Behringer MX9000 user manual Channel, Routing

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Fig. 3.5: Routing

Level to the subgroup and main mix buses is ultimately determined by the channel faders. These are designed to give a smooth logarithmic taper of a type more usually associated with the name of some pretty expensive brand ... The low level performance particularly is far smoother than that of a normal “budget” fader.

The MUTE button (S27), like that for SOLO has an LED indicator (L27) and removes the A-channel signal from all buses, save any auxes set to pre fader. It is ergonomically placed immediately above the fader and engaging MUTE is equivalent to setting a fader level of minus infinity.

3.7 B-channel

The B-channel (fig 3.6) comprises a secondary channel with it’s own hi and lo EQ, pan and level (P18, P19, P20 and P21). The EQ is a replica of the A-channel shelving EQ. The B-channel ALWAYS feeds into the MIX-B stereo bus, but it’s source can be switched between TAPE, LINE, MIC and A-CHANNEL, depending on how S1, S3 and S23 are set (see fig. 3.2 and section 3.2). Unusually for an 8-bus console, B-channels also

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Contents EURODESKMX9000 Safety Instructions Foreword Table of Content Track Recording with 2 Samplers Manual Eurodesk OverviewPSU Power Supply Unit MeteringInput switching INPUT/OUTPUT ChannelChannel strip Input gain setting Channel input switching architectureMain equalizer Aux sendsRouting and muting Aux sendsChannel RoutingInserts B-channelSubgroup and Direct Outputs SubgroupsStereo subgroup channel schematic Master Panel Direct outputsAux masters Aux sendsAux returns Stereo aux returns MIX-B master Aux returns 1Solo Monitoring MonitoringHeadphones PhonesTalkback 1 PFLConnections Rear panelExpander port bus inputs Auxiliary sends Auxiliary returnsSubgroup inserts Track in/outTrack/external inputs Main insertsStereo outputs Phones 1/2Meter/analyzer out Master balanced outputsPlug soldering guide Page Page Patchfield Normalized bayPatchfield Example of patchbay configurations Looming problems BayEqualization Gain Optimization Impedances and Tuning Unbalanced LinesA balanced microphone line Channel setting up procedure Desk/tape setting up proceduresSTART-UP Track Midi SUITE/DANCE Production Studio Multitrack initialization13.2.3Recording levels 13.2.4Auditioning a mixAuxless headphones mix SendsAlternatively Slightly more complicated auxless headphones mix ReturnsTrack Recording with 2 Samplers Lining up record/sample inputsMixdown RecordingHeadphones Professional 24-TRACK StudioVery tricky headphones Tab .1 Channel assignmentWet monitoring Live P.A. with 2-TRACK Recording FOHLive Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Expanding the Eurodesk MX9000 TimecodeConnections AlignmentBouncing Sequencing LiveHowever INPUT/OUTPUT Configuration ModificationsAux sends post EQ MIX-B source post faderLED meters pre fader Specifications Power supply Dimensions/weightGeneral Warranty § 1 Warranty CARD/ONLINE RegistrationPage
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