Vidikron Vision 150, Vision 140 Adjust Pixel Tracking before Pixel Phase, Picture Quality Menu

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Pixel Phase: Adjust pixel phase when the image (usually from an RGB source) still shows shimmer or “noise” after pixel tracking is optimized. Pixel phase adjusts the phase of the pixel sampling clock relative to the incoming signal.

Adjust “Pixel Tracking” before “Pixel Phase.”

Note

For best results, use a good test pattern such as a smooth gray consisting of a clear pattern of black and white pixels, or a similar “half on, half off” graphic image. Adjust the slidebar until the image stabilizes and each pixel is clearly defined. You may notice that you can stabilize the image at more than one point; for example, you may find that the image appearance at “11” is identical to the image appearance at “38.” Use either setting in such cases. If some shimmer from a video or HDTV source persists, use the “Filter” control in the Image Settings menu (described later) to remove high-frequency noise from the signal.

Horizontal Shift: This option moves the image right or left within the area of available pixels.

Vertical Shift: This option moves the image up or down within the area of available pixels.

The values shown represent where the approximate center of the image

Note lies in relation to the total number of pixels available horizontally or vertically. This varies widely according to the signal; watch the image while adjusting.

Use options in the Picture Quality menu to alter your image without affecting its size or position. Changes made in this menu are applied immediately and saved when you exit the menu. Options not available for the projector model or source are disabled and appear dim (gray).

White Level (Contrast): “White Level” increases or decreases the perceived difference between light and dark areas of your image (0-100). For best results, keep it under 50. If the White Level is too high, the light parts of the image lose detail and clarity. If it is too low, the light areas will not be as bright as they could be and the overall image will be dim. For best results, start with a low value and increase so that whites remain bright but are not distorted or tinted and that light areas do not become white (“crushed”).

If the environment lighting changes, an adjustment of Gamma is

Note

recommended (see below).

 

Black Level (Brightness): “Black Level” increases or decreases the amount of black in the image (0-100). For best results, keep close to 50. Start with a high value and decrease so that dark areas do not become black (“crushed”). Conversely, high brightness changes black to dark gray, causing washed-out images.

Gamma: “Gamma” is a global setting that determines how gray shades are displayed between minimum input (black) and maximum input (white) for all signals. The normal gamma setting of 2.2 is correct for virtually all signals and conditions. If excess ambient light washes out the image and it becomes difficult or impossible to see details in dark areas, lower the gamma setting to compensate.

Picture Quality Menu

Picture Quality

1.

White Level

50.0

2.

Black Level

50.0

3.

Gamma

2.2

4.

Filter

Off

5.

Sharpness

0

6.

Noise Reduction

0

7.

