NAD T 754 owner manual Displaying the Signal Mode, Selecting Listening Modes, Dts

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USING THE T 754

Enhanced-Stereo 2 (ST2)

All recordings reproduced in stereo via the surround speakers only (plus subwoofer, if any), assuming these are configured in the current <Speakers Setup>. ST2 can prove useful in certain late-night or very low-volume listening situations.

The following Surround Sound Modes require a specially encoded signal that must be present in digital format to be decoded by the T 754. These modes are automatically switched on when the appropriate data stream is detected selected in the setup menu of the source media.

Dolby Digital

Dolby Digital EX

Dolby Digital Surround Sound EX

DTS

DTS ES Matrix

DTS ES 6.1

Digital recordings in Dolby Digital or DTS formats are reproduced via the channels employed in the original recording (up to the maximum channels present in the current <Speaker Settings> setup).

NOTE: The DVD player must be sending a Dolby Digital or DTS bit-stream from its digital output. Your DVD player probably includes its own setup menu that (among other things) lets you select the default bit- stream format, and usually includes an “Auto” setting that directs the player to choose the Dolby Digital/ DTS signal whenever these are available. In a few cases, you may have to set the player’s bit-stream manually to “DD/DTS” or an equivalent. In the case of DVDs that carry both Dolby Digital and DTS, you will select one or the other from the disc’s (not the player’s) main menu.

Note also that while most Dolby Digital recordings are 5.1-channel surround productions, older examples may be multichannel, 2-channel, or even monaural; the T 754 will automatically reproduce the Dolby Digital signal with the maximum number of channels available.

Both Dolby Digital/EX and DTS/ES 6.1-channel recordings are reproduced using the surround back channel, if present in the current Speaker Settings setup; additionally, the T 754 creates surround-back signal from non-EX/ES, 5.1-channel Dolby Digital and DTS recordings.

Dolby Digital EX creates six full-bandwidth output channels from any 5.1-channel Dolby Digital recordings. The very best results occur with movies or other programs bearing the Dolby Digital Surround EX mark, which are produced to take full advantage of this playback mode.

The table below indicates which listening modes are available with the two types of audio signal sources: digital- or analog-input 2-channel (whether the actual signal is monaural, stereo or surround-encoded), and digital-multichannel (Dolby Digital or DTS). Where a listening mode is not available to a given signal source, it will not appear in the <Listening Mode> selection rotation.

2-ch analog or PCM

Multi-ch. (DD/DTS)

Stereo

Downmix

EARS

--

--

Dolby Digital/EX or DTS/ES

Dolby Pro Logic II

--

DTS Neo:6

--

Matrix 7.1

--

Enhanced Stereo I

Enhanced Stereo I*

Enhanced Stereo II

Enhanced Stereo II*

 

* downmixed signals

DISPLAYING THE SIGNAL MODE

Keying the front panel’s DISPLAY or HTR 2 remote's [DISP] key will display on the VFL the channel-mode of the currently selected input signal, in the format “front/surround.subwoofer” (see “5 DISPLAY” in the “Front Panel” section).

The following table shows examples of displays seen with various signal types:

Source

Readout/OSD

Analog

Analog

Digital PCM/HDCD

Digital PCM/HDCD

Multichannel (Dolby Digital)

Dolby D 3/2/.1 (full surround)

 

Dolby D 3/1/.1

 

Dolby D 2/0

 

etc.

Multichannel (DTS)

dts 3/2/.1 (full surround)

 

dts 3/1/.1

 

dts 2/0

 

etc.

SELECTING LISTENING MODES

Keying the HTR 2 remote's [SURR MODE] button steps through each of the T 754’s Listening Modes available to the current input signal. It also momentarily displays the Listening Mode in the OSD.

NOTE: Changing the type of input signal may automatically change the Listening Mode: If the new signal is a Dolby Digital or DTS recording, it will automatically invoke its native mode. The reverse is also true if Dolby Digital or DTS was previously selected.

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ENGLISH

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Contents 754 Explanation of Graphical Symbols Safety InformationDo not Attempt to Service the Unit Yourself OWNER’S Record Electric PowerMaintenance Damage Requiring ServiceTable of Contents Getting the Most from the NAD T Using the HTR 2 Remote ControlTroubleshooting Specifications Choosing a Location Unpacking and SetupConnecting AM Antenna WHAT’S in the BOXIntegration About the TR.S., Matrix and Digital Surround Ease of USEUpgradability About the HTR 2 System Remote ControlPlay a DVD Movie QuickstartSearch Front PanelDigital Input Jack +12V Trigger IN/OUT Rear PanelRear Panel Dealing with HUM and Noise Setting UP the TGetting Started Display the OSD Input SetupInput Settings About the ON-SCREEN Displays OSD and FRONT-PANEL ReadoutListening Mode Speaker SetupSpeaker Settings Setting Speaker Distance CHANNEL-BALANCE Test SetupUsing AN SPL Meter Setting Channel BalanceRecalling Presets Creating PresetsUsing the T Choosing the FM Mute / Mode Tuning StationsSetting Radio Presets Selecting Radio PresetsDTS NEO 6 Surround DTS ES Expanded Surround DTS ESDTS-ES Discrete DTS ES MatrixDolby PRO Logic II Music Dolby PRO LogicDolby PRO Logic II Surround Dolby PRO Logic II MovieDTS Displaying the Signal ModeSelecting Listening Modes DTS Neo Adjusting Listening ModesAdjusting the Tone Controls Surround Sound Channel ChartAdjusting Channel Levels on the FLY To Adjust Channel LevelsLearning Codes from Other Remotes Using the HTR 2 Remote ControlSpecifications Controlling the TRecording Macros Copy a Command from Another KEYMacro Commands PUNCH-THROUGHLoading CODE-LIBRARIES KEY-ILLUMINATION TimeoutFactory Reset Delete ModeAssigning the Trigger Output Using the ZR 2 Remote ControlTrigger Setup Summary of HTR 2 ModesCondition Possible Causes Possible Solutionss TroubleshootingAmplifier Section SpecificationsPhysical Specifications AV Surround Sound ReceiverNAD