Behringer MX9000 user manual Professional 24-TRACK Studio, Headphones

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15.2 Headphones

While auxless headphone monitoring (see section 14.2) is still an option (and a pretty good one), a small general purpose studio might require a more straightforward way of working using one or two discrete headphone mixes. Here it would be best to keep aux sends 1 and 2 free for monitoring purposes until mixdown time.

Aux returns 3/4/5//6 can be routed directly to headphones 1 and/or 2. A good idea would be to drive HP1 from a combination of aux return 3 (S55) and MIX-B (S76), while HP2 picked up it’s signal from aux return 4 (S69) and MIX-B (S88). Channel auxes 3 and 4 would be routed to A-channels. In this configuration a reasonable degree of balancing between the MIX-B and aux 3/4 level into the cans is possible by adjusting P55/68 (minus infinity to +15 dB).

+With the headphone configuration shown below, there is no easy way to get FX returns into the cans. Bring these back on A or B channels instead, until mixdown time.

Fig. 15.1: Headphones

15.3 Mixdown

With 24 A-channels and up to 36 significant tape and sampler tracks to accommodate, some thought will need to be given to mixdown assignments. Tracks which need little EQ and no access to the main track reverbs/ echoes on auxes 1 and 2 may be parked on B-channels. Lead tracks and prominent rhythm/melodic voices should be placed onto A-channels. Remember auxes 3/4/5/6 can be dedicated either to A or B-channels by SOURCE switch S17.

16. PROFESSIONAL 24-TRACK STUDIO

16.1 Recording

Chances are you’ll occasionally want to record more than eight tracks at once, e.g. it you’re recording a band playing together live. The following example covers a rock band with drums, bass, two guitars, percussionist, brass section, lead and backing vocals. In the real world, you’ll hardly ever be taking all these artists at once, but if you are:

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Contents EURODESKMX9000 Safety Instructions Foreword Table of Content Track Recording with 2 Samplers Manual Eurodesk OverviewPSU Power Supply Unit MeteringInput switching INPUT/OUTPUT ChannelChannel strip Input gain setting Channel input switching architectureMain equalizer Aux sendsRouting and muting Aux sendsChannel RoutingInserts B-channelSubgroup and Direct Outputs SubgroupsStereo subgroup channel schematic Aux masters Master PanelDirect outputs Aux sendsAux returns Stereo aux returns MIX-B master Aux returns 1Solo Monitoring MonitoringHeadphones PhonesTalkback 1 PFLConnections Rear panelExpander port bus inputs Auxiliary sends Auxiliary returnsTrack/external inputs Subgroup insertsTrack in/out Main insertsMeter/analyzer out Stereo outputsPhones 1/2 Master balanced outputsPlug soldering guide Page Page Patchfield Normalized bayPatchfield Example of patchbay configurations Looming problems BayEqualization Gain Optimization Impedances and Tuning Unbalanced LinesA balanced microphone line Channel setting up procedure Desk/tape setting up proceduresSTART-UP 13.2.3Recording levels Track Midi SUITE/DANCE Production StudioMultitrack initialization 13.2.4Auditioning a mixAuxless headphones mix SendsAlternatively Slightly more complicated auxless headphones mix ReturnsMixdown Track Recording with 2 SamplersLining up record/sample inputs RecordingHeadphones Professional 24-TRACK StudioVery tricky headphones Tab .1 Channel assignmentWet monitoring Live P.A. with 2-TRACK Recording FOHLive Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Connections Expanding the Eurodesk MX9000Timecode AlignmentBouncing Sequencing LiveHowever INPUT/OUTPUT Configuration ModificationsAux sends post EQ MIX-B source post faderLED meters pre fader Specifications Power supply Dimensions/weightGeneral Warranty § 1 Warranty CARD/ONLINE RegistrationPage
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