Color Space

RGB

8.Decoder Adjust

9.White Balance

0.Advanced

Vision Model 140/150 Installation/Operation Manual

53

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Contents 140/150 Page TWO Year Limited Warranty RIGHTS, Limits and Exclusions Product Information Retain for Your Records Important Safety Instructions Declaration of Conformity Compliance InformationFCC Part 1Table of Contents Attach Lens Mounting Assembly to Lens Motor Carriage Plate Serial Communications Maintenance and TroubleshootingSpecifications OperationTable of Contents Xii 1List of Figures List of Figures This Manual Carriage return must be used after each command or string1Introduction About This ManualIf you need Turn to Using This ManualThey also provide supplemental information Performance or cause a malfunctionDescription, Features and Benefits Optional Accessories Vision 140/150 at a Glance 2Controls and FunctionsLED Status Display Adjustable FeetTOP IR Sensor BUILT-IN Keypad Input PanelInput 1 Rgbhv Vision 140/150 Input PanelRemote EthernetVision 140/150 Rear-Panel Keypad Right Button UP ButtonLeft Button Down ButtonIR Sensor VHD Controller Front PanelVacuum Fluorescent Display Composite Video Input VHD Controller Rear PanelHdmi OUT InputsMain AC Fuse Power Input 100 to 240 VACMain Power Switch RS-232 Control PortVHD Controller/Vision 140/150 Remote Control Vision 140/150 Remote Control UnitLight IR Output IndicatorRETURN/EXIT Cinema ISF DAYControls and Functions Operation 3InstallationRemote Control To install batteries in the remote controlInstallation Installation Overview Quick SetupStep Procedure For Details, Refer to Advantages Considerations Installation ConsiderationsProjector Installation Options Installation TypeScreen Vision 140/150 Lens Options and Throw RatiosThrow Ratio With 126.9x54-inchVertical and Horizontal Lens Ceiling InstallationFloor Installation PositionHorizontal Lens Shift Example only Vertical and Horizontal Lens Shift Limits Folded Optics Lens Assembly Front View Installing the Projection LensAnamorphic lens mounting kit is partially pre-assembled at Installing the Optional CineWide Lens MountCeiling-mounting an AutoScope-equipped projector Lens motor installedFloor-Mount Angle Adjusting the ProjectionMounting the Vision 140/150 Floor Mounting UprightConnections to the Vision 140/150 and VHD Controller Connecting the VHD140/150 Hdmi Connections See Figure Connecting SourceController 11. Digital DTV RGB or Component Video Connections Digital DTV RGB or Component Video Connections See FigurePersonal Computer Analog Computer RGB Connections See FigureDVD Player, VCR Satellite Receiver Laser Disc etc Composite/S-Video/Component Video Connections See Figure14. RS-232 Control System Connection ConnectionEquipment Connecting 12-Volt TriggerPower source Connecting an External IR Receiver to the VHD ControllerProjector Component SD Ntsc 480i 169 V150 Turning on the PowerFocus Zoom Vertical and Horizontal Lens Shift Adjusting the Picture Orientation Primary Lens AdjustmentsPlate fixed CineWide Installing and Adjusting the CineWide Anamorphic LensHorizontal Position X Adjustment Installation Geometry Anamorphic Lens Top ViewWrong Position Calibrating Projector Input 2 DVI Main 17. TheaterMaster Remote Control for Vision 140/150Control Functions Navigating the Projector DisabledLtrbox night Vhd 720p16x9 night 4x3 nightInterlace Name 16x9 nightNumber Sync 26.97 kHz Input 23.98 Hz Menu Auto Source Locked Previous Channel Next ChannelSupport Native aspect ratio is with the primary lens only. With anSize and Position Menu Installation Picture Quality Menu Adjust Pixel Tracking before Pixel PhaseInternal grayscale test pattern Technicians use the White Balance submenuUncheck this item before exiting this menu There must be at least two consecutive white pixels presentRed White Level Back Porch Clipping Detector Color Enable RedAuto Color Enable Clamping Pre Calibration Red Black LevelLumaCal lamp calibration takes approximately two minutes Installation MenuAbove, the Automatic Lens Calibration setting has no effect Factors Working With the LampValue only 1246 may represent 3500 lumens, for example Easily maintained as the lamp ages Installation 4Operation Using the On-Screen MenusAspect Ratio ISF PresetsService Input SourceInput Source Main MenuAspect Ratio Hdtv programs in their Aspect Ratio SettingsDescription 169With a 2.351 screen and a RemotePicture Perform the adjustments in the order listed hereTypical Pluge Pattern for Adjusting Brightness Gray Yellow Cyan Green Magenta Red Blue Gray Yellow Cyan Green Magenta Red Blue Input Position Typical Test Pattern for Adjusting SharpnessInformation ISF PresetsISF Night You must enter a passcode to access the Calibration menuCalibration Should be used by ISF-certified technicians onlyOperation You must enter a passcode to access the Service menu ServiceDo not change the Type setting in this menu Keystone Correction Vertical Keystone CorrectionHD/RGB 1 and HD/RGB 2 Color Space Select Auto, RGB or YUV Operation Operation Lamp and Filter Replacement 5Maintenance and TroubleshootingLamp cover 2 screws Removing the Lamp RVR Removing the Primary Lens Lens ReplacementTroubleshooting Chart Troubleshooting TipsSymptom Possible Causes Solution Trigger CineWide with SymptomDescription General Vision 140/150 Error CodesLamp Failures Code Description Power and Cooling Code Description Code Description Miscellaneous Multiple serial commands Serial Command SyntaxRS-232 Connection and Port Configuration Serial CommandsAspect Ratio Commands Image Preset Commands Output Shift Commands Value Stored? Description Miscellaneous Commands CommandEnter key Serial Communications Vision 140/150 Specifications 7SpecificationsVision 140/150 Specifications Dimensions Home Theater Calibration SpecificationsIndustry-Standard Specifications Power Requirements VisionVHD Controller Specifications Vision 140/150 Dimensions Vision 140/150 DimensionsPage 020-0833-01 Rev. a March

Vision 140, Vision 150 specifications

The Vidikron Vision 150 and Vision 140 are two exceptional high-definition home theater projectors that have garnered attention for their impressive performance and innovative features. Designed for cinema enthusiasts, these models bring the big screen experience into the comfort of one’s living room, delivering outstanding picture quality and an immersive viewing experience.

At the heart of the Vidikron Vision series is a state-of-the-art DLP (Digital Light Processing) projection technology which provides sharp images and vibrant colors. Both projectors utilize a high-contrast 1080p resolution, ensuring that content looks lifelike and detailed. The Vision 150, particularly, stands out for its ability to reproduce deep blacks and luminous whites, thanks to its advanced dynamic iris functionality, which optimizes light output in real time.

One of the standout features of the Vision 150 is its color accuracy, achieved through a specialized color management system. This system enhances the projector's capability to reproduce various color gamuts, allowing users to experience films, sports, and games exactly as the content creators intended. The Vision 140, while slightly less feature-rich, still offers remarkable color fidelity, making it a strong competitor in the mid-range projector market.

Both models boast a generous array of connectivity options, accommodating various devices effortlessly. Each projector is equipped with multiple HDMI ports, component video inputs, and RS-232 connections, facilitating seamless integration with home theater systems. This versatility ensures that users can easily switch between gaming consoles, Blu-ray players, and streaming devices without hassle.

The Vidikron Vision projectors also feature efficient cooling systems, designed for quiet operation without compromising performance. This aspect is particularly vital during long movie marathons or intense gaming sessions, allowing users to immerse themselves in content without distractions from fan noise.

In terms of installation, both models are relatively user-friendly, featuring lens shift and zoom capabilities that facilitate flexible placement options. This allows for optimal image size and position depending on the dimensions of the viewing room.

In summary, the Vidikron Vision 150 and Vision 140 projectors represent a perfect blend of cutting-edge technology, stunning visuals, and user-friendly functionality. Their commitment to color accuracy and detailed imagery makes them a top choice for those seeking an enthralling home cinema experience. Whether it’s for movie nights with family or gaming marathons with friends, these projectors are poised to elevate any home entertainment setup.