High End Systems DL1 user manual Digital Eye Technology Control

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Digital Eye Technology Control

Zoom

Channel 12 and 13 provide 16-bit control of the camera Zoom function. The Zoom includes 18× optical and 12× digital zoom (216× combined). Adjust Zoom from In (DMX value = 0) to Out (DMX value = 65535)

Focus

Channel 14 and 15 provide 16-bit control of the camera Focus function. Auto focus is active at DMX values = 0–511. Set Manual focus from In (Far End) value = 512 to Out (Near End) value = 65535.

IR Illuminator

DL.1 fixtures with Digital Eye Technology are equipped with an illuminator that can output infrared (IR) light. Channel 16 controls both the IR illuminator output and the camera’s infrared sensing option. DMX values = 0 – 63 are the default with illuminator off and the camera set to sense the visible light spectrum. From DMXvalues =64–127, the Illuminator remains off , but the camera’s Auto IR function is ON detecting ambient infrared light in the environment. The rest of the range turns the Auto adjustment off and adjusts the amount of IR illuminator output from FULL (DMX value = 128) to OFF (DMX value = 255).

Shutter

Digital Eye Technology can create slow-motion and choppy-frame effects using the camera shutter options. Channel 17 controls the camera shutter providing six steps of frame rate control from 1 to 30 frames/second. DMX values = 0 – 63 set Full Auto Exposure and is the default option.

White Balance

Channel 18 adjusts for the variation in what is perceived as “White” in different light conditions. The Auto White Balance mode computes the white balance value output using color information from the entire screen. It outputs the proper value using the color temperature on a range of values from 3000 to 7500K and is the default setting. Other settings for this Parameter accommodate Indoor and Outdoor lighting conditions.

Orientation

Digital Eye Technology can Vertically Invert (Flip) or Horizontally Invert (Mirror) the image being viewed by the camera. Channel 19 controls the Orientation parameter. All four combinations of Vertical and Horizontal Invert are available.

Effects

Digitial Eye Technology can convert an image to black and white (B&W), or can invert the color (Negative art). A snapshot can also be taken of the image (Freeze Frame) with or without one of these effects applied. Channel 20 controls the Effects parameter.

