while keeping the master fixed. If more volume is required increase either the master volume or increase the source (keyboard) gain without clipping the input.