Marantz PMD690 manual Track Erase, Renumber

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ENGLISH

PLAYBACK and EDITING

Track Erase

REPEAT

RENUMBER

ERASE

SILENT SKIP AUTO MARK

FORMATPRESET

1.From the stop mode, use the 1/4 and ¢/ ¡ buttons to select the track that is to be deleted.

2.Press the ERASE (FORMAT) button. The "Erase" message will flash in the display as follows.

TRACK

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3.Press the ERASE button again to confirm the track erase. The "Erase" message will stay steadily on in the display as follows to indicate that the Erase function is executing.

TRACK

Renumber

REPEAT

RENUMBER

ERASE

SILENT SKIP AUTO MARK

FORMATPRESET

1.From the stop mode, press the RENUMBER button. The "re no" message will flash in the display as follows:

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2.Press the RENUMBER button again to confirm the track renumbering. The "re no" message will stay steadily on in the display as follows to indicate that the Renumber function is executing.

4.When the Erase function is finished, the "done" message is indicated in the display for 3 seconds as follows.

TRACK

5. The unit will then return to the stop mode.

Notes

•The STOP button can be used to cancel the Erase function before it is confirmed.

•Use the Format function to erase all the tracks on a card.

3.When the Renumber function is finished, the "re done" message is indicated in the display for 3 seconds as follows.

4. The unit will then return to the stop mode.

Note

•The STOP button can be used to cancel the Renumber function before it is confirmed.

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Contents Portable PC Card Recorder Risk of Electric Shock Do not Open Safety Instructions NEC National Electrical Code Features IntroductionHow to Use this Manual ContentsNi-Cad Rechargeable Battery optional AC Adaptor and BatteriesAC Adaptor Alkaline BatteriesPower On/Off Setting the Date and TimePower On Power OffUnderstanding PC Cards Ejecting a CardInserting a Card Formatting a PC CardCapacity of Files and Card OperationCare of PC Cards Connecting Microphones Connecting Analog ComponentsPowering the microphones To output analog audio signals to another audio componentConnecting Digital Components Remote ControlHeadphones Other ConnectionsPreset Items Preset OperationRecording Time PCM Stereo PC ID Number Presets ID Number Setting OperationExample Low Battery Warning and Auto Power Off During Stop ModeDisplay Selections Changing the Displayed InformationDisplay Backlight Key Button LockDuring Playback and Play-Pause During Recording and Record-PauseInput Controls Record Settings Dual Level MonoBasic Procedure Rec CancelRecording Operation Source Monitor Full CardsMaximum Number of Tracks Playback Starting Playback from a Selected TrackReverse and Forward Search Fast Reverse and Forward SearchAuto Power Off Track EditingRepeat Play, Single Track Play Output SelectionTrack Erase RenumberEDL Marking Searching for EDL Marks Auto MarkEditing EDL Marks Changing a Mark TypeErasing an EDL Mark EDL Playback Erasing all the EDL MarksEDL Repeat Playback EDL Playback and EDL Repeat Playback DisplayError Messages File StructureFile Format Troubleshooting Care and MaintenanceSpecifications InputsDigital audio system OutputsIndex of Parts, Controls, and Display Top PanelFront Panel Top Panel Front Panel 6JUMP to MARK, EDL PLAY, Total MarkLeft Panel Right PanelREC DisplayIs a registered trademark

PMD690 specifications

The Marantz PMD690 is a versatile and user-friendly digital audio recorder that has gained popularity among audio professionals and enthusiasts alike. This device is designed to deliver high-quality sound recording while ensuring ease of use, making it an ideal choice for a variety of applications, including interviews, live performances, and field recordings.

One of the standout features of the PMD690 is its high-fidelity recording capability. It supports multiple audio formats, including WAV and MP3, allowing users to choose the quality that best suits their needs. The device can record in resolutions of up to 24-bit/96kHz, ensuring that the captured audio retains its clarity and detail. This makes it particularly valuable for music recording, sound design, and broadcasting.

The PMD690 is equipped with dual XLR/TRS combo inputs, allowing for a range of connectivity options. This flexibility enables users to connect various microphones and line-level devices, providing them with the freedom to adapt to different recording scenarios. The included phantom power supports condenser microphones, expanding the range of possible setups for professional recordings.

An intuitive interface is another hallmark of the PMD690. The device features a large, backlit LCD screen that provides clear visibility of recording levels, battery life, and remaining recording time. Navigating through the menu is straightforward, and the inclusion of dedicated control buttons enhances the overall user experience. Many users appreciate the quick access to essential functions, which is crucial in fast-paced recording environments.

In addition to its recording capabilities, the Marantz PMD690 offers robust editing features. Users can perform functions such as dividing and combining tracks, as well as adding simple metadata, making post-production tasks more convenient. This feature is particularly beneficial for podcasters and field recorders who need to manage and organize their recordings efficiently.

Rugged and portable, the PMD690 is designed for durability, making it an excellent choice for outdoor and on-the-go recording. Its compact design means it can easily fit into a camera bag or backpack, and its battery life is sufficiently long to handle extended recording sessions without the need for recharging.

In conclusion, the Marantz PMD690 stands out as a reliable and high-performance digital audio recorder that meets the needs of professionals and hobbyists alike. With its quality recording capabilities, versatile connectivity options, user-friendly interface, and durable construction, it is a valuable tool for anyone looking to capture audio in a variety of settings. Whether for professional use or personal projects, the PMD690 is sure to deliver exceptional performance and recording quality.
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