Lexicon Converter manual Compressor Knob Values, Gain Threshold Release

Page 24

Using the 20/20 AD

Lexicon

 

THRESHOLD

GAIN

0dB

1

2

3

4

5

6

7

8

9

10

11

12

-3dB

1.50:1

3.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

-6dB

1.20:1

1.50:1

2.00:1

3.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

-8dB

1.14:1

1.33:1

1.66:1

2.00:1

2.66:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

-10dB

1.11:1

1.25:1

1.42:1

1.66:1

2.00:1

2.50:1

3.33:1

4.00:1

4.00:1

4.00:1

4.00:1

4.00:1

 

 

 

 

 

 

 

 

 

 

 

 

 

-12dB

1.09:1

1.20:1

1.33:1

1.50:1

1.71:1

2.00:1

2.40:1

3.00:1

4.00:1

4.00:1

4.00:1

4.00:1

-14dB

1.07:1

1.16:1

1.27:1

1.40:1

1.55:1

1.75:1

2.00:1

2.33:1

2.81:1

3.50:1

4.00:1

4.00:1

-16dB

1.06:1

1.14:1

1.23:1

1.33:1

1.45:1

1.60:1

1.77:1

2.00:1

2.28:1

2.66:1

3.20:1

4.00:1

 

 

 

 

 

 

 

 

 

 

 

 

 

-18dB

1.06:1

1.12:1

1.20:1

1.28:1

1.38:1

1.50:1

1.63:1

1.80:1

2.00:1

2.25:1

2.57:1

3.00:1

-20dB

1.05:1

1.11:1

1.17:1

1.25:1

1.33:1

1.42:1

1.53:1

1.66:1

1.81:1

2.00:1

2.22:1

2.50:1

-22dB

1.05:1

1.10:1

1.16:1

1.22:1

1.29:1

1.37:1

1.46:1

1.57:1

1.69:1

1.83:1

2.00:1

2.20:1

 

 

 

 

 

 

 

 

 

 

 

 

 

-24dB

1.04:1

1.09:1

1.14:1

1.20:1

1.26:1

1.33:1

1.41:1

1.50:1

1.60:1

1.71:1

1.84:1

2.00:1

 

 

 

 

 

 

 

 

 

 

 

 

 

-26dB

1.04:1

1.08:1

1.13:1

1.18:1

1.23:1

1.30:1

1.36:1

1.44:1

1.52:1

1.62:1

1.73:1

1.85:1

-30dB

1.03:1

1.07:1

1.11:1

1.15:1

1.20:1

1.25:1

1.30:1

1.36:1

1.42:1

1.50:1

1.57:1

1.66:1

 

 

 

 

 

 

 

 

 

 

 

 

 

-36dB

1.02:1

1.06:1

1.09:1

1.12:1

1.16:1

1.20:1

1.24:1

1.28:1

1.33:1

1.38:1

1.44:1

1.50:1

 

 

 

 

 

 

 

 

 

 

 

 

 

As both the formula and the table show, raising the threshold increases the ratio

making the compression more audible above the THRESHOLD setting. However, because signals below the threshold are boosted linearly through the compressor, raising the threshold may decrease the amount of time the compressor is reducing gain. This may decrease the audible artifacts.

Conversely, if you lower the threshold all the way to -36dB, you will pretty much guarantee that all but the quietest signals will experience some amount of gain reduction, but the ratio will be so small (1.2:1) that the total effect may be less noticeable than a higher threshold setting.

Start with RELEASE time set to about 180 mS, then shorten the time for percussive program material and lengthen it for material such as voice.

RELEASE times of 0mS to are available. Attack time of the compression is automatically set as a function of the signal rise time.

Compressor Knob Values

5 6 7

 

-18 -16

-14

56

100 180

 

4

 

8

-20

 

 

-12

32

320

3

 

9

-22

 

 

-10

18

 

 

560

 

 

 

 

2

 

10

-24

 

 

-8

10

 

 

1S

 

 

 

 

1

 

11

-26

 

 

-6

5

 

1.5

0

 

12

-30

 

 

-3

0

 

 

 

 

 

-36

 

 

0

 

 

 

 

GAIN

 

THRESHOLD

RELEASE

 

(in dB)

 

(in dB)

(in mS and S)

Note that changing the settings of GAIN and THRESHOLD while recording may produce audible clicks. If, for artistic reasons, you wish to turn the compressor off during a recording, do so by increasing the release time to . (Using the compressor on/off switch may produce a click.)

20

Image 24
Contents 20/20 AD Precautions Safety Summary Electrostatic Discharge ESD PrecautionsContents Introduction AES/EBU Interface ProfessionalControls and Connectors Power Mounting20/20 AD Front Panel Controls ConverterLevel Meters CompressorDisplay LinkSynchronization Output Formatting Alternate ModesTo activate Alternate modes Press and hold Then press one of these20/20 AD Rear Panel Connectors BAL/UNBALConnectors Audio ConnectionsXLR Pinout Cables AES/EBUPdif Signal Type Attenuator DBu DBV Signal Type Pin Pin3Termination and Grounding via Internal Jumpers These instructions are for use by qualified personnel only Word ClockAnalog Jumpers Balanced Unbalanced Input Signals Front panel Adjustments PK HoldAtten ChanSynchronization and Sample Rate AES Sync Word ClockStates Internal and External modesAbout Dither Psychoacoustically Optimized Noise Shaping Pons00k 10.0k 12.0k 14.0k 16.0k 18.0k Automatic Offset Removal Compressor Modes Dynamic Range CompressionInput Compressor Knob Values Gain Threshold ReleaseNon-linear Transfer FunctionsUsing the 20/20 AD Lexicon Link Realigning Two DAT Recordings Digital Sinewave GeneratorGain Operating the 20/20 AD in the Digital Mode Specifications CmrrDefinition of Terms