MartinLogan Explore the Superior Technology of Martin Logan Speakers

Page 26

Martin-Logan Exclusives

1. Full Range Operation

The most significant advantage of

 

full range of frequencies. Instead, these

a division of the complex musical signal

Martin-Logan's exclusive transducer

 

drivers must be designed to operate

into the separate pieces (usually highs,

technology reveals itself when you look

 

within narrow, fixed bandwidths of the

mids, and lows) that each specific

at examples of other loudspeaker

 

frequency range and then combined

driver was designed to handle. Unfortu-

products on the market today.

 

electrically so that the sum of the parts

nately, due to the phase relationships

The MONOLITH III uses no crossover

 

equals the total signal. While nice in

that occur within all crossover networks

 

theory, we must deal with real-world

and during the acoustical recombina-

networks above 125 Hz because they are

 

conditions.

 

 

tion process, nonlinearities and severe

not needed. The MONOLITH III consists

 

 

 

 

 

degradation of the music signal takes

of a single, seamless electrostatic

 

In order to use multiple drivers, a

place in the ear's most "critical zone".

membrane reproducing all

frequencies

 

crossover network is enlisted to attempt

See Figure 10.

above 125 Hz simultane-

 

 

 

 

 

 

 

 

 

ously. How is this possible?

 

 

 

 

 

 

 

The MONOLITH III's electro-

 

 

 

 

 

 

 

First we must understand that

 

 

Conventional Loudspeaker

 

static transducer can single-

 

 

 

handedly reproduce all

music is not composed of

 

 

 

 

 

 

 

 

frequencies above 100 Hz

 

 

 

 

 

 

 

 

separate high, mid and low

 

 

 

Tweeter

 

 

 

 

simultaneously. So, you

frequency pieces. In fact, music

 

 

 

 

Critical Zone

 

 

have, in one transducer, the

is comprised of a single complex

 

 

 

 

 

 

ability to handle, in elegant

 

 

Midrange

 

250 - 20kHz

 

 

waveform with all frequencies

 

 

 

 

 

simplicity, the critical

 

 

 

 

 

 

interacting simultaneously.

 

 

 

 

 

 

 

 

frequencies above 100 Hz.

 

 

 

 

 

 

 

 

 

 

The electrostatic transducer

 

 

 

Woofer

 

 

 

 

The crossover phase

 

 

 

 

 

 

 

 

of the Monolith essentially

 

 

 

 

 

 

 

 

discontinuities that are

 

 

 

 

 

 

 

 

acts as an exact opposite of

 

 

 

Martin-Logan

MONOLITH III

 

associated with traditional

the microphones used to

 

 

 

 

tweeter, midrange, and

 

 

 

 

 

 

 

 

record the original event. A

 

 

 

 

 

 

 

 

woofer systems are elimi-

microphone, which is a

 

 

 

MONOLITH III

 

 

 

 

nated. This results in a

single working element,

 

 

 

Electrostatic

 

Critical Zone

 

 

dramatic improvement in

transforms acoustic energy

 

 

 

Transducer

 

250 - 20kHz

 

 

imaging and staging

into an electrical signal that

 

 

 

 

 

 

 

 

performance due to the

can be amplified or pre-

 

 

 

 

 

 

 

 

minutely accurate phase

 

 

 

 

 

 

 

served by some type of

 

 

 

 

 

 

 

 

relationship of the full-range

 

 

 

Woofer

 

 

 

 

storage media. The MONO-

 

 

 

 

 

 

 

panel wave launch.

 

 

 

 

 

 

 

 

LITH III's electrostatic trans-

 

 

 

 

 

 

 

 

 

ducer transforms electrical

 

Figure 10. Illustrates how a conventional speaker system

 

energy from your amplifier

 

 

 

must use a crossover network that has negative affects

 

into acoustical energy.

 

on the musical performance unlike the MONOLITH III which

 

Due to the limitations of

 

 

needs no crossover networks in the "critical zone".

 

 

electromagnetic drivers, no

 

 

 

 

 

 

 

 

 

single unit can reproduce the

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Monolith III User's Manual

Image 26
Contents Monolith III Speaker System Contents Introduction Power Connection AC Installation in BriefPlacement Signal ConnectionMonolith III Specifications Monolith III SpeakerHistory Page7 AC Power Connection ConnectionONE Standard Connection for Monolith IIIp TWO Bi-wire Connection for the Monolith IIIpIIIp Connection Three Passive Bi-amplification Page11 Packaging IIIx ConnectionIntroduction Monolith IIIx Crossover connection Bass Contour Controls Crossover SettingsIIIx Operation Your Room and BassTuning Your Room Monolith IIIx Crossover Bass Contour controlsTheory of Operation IIIx Operation IIIx Technical DescriptionMusical Tastes Monolith IIIx Crossover block diagram of circuit Terminology Room AcousticsYour Room Vertical Dispersion Rules of ThumbBipolar Speakers and Your Room Horizontal DispersionDispersion Concepts Back Wall PlacementGeneral Placement Front WallExperimentation Final WordCare General InformationAssociated Equipment Solid FootingElectrostatic Concept An Electrostatic TransducerAn Electromagnetic Transducer Martin-Logan Exclusives Full Range OperationVapor Deposited Film Curvilinear Line SourceHybrid Technology Transducer IntegrityQuestions Do I need an amplifier with high current capability?Troubleshooting No OutputGlossary Page31