MartinLogan Monolith III user manual Page11

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eliminate the negative effects of time delay (also referred to as group delay) that occurs when a signal passes through two dissimilar amplifiers. The very nature of vertical bi-amping dictates that both amplifiers be identical.

With horizontal bi-amping, one amplifier drives the high-pass section while the second amplifier drives the

low-pass section. To horizontally bi- amp your Monoliths you must remove the jumpers from the AMPLIFIER SIGNAL binding postsof the IIIp INTERFACE. Connect the low frequency amplifier to the LO+ and LO- AMPLIFIER SIGNAL binding posts of each IIIp INTERFACE. Connect the high frequency amplifier to the HI+ and HI- binding posts. Next connect the left and right preamplifier

outputs to the appropriate left and right inputs of both amplifiers. See Figure 3a.

With vertical bi-amping, each of the stereo amplifiers is dedicated to one speaker. For instance, the left channel of each amplifier drives the low -pass section while the right channel drives the high-pass section. To vertically bi- amp your Monoliths, you must remove the jumpers from the AMPLIFIER SIGNAL binding posts of each IIIp INTERFACE. Start by connecting the left amplifier channel of amplifier #1 to the LO+ and LO- binding posts and the right amplifier channel of amplifier #1 to the HI+ and HI- binding posts of the IIIp INTERFACE. Then repeat the same procedure for the other speaker with amplifier #2. Connect the left preampli- fier outputs to both inputs of the left channel amplifier (#1) and the right preamplifier outputs to both inputs of the right channel amplifier (#2). See Figure 3b.

Figure 3b: Vertical passive bi-amplification connection for the MONOLITH IIIp.

Monolith III User's Manual

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Contents Monolith III Speaker System Contents Introduction Signal Connection Installation in BriefPlacement Power Connection ACMonolith III Speaker Monolith III SpecificationsHistory Page7 Connection AC Power ConnectionONE Standard Connection for Monolith IIIp TWO Bi-wire Connection for the Monolith IIIpIIIp Connection Three Passive Bi-amplification Page11 Packaging IIIx ConnectionIntroduction Monolith IIIx Crossover connection Your Room and Bass Crossover SettingsIIIx Operation Bass Contour ControlsMonolith IIIx Crossover Bass Contour controls Tuning Your RoomTheory of Operation IIIx Operation IIIx Technical DescriptionMusical Tastes Monolith IIIx Crossover block diagram of circuit Terminology Room AcousticsYour Room Horizontal Dispersion Rules of ThumbBipolar Speakers and Your Room Vertical DispersionDispersion Concepts Front Wall PlacementGeneral Placement Back WallFinal Word ExperimentationSolid Footing General InformationAssociated Equipment CareAn Electrostatic Transducer Electrostatic ConceptAn Electromagnetic Transducer Full Range Operation Martin-Logan ExclusivesTransducer Integrity Curvilinear Line SourceHybrid Technology Vapor Deposited FilmDo I need an amplifier with high current capability? QuestionsNo Output TroubleshootingGlossary Page31