Behringer MX9000 user manual Specifications

Page 52

25. SPECIFICATIONS

Main channel strip

Mic input

Mic E.I.N. (22 Hz to 22 kHz)

Distortion (THD & N) Gain range

Max. input Line input

Gain range Max. input

Channel fader range Aux send gain range

Equalisation

Hi shelving

Hi mid sweep

Lo mid sweep

Lo shelving

Lo cut (HPF)

Channel direct out

Max. output

Noise @unity gain

Output impedance

Tape returns

Channel insert

Max. in/out

Channel to channel crosstalk

Mix B channel strip

Gain range

Hi shelving

Lo shelving

Subgroup section

Noise

Submaster output max. out Submaster insert max. out Submaster insert max. in Fader range

Main mix section

Noise

Max. output

Aux returns gain range

Aux sends max. out

electronically balanced, discrete input configuration -129.0 dBu, 150 Ohms source

-117.3 dBqp, 150 Ohms source -132.0 dBu, input shorted -122.0 dBqp, input shorted

0.007 % at +4 dBu, 1 kHz, bandwidth 80 kHz +10 dB to +50 dB

+12 dBu (+32 dBu @ PAD) electronically balanced

unity to +40 dB (-20 to +20 dB @PAD)

+22 dBu

+10 dB to -85 dB / off off to unity to +15 dB

12 kHz, +/- 15 dB

300 Hz to 20 kHz, +/- 15 dB

50 Hz to 3 kHz, +/- 15 dB

80Hz, +/- 15 dB

75Hz, 12 dB/oct.

+22 dBu -94 dBu

120 Ohms

bal./unbal. 1/4" jacks, globally switchable from +4 dBu to -10 dBV

+22 dBu

-95 dB @ 1 kHz

off to unity to +15 dB 12 kHz, +/- 15 dB 80 Hz, +/- 15 dB

bus noise @ fader 0 dB: -102.5 dBr (ref. +4 dBu)

-92.5 dBr (ref. +4 dBu, 24 chs. assigned (input B) & set @ unity gain) -94.5 dBr (ref. +4 dBu, 16 chs. assigned (input B) & set @ unity gain) +22 dBu balanced/unbalanced

+22 dBu

+22 dBu

+10 dB to -85 dB / off

bus noise @ fader 0 dB: -101.0 dBr (ref. +4 dBu)

-92.5 dBr (ref. +4 dBu, 24 chs. assigned (input B) & set @ unity gain) -94.5 dBr (ref. +4 dBu, 16 chs. assigned (input B) & set @ unity gain) +28 dBu balanced XLR, +22 dBu unbalanced 1/4" jacks

off to unity to + 20 dB +22 dBu

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Contents EURODESKMX9000 Safety Instructions Foreword Table of Content Track Recording with 2 Samplers Manual Eurodesk OverviewPSU Power Supply Unit MeteringINPUT/OUTPUT Channel Input switchingChannel strip Input gain setting Channel input switching architectureMain equalizer Aux sendsRouting and muting Aux sendsChannel RoutingInserts B-channelSubgroup and Direct Outputs SubgroupsStereo subgroup channel schematic Master Panel Direct outputsAux masters Aux sendsAux returns Stereo aux returns Aux returns 1 MIX-B masterSolo Monitoring MonitoringHeadphones PhonesTalkback 1 PFLRear panel ConnectionsExpander port bus inputs Auxiliary sends Auxiliary returnsSubgroup inserts Track in/outTrack/external inputs Main insertsStereo outputs Phones 1/2Meter/analyzer out Master balanced outputsPlug soldering guide Page Page Normalized bay PatchfieldPatchfield Example of patchbay configurations Looming problems BayEqualization Gain Optimization Impedances and Tuning Unbalanced LinesA balanced microphone line Desk/tape setting up procedures Channel setting up procedureSTART-UP Track Midi SUITE/DANCE Production Studio Multitrack initialization13.2.3Recording levels 13.2.4Auditioning a mixSends Auxless headphones mixAlternatively Slightly more complicated auxless headphones mix ReturnsTrack Recording with 2 Samplers Lining up record/sample inputsMixdown RecordingHeadphones Professional 24-TRACK StudioVery tricky headphones Tab .1 Channel assignmentWet monitoring Live P.A. with 2-TRACK Recording FOHLive Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Expanding the Eurodesk MX9000 TimecodeConnections AlignmentSequencing Live BouncingHowever INPUT/OUTPUT Configuration ModificationsMIX-B source post fader Aux sends post EQLED meters pre fader Specifications Dimensions/weight Power supplyGeneral Warranty § 1 Warranty CARD/ONLINE RegistrationPage
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