MartinLogan Monolith III user manual An Electromagnetic Transducer

Page 25

major contributor to the sonic purity of

possible. When you look at the prob-

cone or dome is just "along for the ride".

the electrostatic concept due to its

lems of traditional electromagnetic

The basic concept of these drivers

exceptional linearity and low distortion.

drivers, you can easily see why this is

require that the cone or dome be

Since the diaphragm of an electrostatic

so beneficial .

perfectly rigid, damped and close to

 

massless. Unfortunately these condi-

speaker is uniformly driven over its

The cones and domes which are used

tions are not available in our world

entire area, it can be extremely light and

in traditional electromagnetic drivers

today.

 

flexible. This allows it to be very

cannot be driven uniformly because of

 

 

responsive to transients, thus perfectly

their design. Cones are driven only at

To make these cones and domes

tracing the music signal. As a result ,

the apex. Domes are driven at their

move, all electromagnetic drivers must

great delicacy, nuance and clarity is

perimeter. As a result, the rest of the

use voice coils wound on formers,

 

 

 

spider assemblies, and

 

 

 

surrounds to keep the cone or

 

 

 

dome in position (see Figure

An Electromagnetic Transducer

 

9.). These pieces, when

 

combined with the high mass of

 

 

 

the cone or dome materials

 

 

 

used, make it an extremely

Surround Cone

Dust Cap

 

complex unit with many weak-

 

 

nesses and potential for failure.

 

Voice Coil Former

 

 

 

These faults contribute to the

 

 

 

high distortion products found in

 

 

 

this type of driver and is a

 

 

 

tremendous disadvantage

 

Spider (Suspension)

when you are trying to change

 

motion as quickly and as

 

 

 

 

 

 

accurately as a loudspeaker

 

 

 

must (40,000 times per

 

 

 

second!).

Basket Assembly

Magnet Assembly

 

 

Magnet

 

 

 

 

 

Voice Coil

Magnetic Gap

 

 

Figure 9. Cut away view of a typical moving coil driver.

Notice the complexity due to the high number of parts.

Monolith III User's Manual

Page25

Image 25
Contents Monolith III Speaker System Contents Introduction Placement Installation in BriefPower Connection AC Signal ConnectionMonolith III Speaker Monolith III SpecificationsHistory Page7 Connection AC Power ConnectionIIIp Connection TWO Bi-wire Connection for the Monolith IIIpONE Standard Connection for Monolith IIIp Three Passive Bi-amplification Page11 Introduction IIIx ConnectionPackaging Monolith IIIx Crossover connection IIIx Operation Crossover SettingsBass Contour Controls Your Room and BassMonolith IIIx Crossover Bass Contour controls Tuning Your RoomMusical Tastes IIIx Operation IIIx Technical DescriptionTheory of Operation Monolith IIIx Crossover block diagram of circuit Your Room Room AcousticsTerminology Bipolar Speakers and Your Room Rules of ThumbVertical Dispersion Horizontal DispersionDispersion Concepts General Placement PlacementBack Wall Front WallFinal Word ExperimentationAssociated Equipment General InformationCare Solid FootingAn Electrostatic Transducer Electrostatic ConceptAn Electromagnetic Transducer Full Range Operation Martin-Logan ExclusivesHybrid Technology Curvilinear Line SourceVapor Deposited Film Transducer IntegrityDo I need an amplifier with high current capability? QuestionsNo Output TroubleshootingGlossary Page31