absolute fidelity
ribbon/electrostatic designs without the high distortion and poor dispersion that is typically associated with them.
The G2.2 uses twelve of these tweeters configured as a vertical line source. Because the output is distributed over many drivers, each works at very
The G2.2 also use three
48inch midrange ribbon
We sometimes say that the midrange is a window into the mind of a composer or a singer. And indeed, the midrange is where the “magic” is in a
The midrange ribbon used in the G2.2 is manufactured to Genesis’ exacting specifications. The ribbon itself is made of a very thin layer of aluminium laminated to a substrate of mylar that is 0.001inch thick. The ribbon is then suspended in the magnetic field created by over 24 feet of barium ferrite magnets.
This results in a perfect
As a
The Servo-bass Advantage
Very few loudspeakers use servo drive, either because most designers think that it is too difficult to design, too expensive, or because of the extraordinary demands a servo system makes on the amplifier and the transducer. The history of the Genesis servo- system started from the first introduced in the legendary Infinity Servo Statik One in 1968(!) – so we know how to design and build servo systems. The technology has been constantly updated and refined over the past 40 years.
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