Kustom Profile System Two Methods for connecting instruments to channel, Combination Input Jack M

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Line Out

About the Input Section (Cont.)

Combination Input Jack (M)

This jack functions the same as the other combination jacks (L) except the 1/4” input can be stereo, mono, or hi-Z mono. String instruments, such as acoustic guitar that have a passive pickup (non- battery powered) are typically hi-z mono and will work best in this channel. Line level stereo instruments such as electronic keyboards and drum machines are excellent choices for this channel, because it maintains the instrument’s stereo signal through the two separate preamps of channel 5. There is no need to be concerned if the instrument is stereo or mono because the channel automatically switches to mono if no signal is present on the ring of the 1/4” input, or if a standard mono guitar cord is used. In the stereo mode, the tip is assigned to the left preamp and the ring to the right preamp of channel 5. When no signal is present on the ring, or if a mono 1/4" plug is used, the signal present on the tip will be assigned to both left and right preamps of channel 5.

Methods for connecting instruments to channel 5

Method 1: Stereo using individual left and right line outputs of an electronic instrument -

This method maintains stereo integrity from the instrument to speakers taking full advantage of the stereo feature channel 5 offers.

Pros: Delivers a full rich sound on instruments with stereo effects.

Cons: May require a 1/4” Stereo Adapter wire if your instrument does not have a single stereo jack.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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TIP

 

 

 

 

 

CH 5 INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1/4” STEREO ADAPTER

Left

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1/4” INSTRUMENT CABLES

Method 2: Stereo using Headphone output-

This method gives the same result as the first method with a single cable. The headphone volume on the instrument should set for a good mix in the PA when channel 5 volume is half way up. If the headphone volume is too high, it can overload channel 5 and sound distorted.

Pros: Same as method 1 but with less clutter.

 

 

 

 

 

Cons: The musician playing the instrument

 

 

Line Out

 

 

must remember that too much headphone level

 

 

 

 

 

KEYBOARD Headphone

Right Left (mono)

can distort the channel.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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CH 5 INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1/4” STEREO INSTRUMENT CABLE

 

 

 

 

Method 3: Mono using mono Line out -

This method uses the mixed stereo signal of the instrument. This method can also be used on channels 1~4.

Pros: If this is a multi-instrument keyboard, there will be a balanced mix of the instruments in both speakers.

Cons: This method does not take advantage of

 

 

 

 

 

 

the stereo feature unique to channel 5.

 

 

 

 

Line Out

 

 

 

 

 

 

 

 

 

 

 

 

 

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CH 5 INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

1/4” STEREO INSTRUMENT CABLE

 

 

 

 

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Contents Profile System TwoTM English French Table of Contents Profile System Two Contents Setup Diagram a Mixer Front Setup Diagram B Mixer Back Speaker Input Jack Y Setup Diagram C Speaker Cabinet BackMaster Section Setup Instructions Making ConnectionsInput Section PlayingAbout the Master Section About the Input Section Methods for connecting inputs to channels Combination Input Jack M Methods for connecting instruments to channelAbout the Output Section FAQ Frequently Asked Questions Amplifier Loading Chart each channel Profile Two Block Diagram Profile System Two Specifications EC Declaration of Conformity