Channels | Source | Route | Destination |
|
1 | Kick | Direct out | Track 2 |
|
2 | Snare | Direct out | Track 3 |
|
3 | Hi Hat | Direct out | Track 4 |
|
4 | Tom 1 | Subgroups 5 and 6 | Tracks 5 and | 6 |
5 | Tom 2 | Subgroups 5 and 6 | Tracks 5 and | 6 |
6 | Tom 3 | Subgroups 5 and 6 | Tracks 5 and | 6 |
7 | Tom 4 | Subgroups 5 and 6 | Tracks 5 and | 6 |
8 | Cymbals (overheads) L | Direct out | Track 7 |
|
9 | Cymbals (overheads) R | Direct out | Track 8 |
|
10 | Bass microphone | Subgroup 3 | Track 1 |
|
11 | Bass DI | Subgroup 3 | Track 1 |
|
12 | Escaping prisoners | Subgroup 4 | Who knows? | |
13 | Trumpet | Subgroups 1 and 2 | Tracks 9 and 10 | |
14 | Trombone | Subgroups 1 and 2 | Tracks 9 and 10 | |
15 | Sax | Subgroups 1 and 2 | Tracks 9 and 10 | |
16 | BVs 1 | Subgroups 7 and 8 | Tracks 11 and | 12 |
17 | BVs 2 | Subgroups 7 and 8 | Tracks 11 and | 12 |
18 | BVs 3 | Subgroups 7 and 8 | Tracks 11 and | 12 |
19 | Conga L | Direct out | Track 13 |
|
20 | Conga R | Direct out | Track 14 |
|
21 | Guitar 1 microphone | Direct out | Track 15 |
|
22 | Guitar 2 microphone | Direct out | Track 16 |
|
23 | Lead vocal | Direct out | Track 17 |
|
Tab. 16.1: Channel assignment
Tape Monitoring will be via
16.2 Very tricky headphones
In a
Subgroup 7 => aux return 3 => headphones 1 | Subgroup 8 => aux return 4 => headphones 2 | ||
Main mix (and)/or | headphones 1 | Main mix (and)/or | headphones 2 |
Active switches: S55/(S82, S77)/S76 | Active switches: S69/(S82, S89)/S88 |
See also fig. 14.4 “Subgroup driven auxless headphones mix” and associated text.
In the above configuration HP1 and HP2 comprise a blend of the main mix,
+Choose to send to subgroups 7 and 8 from channels which are routed to tape from their DIRECT OUT. Otherwise CHANNEL PAN, which will already have been set for recording via another group, is unlikely to be pointing to where you want the cue signal to go. Aux sends 1 and 2 are available as two separate mono headphone feeds, or as a single stereo headphone feed. You’ll need an extra stereo amplifier to amplify the aux 1 and 2 outputs to drive headphones properly.
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