About the Input Section (Cont.)
Combination Input Jack (M)
This jack functions the same as the other combination jacks (L) except the 1/4” input can be stereo, mono, or
Methods for connecting instruments to channel 5
Method 1: Stereo using individual left and right line outputs of an electronic instrument -
This method maintains stereo integrity from the instrument to speakers taking full advantage of the stereo feature channel 5 offers.
Pros: Delivers a full rich sound on instruments with stereo effects.
Cons: May require a 1/4” Stereo Adapter wire if your instrument does not have a single stereo jack.
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| KEYBOARD | Headphone | Right Left (mono) | ||||
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| TIP |
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CH 5 INPUT |
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| 1/4” STEREO ADAPTER | Left |
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| 1/4” INSTRUMENT CABLES |
Method 2: Stereo using Headphone output-
This method gives the same result as the first method with a single cable. The headphone volume on the instrument should set for a good mix in the PA when channel 5 volume is half way up. If the headphone volume is too high, it can overload channel 5 and sound distorted.
Pros: Same as method 1 but with less clutter. |
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Cons: The musician playing the instrument |
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must remember that too much headphone level |
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KEYBOARD Headphone | Right Left (mono) | |||||||||||||||||||||||||
can distort the channel. |
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| e | l d | (or similar electronic instrument) |
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CH 5 INPUT |
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| 1/4” STEREO INSTRUMENT CABLE |
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Method 3: Mono using mono Line out -
This method uses the mixed stereo signal of the instrument. This method can also be used on channels 1~4.
Pros: If this is a | ||||||||||||||||||||
Cons: This method does not take advantage of |
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the stereo feature unique to channel 5. |
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| Line Out |
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| h i e | l d | ) |
| KEYBOARD | Headphone |
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| (l |
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| (or similar electronic instrument) |
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CH 5 INPUT |
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| 1/4” STEREO INSTRUMENT CABLE |
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