Behringer MX9000 user manual Very tricky headphones, Tab .1 Channel assignment

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Channels

Source

Route

Destination

 

1

Kick

Direct out

Track 2

 

2

Snare

Direct out

Track 3

 

3

Hi Hat

Direct out

Track 4

 

4

Tom 1

Subgroups 5 and 6

Tracks 5 and

6

5

Tom 2

Subgroups 5 and 6

Tracks 5 and

6

6

Tom 3

Subgroups 5 and 6

Tracks 5 and

6

7

Tom 4

Subgroups 5 and 6

Tracks 5 and

6

8

Cymbals (overheads) L

Direct out

Track 7

 

9

Cymbals (overheads) R

Direct out

Track 8

 

10

Bass microphone

Subgroup 3

Track 1

 

11

Bass DI

Subgroup 3

Track 1

 

12

Escaping prisoners

Subgroup 4

Who knows?

13

Trumpet

Subgroups 1 and 2

Tracks 9 and 10

14

Trombone

Subgroups 1 and 2

Tracks 9 and 10

15

Sax

Subgroups 1 and 2

Tracks 9 and 10

16

BVs 1

Subgroups 7 and 8

Tracks 11 and

12

17

BVs 2

Subgroups 7 and 8

Tracks 11 and

12

18

BVs 3

Subgroups 7 and 8

Tracks 11 and

12

19

Conga L

Direct out

Track 13

 

20

Conga R

Direct out

Track 14

 

21

Guitar 1 microphone

Direct out

Track 15

 

22

Guitar 2 microphone

Direct out

Track 16

 

23

Lead vocal

Direct out

Track 17

 

Tab. 16.1: Channel assignment

Tape Monitoring will be via MIX-B in tape return mode. Once tracks are layed, they will be flipped onto the A-channels (1 to 17), and overdubbing can commence via tracks 18 to 24. Also “bouncing”, reducing several tracks onto one or a stereo pair, requires access to the full routing matrix. This is available to the A-channels, but not the B-channels.

16.2 Very tricky headphones

In a multi-musician scenario you’ll probably want as many different headphones mixes as you can muster. With the current channel/group/track assignments it is possible to set up four independent, or semi-independent, headphone feeds while still keeping back auxes 3/4/5/6 for “wet” monitoring (see 16.3).

Subgroup 7 => aux return 3 => headphones 1

Subgroup 8 => aux return 4 => headphones 2

Main mix (and)/or MIX-B =>

headphones 1

Main mix (and)/or MIX-B =>

headphones 2

Active switches: S55/(S82, S77)/S76

Active switches: S69/(S82, S89)/S88

See also fig. 14.4 “Subgroup driven auxless headphones mix” and associated text.

In the above configuration HP1 and HP2 comprise a blend of the main mix, MIX-B and an additional feed from a subgroup. The subgroup feed can be used to select which channel(s) should be boosted in the cans relative to the main mixes.

+Choose to send to subgroups 7 and 8 from channels which are routed to tape from their DIRECT OUT. Otherwise CHANNEL PAN, which will already have been set for recording via another group, is unlikely to be pointing to where you want the cue signal to go. Aux sends 1 and 2 are available as two separate mono headphone feeds, or as a single stereo headphone feed. You’ll need an extra stereo amplifier to amplify the aux 1 and 2 outputs to drive headphones properly.

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Contents EURODESKMX9000 Safety Instructions Foreword Table of Content Track Recording with 2 Samplers Eurodesk Overview ManualMetering PSU Power Supply UnitINPUT/OUTPUT Channel Input switchingChannel strip Channel input switching architecture Input gain settingAux sends Main equalizerAux sends Routing and mutingRouting ChannelB-channel InsertsSubgroups Subgroup and Direct OutputsStereo subgroup channel schematic Aux sends Master PanelDirect outputs Aux mastersAux returns Stereo aux returns Aux returns 1 MIX-B masterSolo Monitoring MonitoringPhones Headphones1 PFL TalkbackRear panel ConnectionsExpander port bus inputs Auxiliary returns Auxiliary sendsMain inserts Subgroup insertsTrack in/out Track/external inputsMaster balanced outputs Stereo outputsPhones 1/2 Meter/analyzer outPlug soldering guide Page Page Normalized bay PatchfieldPatchfield Example of patchbay configurations Bay Looming problemsEqualization Gain Optimization Unbalanced Lines Impedances and TuningA balanced microphone line Desk/tape setting up procedures Channel setting up procedureSTART-UP 13.2.4Auditioning a mix Track Midi SUITE/DANCE Production StudioMultitrack initialization 13.2.3Recording levelsSends Auxless headphones mixAlternatively Returns Slightly more complicated auxless headphones mixRecording Track Recording with 2 SamplersLining up record/sample inputs MixdownProfessional 24-TRACK Studio HeadphonesTab .1 Channel assignment Very tricky headphonesWet monitoring FOH Live P.A. with 2-TRACK RecordingLive Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Alignment Expanding the Eurodesk MX9000Timecode ConnectionsSequencing Live BouncingHowever Modifications INPUT/OUTPUT ConfigurationMIX-B source post fader Aux sends post EQLED meters pre fader Specifications Dimensions/weight Power supplyGeneral § 1 Warranty CARD/ONLINE Registration WarrantyPage
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