4-6 DMX Programming

DL.1 User Manual

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Contents Page Contacting High End Systems US and the AmericasDeclaration of Conformity Product Modification Warning FCC InformationImportant Safety Information SymbolsWarranty Information PatentsVii What You Should Know About Copyright Table of Contents Chapter Fixture Operation DMX Programming Chapter General Maintenance and Troubleshooting DL.1 Fixture Dimensions List of FiguresXiv Features OperationOptional Accessories Optional Digital Eye TechnologySpecifications Physical SpecificationsProjector Specifications Electrical SpecificationsEnvironmental Specifications Video Connectors Cable and Connector SpecificationsDMX and RS-485 Projector Link Features and Specifications Replacing the Power Cord Cap Unpacking the FixtureInstalling a Line Cord Cap U.K. Only Connecting VideoVatic Fitter Heads Information Danmark Input Source Recommended Mounting Orientation Mounting the FixtureFog Machine Warning Verifying the Truss Support Mounting the Fixture UprightTruss Mounting ClampsMounting Procedure Attaching the Mounting bracketsLinking the Fixtures Data Cabling and ConnectorsCable Connectors DMX Data CablesSetting up the Link XLR 5-pin connectorInstalling a Terminator Powering On the FixtureHoming the Fixture Verifying and Uploading Fixture Software Viewing the Display PanelSetting the DMX Start Channel DL.1 menu system navigation buttonsShutting Down the Fixture Locking Pan and Tilt PositionsTalkBack Support for Remote Access Chapter Fixture OperationMenu Display Navigational BasicsUnlocking the Menu System Display in Menu Locked ModeExiting the Menu System Menu Map Description/NotesHome Fixture ALL Menu Option Descriptions Setting a DMX Start ChannelFactory Default Settings DMX Address MenuPan Invert Pan/Tilt SwapTilt Invert Display Level Data Loss TimeoutProjector Input Source Projector Default? Reset Projector HoursProjector In By DMX? Striking the Projector LampIris Version Focus Override Menu Zoom Override MenuProjector Control Camera Option Align Pan Motors New Air FilterFixture Mode Menu Crossloading Fixture SoftwareTest Options Menu Copying the Boot CodeHoming the Fixture Self Test Menu Information MenuUnique Number Temperatures Menu DMX Values MenuFixture Hours Fixture Hours ResetProjector Hours Reset Lamp HoursDisplay Errors To Display ErrorsFixture Operation Lighting Consoles DMX Programming OverviewBit vs -bit DMX Fixture LibrariesDMX Output Displays Bit DMXParameter Descriptions Standard Movement and Projection ControlsControl Function Options Changing Projector Source Input Digital Eye Technology Control DL.1 Protocol Tables Standard DL.1 ProtocolDefault Enhanced DL.1 ProtocolChapter General Maintenance Troubleshooting Maintaining the Filtering SystemReplacing Parts Replacing FiltersReplacing the Lamp Reassemble the fixtureReplacing the Fuse Replacing the FuseCleaning or Replacing the Front Window Cleaning or Replacing the Front WindowDriver board configurations Replacing a Driver BoardReplacing 2-Phase Board Replacing 3-Phase BoardGeneral Troubleshooting LED StatesSteady Orange Receiving information from 2 & 3 phase Boards Addressing screw and LED locations General Troubleshooting Suggestions Problem SolutionGeneral Maintenance and Troubleshooting Appendix a Safety Information Marron phase Bleu neutre Vert/jaune terre Appendice a Importantes Informations Sur La SécuritéWarnung Zum Schutz Vor Brandgefahr Anhang a Wichtige Hinweise Für Ihre SicherheitWarnung Zum Schutz Gegen Gefährliche Körperströme Apéndice a Información Importante De Seguridad Advertencia Para Protección Continua Contra IncendiosAvvertenza Per Prevenire Incendi Appendice a Importanti Informazioni Di SicurezzaVigtig Sikkerhedsinformation Avvertenza Per Prevenire Le Scosse ElettricheSafety Information Appendix B MSpeed Conversion Table Time Dec Hex MSpeed Conversion Table

DL1 specifications

The High End Systems DL1 is a cutting-edge digital light fixture designed for dynamic and engaging lighting applications in the entertainment industry. Known for its versatility, high performance, and user-friendly interface, the DL1 has become a staple in various venues, including theaters, concert halls, and corporate events.

One of the standout features of the DL1 is its advanced digital projection technology. This fixture combines powerful imaging capabilities with high-quality optical components, allowing users to project vibrant images, videos, and animations onto various surfaces. The DL1 boasts a high-resolution output and color fidelity, ensuring that visuals are displayed with stunning clarity and richness. This makes it an excellent choice for productions requiring intricate image presentations.

In terms of flexibility, the DL1 offers an impressive range of features tailored for live events. It comes equipped with a highly configurable lens system that allows users to alter the beam angle, focusing on the fine details or casting a wider light for broader coverage. This adaptability is coupled with a robust gobo system, enabling designers to create dynamic patterns and shapes that can enhance any performance setting.

The DL1 integrates seamlessly into existing lighting rigs, thanks to its compatibility with industry-standard control protocols, such as DMX and Art-Net. This allows for precise control and integration with other lighting fixtures, providing designers and operators with extensive creative possibilities. Its on-board programming features also empower designers to set up shows quickly and efficiently, reducing time spent on setup and increasing the focus on artistic direction.

In terms of construction and durability, the DL1 is built to withstand the rigors of tour and rental environments. Its rugged yet lightweight design ensures reliability, while the efficient cooling system prolongs the lifespan of its internal components. This durability is essential for maintaining peak performance during demanding shows and events.

Lastly, the High End Systems DL1 emphasizes ease of use. With an intuitive user interface and robust onboard capabilities, operators can quickly navigate settings and access features, making it ideal for both novice and experienced lighting designers. The combination of its innovative technology, flexible features, and ease of use firmly establishes the DL1 as an essential tool for any modern lighting designer looking to enhance their productions with high-impact visuals.