
About the Input Section (Cont.)
Combination Input Jack (M)
This jack functions the same as the other combination jacks (L) except the 1/4” input can be stereo, mono, or 
Methods for connecting instruments to channel 5
Method 1: Stereo using individual left and right line outputs of an electronic instrument -
This method maintains stereo integrity from the instrument to speakers taking full advantage of the stereo feature channel 5 offers.
Pros: Delivers a full rich sound on instruments with stereo effects.
Cons: May require a 1/4” Stereo Adapter wire if your instrument does not have a single stereo jack.
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 | KEYBOARD | Headphone | Right Left (mono) | ||||
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| CH 5 INPUT | 
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 | 1/4” STEREO ADAPTER | Left | 
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 | 1/4” INSTRUMENT CABLES | ||||||||
Method 2: Stereo using Headphone output-
This method gives the same result as the first method with a single cable. The headphone volume on the instrument should set for a good mix in the PA when channel 5 volume is half way up. If the headphone volume is too high, it can overload channel 5 and sound distorted.
| Pros: Same as method 1 but with less clutter. | 
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| Cons: The musician playing the instrument | 
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| must remember that too much headphone level | 
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| KEYBOARD Headphone | Right Left (mono) | |||||||||||||||||||||||||
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| CH 5 INPUT | 
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 | 1/4” STEREO INSTRUMENT CABLE | 
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Method 3: Mono using mono Line out -
This method uses the mixed stereo signal of the instrument. This method can also be used on channels 1~4.
| Pros: If this is a  | ||||||||||||||||||||
| Cons: This method does not take advantage of | 
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| the stereo feature unique to channel 5. | 
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 | Line Out | 
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 | h i e | l d | ) | 
 | KEYBOARD | Headphone | 
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 | f)t | 
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 | ( S | 
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 | Right Left (mono) | |||||||
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 | (or similar electronic instrument) | 
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 | i | p | 
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 | e | e | 
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| CH 5 INPUT | 
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 | 1/4” STEREO INSTRUMENT CABLE | 
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