TacT Audio RCS 2.2 XP owner manual Automatic Room Correction

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AUTOMATIC ROOM CORRECTION

Tact-2.2 XP can now perform room correction automatically from the 2.2 XP front panel user interface, without the need for an PC software.

The automatic room correction feature is designed to perform the entire room cor- rection process without using a PC interface. The Tact-2.2 XP has suffi cient DSP processing power to perform room measurement, crossover fi lter design, target curve generation and correction fi lter calculation. The entire process is controlled

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from the 2.2 XP front panel DRC-RCS menu. Target curve and crossover fi lter adjustments can be made on the fl y while the music is playing. Users can, for ex- ample, specify a boost at low frequencies or a roll-off at high frequencies. Values of the ‘low’ and ‘high’ frequencies can also be adjusted.

PC based room correction requires that the 2.2 XP is connected to the RS232 port of a PC. PC software is used just as a GUI (graphical user interface) to provide the user with a graphical presentation of the correction process. After the room response measurement is completed, the room frequency response for all mea- sured channels can be displayed on the screen. Crossover fi lters and actual cor- rection fi lters can be viewed. The displayed graphs provide valuable information that helps users design their own optimum target curve.

The Tact-2.2 XP memorizes two sets of target curves: computer generated and automatically generated target curves. When the automatic feature is turned OFF, the 2.2 XP will use a computer generated set of target curves. When the automatic feature is turned ON, the 2.2 XP uses target curves generated by the 2.2 XP front panel automatic correction feature.

When the 2.2 XP is connected to a PC and the automatic feature is enabled, au- tomatically generated target curves will be uploaded into the RCS/DRC screen. The curves can than be saved or modifi ed. Modifi ed curves can than be loaded back into the 2.2 XP. However, the uploaded curves will not take effect until the automatic feature is disabled. Any target curve uploaded to 2.2 XP is saved as a PC generated target curve and takes effect only when the automatic feature is disabled. In another words, if a target curve is to be modifi ed by the PC software, the automatic correction feature has to be disabled.

This following describes the automatic room correction process for all 2.2 XP operating modes.

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Contents RCS 2.2 XP Page Tact Audio Page Acknowledgments Table of Contents Unpacking the RCS 2.2 XP OFFIntroduction Modular design Dynamic Room Correction Page Automatic Room Correction Mode RCS-DRC screen Tact AudioPage Page Page Page Page Tact Audio RCS 2.2 XP Connections AES/EBU XLRRCS 2.2XP has three digital outputs for subwoofers RCS 2.2 XP Connections RCS 2.2X Connections Input AUX Front Panel Controls Remote Control Down Front Panel Display Master Level Indicator Output sampling frequency indicatorInput sampling frequency indicator RCS 2.2 XP operating modeUse to enables/disables Tact digital amplifier control Mode menu MonoFront Panel Main Menu DOUT-FS menu Each channel can be set to + 0 or inverted Sec option, and then turn the display OFF or dim it to a Comm menu Use this screen to set the 2.2 XP device address AMP menu Attached to the RCS 2.2 XPGain Lock menu Lock DRC-RCSFront Panel Main Menu Correction menu This parameter CRO optionFront Panel Correction Menu Names menu CRO menuFront Panel Correction Menu Front Panel Correction Menu Front Panel Parametric EQ Menu Parametric EQ MenuFront Panel Parametric EQ Menu Screen TacT Audio, Inc

RCS 2.2 XP specifications

TacT Audio RCS 2.2 XP is a state-of-the-art Room Correction System that enhances audio playback by employing advanced technology to optimize sound quality. It is designed to address common acoustic issues in listening environments, ensuring that you experience your music and movies as the artist intended.

One of the main features of the TacT RCS 2.2 XP is its sophisticated room correction algorithm. This technology analyzes the acoustics of your room and makes real-time adjustments to the audio output. By measuring the room's response at various frequencies, it can compensate for unwanted peaks and dips, resulting in a balanced sound profile. This enables listeners to achieve a high-fidelity experience regardless of room characteristics.

The RCS 2.2 XP includes a high-resolution digital-to-analog converter (DAC), which plays a crucial role in maintaining audio clarity and detail. The device supports multiple digital input formats, ensuring compatibility with various audio sources. The DAC also enhances the overall signal-to-noise ratio, allowing for a cleaner and more dynamic sound.

In addition to its room correction capabilities, the TacT RCS 2.2 XP features a user-friendly interface that allows for easy navigation and customization. Users can adjust settings according to their preferences, tailoring the listening experience to their specific needs. The setup process is simplified with an included measurement microphone that assists in analyzing room acoustics and generating optimal correction profiles.

Connectivity options are extensive, as the RCS 2.2 XP supports both analog and digital inputs. This versatility allows users to integrate the device seamlessly with their existing audio systems. The unit also provides multiple analog outputs, enabling connection to various amplifiers and speaker configurations.

Another noteworthy characteristic is the elegant design of the RCS 2.2 XP. Its sleek appearance not only complements modern audio systems but also reflects the high-quality craftsmanship inherent in TacT Audio products.

Overall, the TacT Audio RCS 2.2 XP stands out as a premier room correction solution. Its combination of advanced technology, intuitive user interface, and high-quality components makes it an ideal choice for audiophiles seeking to elevate their audio experiences. With the RCS 2.2 XP, listeners can enjoy music and movies in a way that is truly faithful to the original recording, free from the limitations imposed by their listening environment.